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Fascinating insights Les, especially on Auto Contrast and Preserve Luminosity. Thank you.

What a great video

Excellent!

Thanks Les, great insight. Thank you for sharing your knowledge.

Thank you Les, this is immensely useful, as are all your carefully considered insights into the image making process!

I always smile with you Les, your passion is infectious, your knowledge on another planet. Great to see these videos on UA-cam!

Hi Les when you photographed your 24 patch test card in order to compare the image with the actual card, did you photograpgh the card under the d50light ? Regards. Walter Moore. Sydney

Straight and to the point. Thank you.

Thanks Les.

Wonderful to see a fellow autistic that has found his place in this world.

Nerds make the world go around. Only the dunning Kruger soap box heroes think otherwise. I wish you the best too, old boy. Your curiosity and fastidious nature are what the world requires. Like most people with exceptional skills, you will always be out of the limelight. It's a compliment. Keep up the astonishing work.

Nerds make the world go around. Only the dunning Kruger soap box heroes think otherwise. I wish you the best too old boy.

Wow. This is awesome. Thank you

My goodness I wish I had seen this video years ago, thanks for the effort.

I was surprised that you did not mention the light source for viewing your printer paper. I may be a little dated, but I've been using an Ott-Light for viewing to compare to my soft proofing. Are the Ott lights passé now?

How do you sort the offset bit out?

Thank you!

Interesting. But what about the light in the room? How do you set it? What kind of light is used? Does it have the same influence in the monitor and the paper?

Well done.

Wow man! great. How I wish that monitor! But 2000 euros for the 1440p, although it's worth every penny, it is really a lot! Gorgeous! Thank you.

Dear Dr. Walkling, thank you very much for your videos. I really appreciate all of them! I have a question about this one: how did you print the colour chart? i mean did you print it applying the colour profile of the paper you used? Thank you very much!

I deliver photographs to magazines who print on coated paper. I would like to be able to predict and optimize how these turn out. I would love to know more about how to obtain this level of control. Do you know any resources to read/watch?

Good onya Les I always have that "Ah see I just learned something" feeling after listening to you! thanks a stack ..regards Joe

Les, thanks. Just wat i needed

Many thanks

Extremely impressive!

Dear mr Walkling, Thank you very much this very clear and understandable tutorial. This is an approach I have not seen before and in my opinion a very good one. Kind regards Arnoud Kos, Netherlands

Great paper. Just as good as my fiber based baryta papers I use in the darkroom

Where would a test paper like that be available for different kinds of paper?

Most informative and so easy to understand why the various papers can make such a remarkable difference in the finished print. Thank you.

Do you need CG series to run this? Will CS work?

Many thanks for this great video! One of the best - if not the best - explanation about paper types I’ve seen so far. Excellent presentation and blend of facts about the paper types and the subjective / artistic effects they can be used for!

Fantastic explanation and tutorial

Can you clarify iso3664 white point values.?

Merci pour cette video :-)

"AY-ZO" yes you said it correctly! As heard from EIZO's own corporate video.

"AY-ZO" yes you said it correctly! As heard from EIZO's own corporate video.

I just started printing with a Canon Pro 2100, in a properly set up environment and with a profiled Eizo monitor. I'm still discovering the different kinds of (Canson) papers, and so far, I've made prints using the general profiles Canson provide. I've tried the Baryta Prestige, Platine Fiber Rag, Printmaking Rag and Rag Photographique and the colors match the screen pretty well. As I get more used to printing, I'm sure I'll move over to custom profiles once I settled on the papers I like best. As far as the Baryta Photographique II Matt goes: I thought the Rag Photographique was smooth, but the Baryta Photographique Matt is even smoother. I really like the results I'm getting (although I prefer the soft feel on the non-printable side of the rag paper), if not for the green cast I'm noticing compared to the other 4 papers I tried, obviously while using the same image. Are there known issues with the Canson profile that could explain the issue? I've watched one of your other videos on the paper classification (M1 measurements), and if I understand correctly, while the Rag Photographique paper is indeed more magenta than the matt Baryta (which I can see under D50 lighting), the difference in the a* channel between Rag Photographique en Baryta Prestige is even bigger. And between these, I don't see a color difference in print. So, at the moment, I'm a bit at a loss.

Fantastic video much appreciated Les , this has helped me a lot to start to understand soft proofing for printing.

Fantastic video & great to see you Les

The only Canson paper I've used to date (1/22) is the Baryta Photographique semi gloss paper.. It has fantasticf gray scale holout and colors, too. I do want to look at some of the others and compare them to the Hahnemuhle papers I use. My paper testing has cost a small forture so far, and now I have two more to try!

Hi Les. Thanks. There is little in term of learning material with concrete examples about 3D Lut Creator on the Internet apart from the official videos. Thanks god, there is a Howard Grill Photography who does put tutorials online. Otherwise we have to rely on our personal experience. That's fine, but it takes somewhat longer. It looks like a lot of people who start showing 3D Lut learning videos, stop doing so after two or three videos only, although they promise they would publish more stuff online. I wonder why. Is it because it's too difficult to learn even for them (it definitely has a steep learning curve), or is it because they want to keep the software a well guarded secret? ;)...

Great presentation Les on paper choices and characteristics. Amazing to see how far digital papers have come - especially the Canson range. A lot to absorb I will need to watch this again!

Wow ,Love it !!

Wow how amazing ,love that alternative look ... So much to explore in those ranges hey ! Thanks Les I hope you're keeping well. Kim Tonelli

Ahh, now I get it, kind of! Thank you Les, I've just learnt a few things and have a little more clarity around the features of the Canson Papers

Organising the distinctive features of each paper was really informative. Thanks for putting this presentation together.

Thank you for sharing your knowledge - need to learn more about this tool...

More please 😊

As always, brilliant. Thanks Les.