Відео

Combo stands and the junior combos, if I want to get even lower I use pelican cases

The steadycam/Acessory mount from adicam

@@GidonLasch Thanks!

Sunday!

Yes, it’s a steep price, but it’s always the same with film gear. You need very good quality, and the production numbers are small. The higher the quality, the more absurd the price may seem, but to get 10% more quality, it often requires at least a 30% increase in price. I hope that makes sense to you-it’s not greed that makes professional gear so expensive.

@@GidonLasch nah I think this one piece of gear that’s an absolute rip off.

True. You could easily use a Handcart and put a desk on it for under 150€. It’s that simple. I really don’t get it either why this stuff is so damn expensive

That is very nice from you, thank you very much! You should maybe look in to what tilta is announcing I think I have seen a prototype from them, should be much cheaper.

Thx very much

Thank you very much! Yes, the Euroboxes are pretty much the only way to carry the rigged-up camera. I don’t like to disassemble my gear, and this way it’s easy to carry. The FX3 with a monitor literally fits in no camera bag at all, and that’s the problem with many cameras. I have an inlay inside the boxes and some foam to protect it. I can really recommend trying it out!

That is hey i made this Video! Thank you

Not that I know of I think it’s possible to see that in the future

Me too, it’s very handy with the burano.

I would absolutely recommend being as gentle as possible with your lenses and always keeping the lens caps on. I handle mine differently because I need to work quickly when shooting documentary films, and I get paid to do so. Since I’m quite rough with my lenses, I end up replacing them every couple of years. If photography or videography is just a hobby for you, take care of your gear so you can enjoy it for much longer. I wouldn’t worry too much about dust, as it’s inevitable that dust will enter your lenses if you use them often, even with the lens caps on. The main concern is scratches. I use a UV filter on the front, so I only need to worry about the rear element. That’s how I try to protect my lenses a bit.

@@GidonLasch Thank you for your reply. Yeah I was thinking about the rear part. It looks likes you put the lens in the pouch rear end pointing up. So dust or other dirt can get on it and ruin your shot. But I understand that you have to be quick. Did you think about using strap holders for lenses? For example LENS KIT from company Peak Design. Because that will cover the rear and also provide you with the quick change utility.

​@@GidonLasch Now when I look at it again it looks like you put it rear side down...sorry

Normally I true to put it rear side up so it doesn’t scratch the lenses and just dust it off as much as I can

And a little dust doesn’t ruin your shot if you are shooting wide open you can’t see dust at all as long as you keep the sensor clean

An suddenly red is not as cool anymore 😅

Thank you

Always a pleasure!

Thank you 👌

Glad to hear that, I didn’t receive a mail from you so please check on that i need the shipping address.

I Hope you have some use for the Filter, just reply to my mail and the i will arrange the shipping 👌

it is very complicated, but I tried to do it as understandable as possible

They are separate in my car, I have a transit custom and fix them to my shelf

Absolutely after a bit more testing with the burano I need to clearly say that it hast a big advantage over the fx3 especially in skintones and the ease you can get the pictures to a good look but still the fx3 is so amazing for what it is!

The red certainly has some characteristics that stand out I also was very impressed with the image

I bought the Burano because I needed a high-end camera for various shoots, and nothing comes close to the Burano for my personal needs. I like the camera very much, but I wouldn’t recommend it to someone who is not doing high-end documentary work or a combination of documentary and image work. There are some things that annoy me a little bit right now, but they should be resolved with the upcoming update. What I can say after some shoots is that it’s a fantastic camera. As for IR pollution, it’s not a problem for me; I didn’t notice any issues with the ND filter while using it.

thank you very much! all new sony lenses have the aputure ring but you can always use the handgrip wheel or the one on the side of the burano to change your apputure as well.

@@GidonLasch Thanks a lot for the info!

@@goofysurfista always happy to help!

i do and i am working with it, so in the next time I will do an other video about how it is to work with. but I can tell you I like the burano a lot after shooting for a week with it.

hi there, no the video is shot on the Fx3 and only the chest shots of the Alexa are shot on the the 35

i am aware of it and did some test with the EH turned on the big problem here is only the beta of RED Cine X Pro is able to open the files, of course that will change but for now its not the best for your post workflow. I think even with it turned on the Alexa has the edge and it's hard to compare because it is not as usable as on the Alexa but I absolute get your point.

@@GidonLasch if you do a UA-cam search for the comparison, there was a new video that was just released where you can see for your own eyes the difference in both cameras! This guy’s channel: Thai 8K HDR Variety

I wish you luck!

Absolutely I compared it to my heliopause witch is much more expensive and I think it holds up very well.

Thanks a lot appreciate it very much

I think there is always the right tool for the job and sometimes it will be a red but yeah as soon as you have enough budget, go Arri or go home! the camera you are describing sounds great ;)

I think that's kind of what I said, but I don't know many people who have the money for an Alexa. High resolution isn’t about getting an 8K delivery; it’s about being able to work with the resolution in post. And of course, you are right about the dynamic range; I love it about the Alexa 35. But at least for me, if I could afford it, I would wait until the new LF sensor is available and then pull the trigger to get an Arri. The problem with Arri is that in many ways I prefer the Sony. When it comes to handling, the speed I can achieve with a Burano is much higher than with a 35.

@@GidonLasch But how do you navigate the labyrinth of shooting modes and their limitations? The Burano is a total miss - to me?

It’s not as complicated as it sounds. I only need one shooting mode per project and will stick to it. The only time I change the shooting mode is when I want to do slow motion. By now, I know the camera well enough that I can make adjustments very quickly. Still, I’m really looking forward to some updates on the camera that will make things a lot easier. The Burano will be a miss for many people just because of the price-pint but for me its just the perfect do it all tool.

@@GidonLasch That’s cool. As long as it makes you happy and it inspires you! Rolling shutter notwithstanding (cough) :-) just kidding, I’m glad you’re happy! I would have easily chosen a V-Raptor X - and get better dynamic range than the Alexa 35, a crap ton of frame rates and resolution, better color science, and the best post production flow in the business?

Absolutely on paper the red offers much more but since I am shooting a lot of documentary films I have very different needs in a camera and then a vario nd an image stabilizing and quick booting time as well as low battery consumption is worth much more

hope you liked it

@@GidonLasch yes i did

thank you

I think they won't give us this option in the Burano, they need to separate the Venice a little it but yes that would be well appreciated!

@@GidonLasch they really don’t seem to want to respect the need for open-gate in this market price point, but they gave the same excuse with the FX9 when it first launched and I sat down with Sony reps for their introduction to the camera. They didn’t get that 4:3/3:2 capture was super useful to the modern social media market for multi-aspect capture and seeming now nor the proliferation of great single focus low-budget anamorphics.

It’s very unfortunate yes I just hope for a update in the next years to supercharge the burano a bit. If enough people beg for it maybe at some point the will listen.

thank you!

immer wieder gerne heute durfte ich meine schöne Burano abholen, allerdings in München beim tollen Tobi!

@@GidonLasch Wir hoffen sehr, du hast tolle Projekte mit der Burano geplant! Wir liebe sie auch sehr 🤩

sie ist schon fleißig im Einsatz und hat noch viel vor sich ja!

so nice from you! Thanks

thanks so much!

Yes it's a very nice combination, the colour cast isn't that bad, you do see a little bit of shift when stopped down but its just minor. and yes you have a warm tint overall.