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Illumination Lab
Приєднався 2 сер 2023
Welcome to the Lab, I'm Justin, a 3D hobbyist using Cinema4d and Redshift.
This Channel is developed to help encourage others to learn and grow using 3D as a medium.
This Channel is developed to help encourage others to learn and grow using 3D as a medium.
Toon & Color Layer | Cinema4d | Redshift
#cinema4d #redshift3d #illuminationlab #tutorial
Today, we are playing with the toon effect within cinema4d and Redshift.
Today, we are playing with the toon effect within cinema4d and Redshift.
Переглядів: 88
Відео
Setting Up Labels and Studio Shots In Cinema4d And Redshift
Переглядів 18921 день тому
Setting Up Labels and Studio Shots In Cinema4d And Redshift
Resculpted Ep. 4 | Transitional Kitchen Colorization | Cinema 4D | Redshift |
Переглядів 2512 місяці тому
#cinema4d #redshift3d #interiordesign #kitchen In Episode 4 of Resculpted, we apply color to our transitional Kitchen in Cinema4D and Redshift.
Resculpted Ep. 3 | Transitional Kitchen | Cinema 4D | Redshift |
Переглядів 2392 місяці тому
#cinema4d #redshift3d #interiordesign #kitchen In Episode 3of Resculpted, we try recreating a Transitional Kitchen within Cinema4D and Redshift.
Mock Conference Created Within Cinema4D | Redshift | CapCut
Переглядів 452 місяці тому
#newphone #confrence #cinema4d #redshift3d #ai #capcut Today, we will unveil Velocity, and you will hear from the CEO and others as they provide a preview at Velocity's new phone.
Resculpted Ep. 2 l Retro Bath l Cinema4D | Redshift |
Переглядів 3133 місяці тому
#cinema4d #redshift3d #interiordesign In Episode 2 of Resculpted, we try recreating a Retro Bath within Cinema4D and Redshift.
Mock Phone Ad | Velocity | Cinema4D | Redshift |
Переглядів 3403 місяці тому
A Quick Phone Ad Rendered In Cinema4D and Redshift
Introducing: V E L O C I T Y
Переглядів 443 місяці тому
Teaser Trailer for Velocity. #newphone #cinema4d #redshift3d #3d
Resculpted l Recreating A Tropical Living Room | Cinema 4D l Redshift l
Переглядів 6873 місяці тому
#cinema4d #redshift3d #interiordesign Welcome to Resculpted! In this new series, I will try and recreate a number of different images and products within Cinema 4D and Redshift. The rules for this is to try and do the whole project in one sitting and to only use a maximum of two renders before having to submit a final render. My goal for the series to to try and find a fun way to learn Cinema4D...
The Process Of Character Design Pt. 1 | Robotic Shaman | Cinema4D | Redshift |
Переглядів 1204 місяці тому
#cinema4d #redshift3d #character #3d Today, I will show you the Long process of character design within Cinema4d and Redshift Step into the realm of photorealistic rendering as I take you on a visual journey through this exquisitely designed dining space. Using cutting-edge 3D technology, I meticulously crafted every detail, from the elegant furniture to the play of light and shadows, to create...
Scale and Metal l Modeling A Metal Dragon PT. 3 l Cinema 4D l Redshift l
Переглядів 944 місяці тому
#cinema4d #cinema4dtutorial #redshift3d #dragon #3d Today, we will finish our Metal Dragon within Cinema 4D and Redshift. Step into the realm of photorealistic rendering as I take you on a visual journey through this exquisitely designed dining space. Using cutting-edge 3D technology, I meticulously crafted every detail, from the elegant furniture to the play of light and shadows, to create an ...
Scale and Metal | Modeling a Metal Dragon Pt. 2 | Cinema 4D | Redshift |
Переглядів 644 місяці тому
#cinema4d #cinema4dtutorial #redshift3d #dragon #3d Today we will start part two of creating a metal dragon within Cinema 4D and Redshift Step into the realm of photorealistic rendering as I take you on a visual journey through this exquisitely designed dining space. Using cutting-edge 3D technology, I meticulously crafted every detail, from the elegant furniture to the play of light and shadow...
Scale and Metal l Modeling A Metal Dragon PT.1 l Cinema 4D l Redshift l
Переглядів 1205 місяців тому
#cinema4d #cinema4dtutorial #redshift3d #dragon #3d Today we will start part one of creating a metal dragon within Cinema 4D and Redshift Step into the realm of photorealistic rendering as I take you on a visual journey through this exquisitely designed dining space. Using cutting-edge 3D technology, I meticulously crafted every detail, from the elegant furniture to the play of light and shadow...
