Відео

The reason very few do, is because there's not much to talk about (or hear). Also, on a video it is difficult to actually gauge how loud something is, so you could hear the pads being hit, but it would be impossible to tell if it were loud or not and if it would disturb your neighbours.

@@edruminfo A decibel meter test.

@@therookiesplaybook Indeed, but if you understand the result of a decibel meter test, then you are better than 99% of people watching videos on UA-cam who don't know the difference between mono or stereo, and wouldn't recognise a realistic drum sound if it bit them, unfortunately.

You HAVE to use input 13. Its the only 3 zone input on the M12. You are probably using input 14/15 or 16/17 which would only work as mono (single zone) inputs with a 3 zone pad.

@@edruminfo thanks Simon I am using 13 just can't seem to get it right.

@@pigsfromagun4050 mono (TS) or stereo (TRS) cable?

@@edruminfo think it's a mono Roland cable

@@pigsfromagun4050 There is your problem. If you want to send more than one signal down a cable it must be stereo (TRS). Using a mono cable means only the head will work at the moment.

Thats because not everyone will be using it with a Yamaha hi hat stand. Some hi hat stands have a much thicker (and softer) bottom felt, which can slow the open and close response. Yamaha stands generally have a thin bottom felt and I've found it makes little difference whether it is left on or not. You might find different and prefer the feel without it, but try it and see. The bottom washer already has a neoprene bottom, so its not essential to remove the felt. As with all these things, try it and see for yourself. See what works for you.

@@edruminfo Thanks Simon! I really appreciate the detailed explanation.

ua-cam.com/video/WDNIu_ZRM70/v-deo.htmlsi=FwEQ43J0sRjcurUy Read what it says underneath

Hi. A few things here. No, it doesn't need mic inputs as the (mic) signal is already being processed in the EAD and the outputs are jack plugs (normal), not XLR (the 3 pin connectors found on the bottom of microphones). But also, you don't need to connect the EAD via an audio interface - it has one built in so just connect the EAD to your computer with a USB cable and find the EAD as an audio interface. Much simpler.

@@edruminfo Thank you so much!! 👍🏻 If I connect it to my computer, how can I add both my Avid MBox Studio Interface and my EAD10 to Pro Tools so I can have a track from the EAD and the other things connected to my MBox? Thanks again!! 👍🏻

@@tonyvalenti6614 Are you PC or Mac?

@@edruminfo 🤦🏻‍♂️ Sorry. Windows 11.

@@tonyvalenti6614 In which case, carry on as you are doing at the moment. If it were Mac you could set up an Aggregate Device and run 2 or more audio interfaces at the same time.

It can be anything - my one is a SubZero SZ-HC1 but anything from Behringer, Fischer etc. It doesn't do anything apart from allow you to turn the band up or down and protect the EAD. My one in nothing magical.

Its just a generic Chinese headphone amp. This one is branded SubZero and its the SZ-HC1 but there are many similar from Behringer (P2), Fischer (Mini Body Pack 2) and many others.

@@edruminfo Thanks!

Thanks Richard. In the video, the band are coming in on the XLR provided by FOH. I've got that going through a passive headphone mixer, and I can adjust the volume of the band by turning the volume control of that up or down. To get the mix correct, you have to balance the monitor feed, with the click, with the kit, which takes a couple of minutes, but once its done its pretty quick to nudge volumes up or down as required.

It will feedback - the microphones in the EAD Sensor will pick up the monitor - that's physics. This is an advantage of IEM - they lower the stage volume (no drum monitor) and much less likely to feedback unless you have them incredibly loud.

Some people like loads of drums(!), but yes, you're correct. I sort of assumed people wouldn't go for double drums (unless they're in a Genesis tribute act of course...)

I knew someone would question this so I timed it. Assuming I have the case with the EAD open in front of me and the stand base I put the module on already standing, then putting the Sensor on the kick, tightening it, mounting the module, plugging the power in and connecting the two with the double cable and powering on, then yes. Perfect for when you're late to a gig!

Thank you. It's that lack of... what's it called.... time! Hopefully there'll be a few more soon.

Hi. Many of the samples are stereo and already panned more one way than the other which for a left hander is a problem, as you've found out. You can not universally flip the stereo field of the whole kit, but there are 2 options. Firstly (and I know this sounds stupid but it works) wear your headphones the other way around. However, that doesn't always work, depending on the headiness or in ears. The other is to get a small mixer (more than 2 channels) with panning. Then plug in the master outputs and flip the pan with the pan controls. This is the much better option.

