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Nicholas Capozzoli plays Reger's choral fantasy on Hallelujah, Gott zu loben live at the Church of St. Andrew and St. Paul (Montreal, QC) in August 2024. Written at the turn of the 20th century, it is the third in a set of three large fantasies based on German chorales. "Hallelujah Gott zu loben" is a paraphrase of Psalm 146 and Reger musically illustrates each verse of the chorale, concluding ...

Nicholas Capozzoli plays Lefébure-Wély's Scène pastorale live at the Church of St. Andrew and St. Paul (Montreal, QC) in August 2024. Scène pastorale is inspired by the celebrated storm improvisations that Louis-James Alfred Lefébure-Wély played for Parisian audiences. It was an innovative way of demonstrating the relatively recent Cavaillé-Coll organs, in particular "orage" feature that played...

Nicholas Capozzoli performs excerpts from Rachel Laurin's op. 43 live at the Church of St. Andrew and St. Paul (Montreal, QC) in August 2024. Cantilène 0:00 Toccatina 1:26 Intermezzo 2:42 Moto perpetuo 4:41

Nicholas Capozzoli performs William Albright's Sweet Sixteenths live at the Church of St. Andrew and St. Paul (Montreal, QC) in August 2024.

Nicholas Capozzoli performs live at the Church of St. Andrew and St. Paul (Montreal, QC). Niels Gade (1817-1890) was a prolific and influential Danish composer, though his organ music is largely neglected today. Gade's friendship with Felix Mendelssohn and Robert Schumann surely influenced his own organ music, as seen in his contrapuntal interest and terraced approach to organ registration. The...

Nicholas Capozzoli performs his arrangement of select dances from Jean-Baptiste Lully's opera Armide (1686). Though Lully was not an organist, these pieces have been an arranged in a way that resembles mainstream organ music of his time. The myriad genres, distinguished by unique registrations, served as inspiration for these transcriptions. 0:00 Marche 2:02 Canaries 3:03 Passacaille

Nicholas Capozzoli performs his arrangement of the overture and select dances from Jean-Baptiste Lully's opera Armide (1686). Though Lully was not an organist, these pieces have been an arranged in a way that resembles mainstream organ music of his time. The myriad genres, distinguished by unique registrations, served as inspiration for these transcriptions. 0:00 Ouverture (Grand jeu) 2:34 Menu...

Nicholas Capozzoli performs excerpts from APF Boëly's Douze Pièces, op. 18 for organ or pedal piano: 0:00 Introduction 2:22 Andante con moto 5:03 Andante à deux claviers 8:17 Canon perpétuel, double, à l'octave 10:29 Allegro ma non troppo Alexandre-Pierre-François Boëly (1785-1858) was a key transitionary figure in the Parisian organ scene - post-Couperin and Clicquot, yet pre-Franck and Cavail...

Learn more about church music sung in 18th-century homes for young, orphaned girls. Christ Church Cathedral, Montreal Soloist: Normand Richard

Many saints have left behind literary and theological works. Their poetry was and still is set to music by composers. Learn more about the hymns of the saints. Christ Church Cathedral, Montreal Soloist: Phil Dutton

Many hymn tunes are adapted from the symphonic and operatic repertoire. See where they come from! Christ Church Cathedral, Montreal Soloist: James Williamson

Learn more about the "father of English hymnody," Isaac Watts. Christ Church Cathedral, Montreal Soloist: Catharine Murray

Take a look at some of the many poets and composers of Lutheran chorales in 17th-century Germany. Christ Church Cathedral, Montreal Soloist: Normand Richard

Learn about women from North America and the UK who wrote some of the first gospel hymns. Christ Church Cathedral, Montreal Soloist: Anna Lewton-Brain

Meet the Wesleys

Early Metrical Psalters

Early American Folk Hymns

Women of the Church, Part II

Chant 101

The Oxford Movement and Anglo-Catholicism

Women of the Church, Part I

Bach/Reger: Chromatic Fantasy and Fugue in D minor, BWV 903

Introduction

Philip Glass - Mad Rush

A Singalong Tribute to Patrick Wedd

2/6 - J.S. Bach - Wenn wir in höchsten Nöten sein

1/6 - Joel Peters - The Voice of the Lord

4/6 - Dan Locklair - The Peace may be exchanged

5/6 - Philip Glass - Satyagraha, Act III, Conclusion