Exploring Meshy AI | Cinema 4D | Redshift
Переглядів 3725 місяців тому
#cinema4d #redshift3d #ai #3d #cgl Today we will examine meshy Ai, a great tool for 3D artists. Step into the realm of photorealistic rendering as I take you on a visual journey through this exquisitely designed dining space. Using cutting-edge 3D technology, I meticulously crafted every detail, from the elegant furniture to the play of light and shadows, to create an immersive experience like ...
Modeling A Penthouse Bathroom | Cinema4d | Redshift |
Переглядів 2255 місяців тому
#cinema4d #redshift3d #3d #cinema4dtutorial #interiordesign Today I will model and colorize this stylized bathroom in Cinema4d and Redshift. Step into the realm of photorealistic rendering as I take you on a visual journey through this exquisitely designed dining space. Using cutting-edge 3D technology, I meticulously crafted every detail, from the elegant furniture to the play of light and sha...
Confetti Jungle | Breaking Assets in Redshift | Cinema 4D
Переглядів 2556 місяців тому
Confetti Jungle | Breaking Assets in Redshift | Cinema 4D
Future Shock Pt. 2 | Lighting & Textures | Cinema4d | Redshift
Переглядів 3266 місяців тому
Future Shock Pt. 2 | Lighting & Textures | Cinema4d | Redshift
Future Shock | Modeling a Bedroom Scene | Cinema4d | Redshift
Переглядів 2996 місяців тому
Future Shock | Modeling a Bedroom Scene | Cinema4d | Redshift
How To Create an Underwater Scene With Kitbash | Cinema4D | Redshift |
Переглядів 5517 місяців тому
How To Create an Underwater Scene With Kitbash | Cinema4D | Redshift |
Voyage of Visualization | Spaceship Design in Cinema4d and Redshift
Переглядів 1417 місяців тому
Voyage of Visualization | Spaceship Design in Cinema4d and Redshift
How To Build a Scene Without Modeling | Cinema 4D | Redshift |
Переглядів 3857 місяців тому
How To Build a Scene Without Modeling | Cinema 4D | Redshift |
The Palette of Possibilities: Stylized Technique for Redshift | Cinema4D
Переглядів 2157 місяців тому
The Palette of Possibilities: Stylized Technique for Redshift | Cinema4D
Crafting A Backyard PT. 1 | Cinema 4D | Redshift |
Переглядів 1228 місяців тому
Crafting A Backyard PT. 1 | Cinema 4D | Redshift |
Exploring VMOD Fabricator | A.I. Generated Fabrics For 3D Artists |
Переглядів 9148 місяців тому
Exploring VMOD Fabricator | A.I. Generated Fabrics For 3D Artists |
Building A Skate Shop | Kitbash | Cinema 4d | Redshift
Переглядів 1208 місяців тому
Building A Skate Shop | Kitbash | Cinema 4d | Redshift
Atom Array Shoe Design | Cinema 4D | Redshift
Переглядів 4128 місяців тому
Atom Array Shoe Design | Cinema 4D | Redshift
3 Key Elements to Remember When Working With Cameras | *Requested Video*
Переглядів 1969 місяців тому
3 Key Elements to Remember When Working With Cameras | *Requested Video*
The Art Of Fortune l Making a Tarot Card Deck Within Cinema4D l Redshift
Переглядів 939 місяців тому
The Art Of Fortune l Making a Tarot Card Deck Within Cinema4D l Redshift
Cinematic Flavor: Designing a 3D Restaurant Oasis | Cinema4d | Redshift
Переглядів 3479 місяців тому
Cinematic Flavor: Designing a 3D Restaurant Oasis | Cinema4d | Redshift
Bedroom Bliss | Modeling a Bedroom | Cinema 4D | Redshift
Переглядів 2019 місяців тому
Bedroom Bliss | Modeling a Bedroom | Cinema 4D | Redshift
I did what you told me. I think "Outline" section refers to the external of contour, but it still only has lines in geometry outline and it doesn't fit into the alpha applied side. Please give me an application sample.