Hey, do you have any recordings of you playing this module with a band? I would love to hear them. Can this module sound like Mic’d acoustic drums or acoustic drums in a mix? I only had maybe 20 minutes with the kit two years ago and I definitely liked Roland stock cymbal sounds better.

Yes, you could play 12 different loops if you wanted.

Good! Thank you.

This explains how I got them. ua-cam.com/video/UMxjg1r8r40/v-deo.html

@@edruminfo can u share the file into drive please? So i just download and import to module

@@Drummer_Kamar No. I cant. That would be illegal. Look at the video. You can only do it for your own use. Sorry, but you'll have to do it yourself.

@@edruminfo bcs i dont understand to edit the sample sound to be good and fit to module, maybe u can make the tutorial to edit the sample?

Good! Pleased it helped.

Do you mean the written text under the video where I explain how to do these settings? I'm pretty sure I never did any dialogue (but I might be wrong)

Yes it was only text. It seemed a great explanation but can’t find it again. It appeared on the right of the screen but not showing up again. How can I find it. The text listed some settings on how to set hats up as a good starting point.

Hi, while the pad will be somewhat compatible, the controller data sent from it will not. Lemon use the same foot controller information that Roland do, whereas the system that Yamaha uses is different and the two are not interchangeable. So, I'm afraid that it is not fully compatible. To make it compatible, you would have to use a Yamaha HH65 foot controller plugged into the Control socket on the back of the module, and the Lemon pad output plugged into the HiHat input on the back of the module. To me its not worth it. I'd use the Yamaha RHH135 as it is.

@@edruminfo Thank you sir Simon! I also replied to our email conversation.

But like I say in the video, if you set it up correctly (not just leave the factory setting), you can leave it on 100% of the time, and not think about it. Then it becomes a permanent 3 zone pad, just dependent on where you hit it.

No problem. Thanks for watching it, and the kind comments too!

It has a lower pitch than most and it doesn't seem as loud as many, but any pad resting on the floor (like a kick pad) will cause lots of vibration to travel through the floor, so will seem loud unless isolated from the floor.

Any dynamic mic (like a Shure SM57) with the correct cable (XLR to jack). The feature is for whatever you want to use it for - using the internal recorder to record rehearsals, singing, sampling your acoustic drums. I only mentioned it as being able to record audio into a drum module is a pretty rare thing. Use your imagination and come up with something really cool!

The Evans are no different from any other mesh head for triggering and there's loads of videos of people triggering through EAD. I did the video really just to show how the Evans sound through the EAD, as there is nothing else like them - between a mesh head and a normal head. All putting triggers on would do is show the samples from the EAD, and thats not why I did it - you know it triggers already, otherwise you wouldn't have suggested it!

You can do it for any sound you want, but with cymbals you'll run out of memory very quickly as they are so long, in comparison with (generally) shorter drum sounds.

The ATV pads will work, the KD10 will work, the CY pads will work as mono or stereo (not 3 zone) but the FD9 will definitely not work.

@@edruminfo thank you, I will keep this in mind

No, its not, as the DTX900 does not have USB audio, and it needs to have USB Audio to work. The DTX900 is too old.

I'm afraid not, because there are different types of pads - bar pads, main pads, external pads. What are you trying to do?

@@edruminfo I just want the pads to be more sensitive to being hit.

@@sogent56 OK, well you can change the type of trigger hit for all pads at once. You can set it for stick, hands or fingers. If you set it to Fingers that will be most 'sensitive' but you won't get to use the pressure sensing (as pressure sensing is turned off when using Fingers). Press Shift and Utility so you go into Trigger settings. Change the overall pad type to P04 Hand orP05 Finger and see how you get on.

@@edruminfo THANKS!!

Hi. If you have loaded them, they are in the pad, they don't need loading again, and are ready to be used on any other kit. Go to Voice. Highlight the first 2 letters (instrument type) and go up (+) until you find WV (or Wave ie, your own wave files). Then just scroll through the WV files until you find the samples you are looking for.

I don't understand what you mean. You can loop any phrase or sample endlessly. You don't have to stop it to save it, but if you don't save it, and you power off, you will lose it.

Everything is designed in Japan. The modules are made in Indonesia, the wooden drum shells are made in China at the Yamaha drum factory, the hardware is made in various places (mostly Indonesia). Like almost all Japanese electronics and musical instrument companies, very little is made in Japan now, otherwise the prices would be much higher. Why do you ask?

@@edruminfo gotcha! And I was just curious, since the shells are handmade at the Yamaha factory, I thought maybe it was a Japanese made drum set. But I have no doubt build quality is absolutely amazing.. I know Yamaha doesn't mess around