In 1918 in Zurich, depressed for years by the world conflict that saw his two nations of origin, Italy and Germany, fighting against each other, after the divorce from his first wife and frequenting Carl Gustav Jung, Ermanno Wolf-Ferrari (1876-1948) continued to write down his contrapuntal ideas intensively.
And always with that genius that makes him one of the best counterpoint masters influenced by Bach. Even when, as in many pieces, he almost abandons tonality.
Here is the first reading of six of the many pieces that will soon appear in my first edition and in the first recording on organ and piano of his contrapuntal works. In two pieces with Sebastiano Franz.