Hmm, interesting, try this: Use the Redshift Object Tag: - Select the plane object. - Right-click and choose Redshift Tags > Redshift Objects - In the Redshift Object tag, go to the “Visibility” tab. - Enable “Remove from Toon Line” This will prevent the plane’s geometry from generating toon lines based on its shape. Or you may have to Modify the Alpha Channel - Ensure that the alpha map is properly connected to the material. - In the Redshift Material, you should already have an alpha map (texture) connected to the “Opacity” input of your material. - The alpha map should determine the transparent and opaque areas of your material, but the toon outline needs additional steps. Since the standard "Outline" feature in the Redshift Toon material follows the geometry rather than the alpha map, and you've already tried adjusting the Redshift Object Tag settings without success, here's an alternative approach: If somehow that still doesn’t work you can try this: Duplicate the Object: - Create a duplicate of your plane object and apply the same alpha map to the duplicate. Apply a Black and White Material: - Apply a new Redshift material to the duplicate object. - Use a “Shader Graph” in this material to create a black-and-white version of your alpha map. - Plug the alpha map into the “Diffuse Color” channel, where white represents the opaque areas and black represents transparency. Use a Fresnel or Curvature Node: - In the Shader Graph, add a “Fresnel” node to detect the edges based on the alpha. - Connect this node to the input where you want the lines to appear, such as the “Diffuse Color” or “Emission.l Set the Duplicate to Outline Only: - In the Redshift Object Tag for the duplicate, enable “Remove from Toon Line” on the original object but leave it active on the duplicate. - Set the duplicate to render only the outlines by making it fully transparent or black while maintaining the edge detection for the outline. Composite the Results: - Use the Compositing Tag in Cinema 4D to control visibility, ensuring the duplicate only affects the outline. - This method may require some tweaking with the Redshift render settings to blend the outline correctly with the original object.
@@IlluminationLab_ The term "Remove from Toon Line" you mentioned is not in the "Visibility" of the Redshift Object Tag.
@@IlluminationLab_ Even if I post the relevant image on my blog, the message will be deleted if I write down the link value. If you let me know your email, I will send you the captured image.
Give me a few days and I’ll try and figure it out. I’ll throw my Email in the bio of the channel.
@@IlluminationLab_ thanks
In Redshift Toon Materials, when I apply the alpha image to the plane polygon, the line is not represented by the alpha map, but it comes out according to the plane. How can I make the line appear according to the alpha map?
Good question, make sure your alpha map is properly connected to the Opacity input of the Redshift material applied to your plane. Also, make sure you have a redshift object tag. In the redshift object tag, go to the “visibility” tab. Make sure “primary ray visible” and “secondary ray visible” are checked. In your Redshift Toon Material, go to the “Outline”section. Make sure “Line Transparency” option (or similar settings depending on your Redshift version) is turned on. Lastly, I’m sure you know about this but you might want to double check, In your Redshift Render settings, ensure that the “Ray Trace/Alpha Transparency” is enabled under the Advanced tab, allowing proper rendering of alpha maps. Hope this helps!
@@IlluminationLab_ thank you very much.
Of course, hopefully that helped. Feel free to reach out and I’ll try and assist the best I can.
Why you chose to use cylindrical lights instead of using emission materials?
Hey, man! I personally use Cylindrical lights for a few different reasons. Cylindrical lights provide more precise control over the quality of light, including parameters like intensity, color temperature, spread, and decay. Where I believe emission materials can be harder to control and tend to have noisier lighting. Emissions can also increase render times. I think you have better control with Cylindrical lights overall, with shadow density and you have a bit more artistic control. Emissions can cast shadows pretty well but I feel like I can’t control them as well. I think emissions are great for sci-fi scenes or glowing signs where shadows aren’t really a big deal. I also think with working with glass or a lot of reflective materials emissions can be unpredictable where I believe cylindrical light can give you a more predictable look. Both are great but I personally use cylindrical for this type of scene. Hope that helps, thank you for reaching out!
Appreciate this! Subbed 👍
Cool stuff!
Thank you, glad you liked it!
Really cool!
Thank you, I’m glad you liked it!
What version of redshift and NVIDIA graphics driver are you using, and why does redshift respond so quickly?
Redshift version 3.6.01 at the time of this recording. Nvidia 3060 T.I. When making videos, I normally record myself doing the process and then I take that recording and edit it. During editing, I will speed up slower parts or delete loading times to help condense the video. Usually redshift is pretty responsive for me but that can vary depending on how heavy the scene is or my settings at the time.
Very cool
Thanks man, I greatly appreciate it.
@@IlluminationLab_ Interiors are super tough for beginners and to teach, but you nailed it! keep up the great work! I'll share your channel in my discord for sure!
@effectatron Thank you, I try and make it educational and somewhat entertaining to watch. Every video I try and get better from a delivery standpoint and also technically as well. I actually learned Cinema4D from your videos and a few others. Thank you again and I appreciate you sharing within your community.
OMG! Your work is so beautiful !!!
Thank you, I greatly appreciate your kind words.
Great! Thank You!
I’m glad you like it! Part two should be coming out soon!
Doesn't cinema4d have groupings or selections of multiples?? this should maybe have been a 5 minute video instead of an hour and ten..
Correct, you can use nulls within the object manager to group assets together and you can apply colors that way, which I mention several times in the video. The goal of this video is to show the overall process of working within this scene which includes minor modeling, lighting and applying color.
I enjoy your content. I follow you cuz there isn'tany content like archvis with c4d and redshift. And this one was accurate(I mean realistic like a project that can be sold in ArchVis render market) so if you can do more of this things. I'll be appreciated.
