Відео

Can You tell me how can I set Sound Concurrency for my Metasound ? In Edit Metsound Settings I don't have it. UE 5.4.2

Loving this. Thanks Dan!

I wonder how to execute trigger parameter in bp’s to be in sync with my clock. I have a music system metasound and a separate metasound with the need of executing trigger parameter to play the sound. Shall I just do a play quantized that metasound and then execute parameter with some gate stuff inside metasound or maybe it is possible to execute parameter in time sync directly in blueprints. Thank you for all of your videos and sorry if this question is stupid.

Sleeper is right. I had no idea this was in there. Also there's something comforting about watching you struggle with a command and wondering if they changed it, the same way the rest of us do 😆. Guess I will go badger the devs some more about moving to 5.4!

Nice. Looking good!

neat ! cool music too ; ) hope you're doing well

> Does music and sound for Epic Games > Recording has background noise

Hey Dan, super interesting. I tried that during the last days and this feature is totally a game changer, very curious to see the next updates. Usually i create widgets or editor utility widgets but in this way, will be interesting to have a ready tool in our hands, thanks

спасибо, правда интересно.

I've been using this constantly. Great for checking levels with a ducking system implemented, finding rogue sounds that might have an attenuation missing, debugging audio options menu sliders, and the list just goes on and on. Far more informative than the Editor Utility Widget that was posted a while back in the community forums.

omg. im in love :D omg submixes, graph, volumes, peaks... can be this more perfect?! ^^

crazy stuff

Thanks a log, I was struggle with the fact that my Camera wasn't in the volume until this video. Thanks :-)

How did you connect MusicPlayer node to GET node? When I create GET node it doesn't have a pin for the music player.

You made a perfect tutorial! You are great!

Clever, thanks! Is there a way to make the Wave Player just play in reverse without having to make a reversed version of the sample?

This is really cool Dan! Is there any chance you can go into more detail on how this effect was achieved? It would be really helpful for a project I am working on currently

Sweet!!

Thanks for this! Is there a way to set loop regions for samples within the fusion sampler? So we can use it for sustained notes?

super dope. let's go

Frankly speaking too much blah blah

I knew I missed some important tutorial ... lol

Aha, nice! And so, the higher level tooling begins :) It’s a great start but I suppose one of the issues now vs a DIY patch is we start to compare to DAW soft samplers etc and by that metric this is pretty rudimentary. Still, I look forward to digging in. One obvious feature that’s missing for me is varying step lengths per sample for poly meter goodness. Thanks for the intro Dan.

Sweet vid! Is it possible to change the hits in each row from in the game somehow?

oh heck yeah 👀

If only this could've made it into 5.3. I made my own single sample player that functions, but it's unsatisfying without midi and I don't think I will do the work to try making it multi sample.

I totally missed the right click create fusion patch. Thank you so much for pointing that out.

I know what I’m doing this weekend! 🎉

Not sure if I missed it, but can you dynamically add/remove notes to the step sequence at runtime?

Sweet!

CRAZY STUFF thanks

AMAZING! Thank you Dan. Do you have any more information on how to import markers as cues in metadata in other DAWs that the metasounds can read?

Great another vid from the source.. keep them coming! Btw Your keyboard hits are killing my subwoofer. I would high pass this video around 80 hz as your hits are really really hard.

Awesome stuff - thanks Dan!

Cool 🆒

It’s very very cool!!! Thank you so much!!!👏👏👏👏👏👏👏

hello Dan!! I wanna ask a question that if there have any function like RTPC in UE5.3???I want to use game parameter such as Time or Degree to control some parameter in MetaSound. I knew there has a Modulation system, but it seems can only control four parameter listed in audio settings(Volume, Pitch, LPF, HPF), I just wanna a custom curve, and the game parameter can map to it, and map out a value to metasound, or the opposing situation(oh the watch output node already done that work hahaha), if there doesn't have this function, my team will develop a MS node that could make MetaSound could choose a custom curve asset, and map a float value from game parameter to metasound. need some tips!!!

Your vids are so helpful! I thought it'd be easy to transition from VCV Rack but it's been a big struggle. I think I'd like to put together a wave defence prototype where different enemy types influence different note probabilities + the total amount of enemies influences the rest probability. Would probably end up sounding like a mess but it just seems so neat in my head!

Hi Dan, first of all I want to thank you for all Quartz and Metasounds videos you have made. They have been a great source of inspiration and help for me. I’m developing interactive music game and Quartz takes care of whole music system. I have slow-motion feature in game and I would like to change pitch of all audio files when slow motion happens. (slomo can be triggered any time) When I’m trying to change bpm of Quartz clock during runtime to match bpm of pitch shifted audio files, Unreal (5.1) crashes. Do you have any solution for this?

As a percussionist learning UE5 to bolster my audio implementation abilities, I super appreciate this demo! I wonder how this would work with something like Reich’s “Drumming” where the phase isn’t sudden and is a smooth shift over time eventually landing on a new cohesive pattern?

I think a lot of folks would be more open to metasounds if it was marketed as one part of a larger audio ecosystem. It's not a replacement to Wwise, but an addition to your design workflow. I do hope that Epic begins to focus on mixing games with UE audio in the near future. Managing large sets of files, bussing, and the like gets really confusing with all the places things can be overridden. A true audio mixer view is what we need to replace soundclasses. Additionally setting params with strings/names in the metasound graph just seems ripe for error on large teams. I love studying metasound in my free time, but I don't see an easy path of integrating it with dozens of audio designers at work on a project without lots of policing in its current form.

Hi Dan, thanks for your really great work and it really helps me with designing the fundamental pipeline of auido system for a new project. I have a question regarding the LOD Color Point Hash Width and LOD Color Point Hash Distance at about 20:00 of this video. It eludes me that what exactly the "distance" here means. As far as I understand it, the Width here refers to the width of the spatial area split by some algorithm, say KD Tree or something. However, between what and what does the "Distance" refer to? Is it between the camera (or listener) and the player? Or between the camera and the spawned audio instance? If it is the latter, how an audio instance can be spawned before we actullay know WHICH auido is supposed to be spawned, in that the system will first check the density of some object in some area? BTW, another question arises here: how does the process of examining the density of something in an area work? Does the system use a sphere centered at the player with some radius to dynamically detect the color points within this sphere?

GGGreat video！but I have a question, is there any different from Metasound Patch and Metasound Preset?? When I create the Preset, I found it will automatically create the graph that I can use in other Metasound Source. In this case, maybe it's no necessary to create patch？？

That's really helpful, thank you so much !

[quest1] Are the Middleware (Wwise) assets not linkable, and if not, when will you release a version that is? [quest2] Can this feature be utilized to solve environmental changes and time changes in parameters?

Thanks a lot for the video! :) Plenty of useful information here and notions to experiment with^^ I have a question regarding the Parameter Patches: in the video you said that the Control Buses you added to your Patch are going to influence the property (the volume, in this case) of the Patch. Does that mean they'll affect the audio asset the patch is assigned to? And if that's the case, how? I expected to see a further curve on top, the one of the property of the patch itself, but seeing only the curves of the added Control Buses confuses me... Am I missing something? Did I get this the other way around? XD Many thanks! :D

What is a cue point? How do you trigger one?

Hey, thanks for the great tutorial. I got one question: Id like to implement wwise into this as wwise does offer more control over the instruments and we use it in the project already. Is that possible?

According to 5.2 documentaion the Sound Class is a "legacy" system that will be replaced by this modulation yet I still have to utlize the default Sound Class in project settings to set default modulation... So I assume this will change?

Is there supposed to be audio? I hear nothing