Thank you, I’m glad you like it. I enjoy doing interior projects within Cinema 4D but I never really know if people enjoy watching or learning about interior design. So with that being said, thank you for reaching out letting me know that you enjoy it. I will continue to make videos like this and I will continue to increase the quality in time. Also, let me know if there is a specific design style or a specific room you would like me to do and we will get it done.
that is beautiful, thank for your Tutorial
Thank you, I’m glad you liked it!
A smartphones company
Yes, a mock smartphone company. This was my try at creating an ad within Cinema4D.
Is it a smartphones company
Yes, it’s a mock smartphone company. I made two mock ads and I’m currently working on a mock showcase coming later this month.
I have just discovered this channel, but it is already obvious that it is excellent, your videos are of very high quality, I hope you are in better places.✋🙂↕️
Thank you, I greatly appreciate it. I try and make sure both the creation process and the video is the highest quality that I can achieve at the time. I’ll continue to get better and I plan to work on this series for a long time. Thank you again for watching and I’m glad you liked it!
Amazing lesson! Thank you!
I’m glad you liked it! Thank you for checking it out!
Nice one. Do you prefer Redshift to Octane for interior architecture?
Glad you liked it! I’ve primarily used Redshift for most of the renders I’ve done only because it comes as a package deal under Maxon. So when learning Cinema4D, I learned while working within Redshift. Since I’m familiar with it, I have stuck to it because I have had no problems with it. I have recently thought about trying octane because it seems to be a bit more dynamic and quicker to render at the same or higher quality of redshift. I think redshift falls short when it comes to vegetation where I think octane is a bit better in that category as well. I also believe the lighting system is different in Octane, almost similar to an Unreal Engine 5. But, I could be wrong about that. Either one would be good for architecture but I would lean more towards Octane, especially if the scene calls for vegetation.
Seeing you build this from nothing… the result is amazing. Great job!
you downloading everything lol
I love the flowers! What a cool visual effect
Glad that you like it!
beautiful... I see you and really appreciate you for this
Thank you, I’m glad that you like it! I will try and do more modeling videos going forward but I am open to suggestions.
What an intense and beautiful scene😲😲😲😲
Glad you liked this one!
keep it coming brother, its really difficult to find good tutorials on redshift and cinema 4d, when I saw your bathroom modeling video few hrs ago without thinking I subscribed to your video, it was really good, you are doing amazing work brother.
Fantastic tool! Thanks for kindful and informative upload! :)
Enjoyed this a lot and learned a new trick or two along the way🙂 I didn’t realize that area lights could be a shape other than rectangle!! I did notice you struggled a bit on getting your cubes to rotate to exactly 90 degrees. If you hold the shift key when you rotate something it will constrain it to 5 degree increments…. much easier! Thanks again and keep up the great work 👍👍🙂
I’m glad you enjoyed the video! I’ll definitely keep producing videos like these going forward. Thank you for the rotation tip! In the past, I felt like I would have to fight it to get it exactly 90 degrees but now I can be a bit more effective with the shift key. 😂 I appreciate you reaching out with your kind words and guidance. Thank you again!
Love this!
Very cool!
I think so too!
Thanks for sharing!
Thank you, glad you like it!
how to card back-front, redshift, tks ♥
Are you asking how I made the front and back of the cards? If so, I just used two cubes, turned on filet to round off the edges of the cubes and then made those two cubes touch. I put the cubes into a null and Imported a texture for each cube and applied the texture. I hope this helps but if not, reach back out and I’ll be happy to assist.
@@IlluminationLab_ i tried the Rayswitch note in Redshift, but it didn't work
After setting up Rayswitch, did you turn it on in your camera and refresh the Redshift render view?
@@IlluminationLab_ I did it, thanks
Awesome! I’m glad you got it to work.
underrated bro ❤️
Thank you man, I greatly appreciate it! Let me know if you want me to tackle a specific project or scene within C4D.
This is amazing and beautiful!!!
Thank you! Glad you think so!
This is amazing??????????😳
Ive built hundreds of bathrooms in Uganda. They are mainly small spaces. I love to visualize interiors and to photograph them too. But all this time i still get it hard to create a photo for a bathroom. Its really hard. I would request Justin you explain your phyisical camera settings that normally give you awesome results. This work is great
Stop this is so pretty wow wow
This is a beautiful kitchen!!!!! Wow
Glad you like it!
Like your energy, good start to your channel and keep doing these!)
Thank you, I appreciate it! I will definitely continue making these types of videos and others like it.
Wowwww there’s so much detail and the fish are so cute haha
I love the style!!! This is so cool and helpful thank you
This is so good!!!! Wow the room is beautiful I’m really impressed
Glad you like it!