Відео

The converter doesn't work for me - I followed all the steps in the insturctions. The little gear icons appears for a second and then disappears. I've tried it both on an M1 Macbook Air and an M2 Pro MPB. Both are running Sonoma.

Great! Now please bring it for 120 film 😊

Truly beautiful photos. I am amazed by the beauty of the colours and the softness of the images. I think I must give it a go and shoot some 250D anytime soon ;-)

I want one! Been looking for a Kodak fridge

These photos are way too good. So beautiful. And really nice job sequencing them and putting together that sound track.

The results of Silbersalz is good but the service is really pretty terrible. Slow to post, slow to develop, slow to reply to emails. It's a great idea but just a very poorly run business.

Other great (and much cheaper) SLRs are the Praktica L models, some of them also have a light meter built in, like the MTL 3, MTL 5 (B), Super TL 1000 etc. and have a M42 screw mount which enables you to get a great collection of vintage lenses.

I am totally going to send the film to my cousin in Stuttgart Arkansas to then mail it to your lab to confuse the postmaster lol

In welchem Farbraum speichert ihr due Bilder? Auch in 16Bit?

📸😁

As I mentioned in another comment, I was a film loader many years ago. I was taught to never use the gears to advance the film at first, because chewing the film with the sprockets is a very bad thing. Gently push the film into the feed sprockets of the magazine; let the open perforation push the sprockets, moving the gear, until the first few perforations are synchronized with the sprockets. Then advance the film with the gear. Do the same when inserting the film into the take-up sprockets. This method makes it almost impossible to accidentally add a sprocket or two to the loop. Occasionally, one comes across a magazine in which the lubrication of the gears is too stiff, and so the film can't push the sprockets. This magazine needs to be sent back to the rental house to be re-lubricated.

Great works!

Why does the process eat up so much computer space even if the conversion is done on an external drive?

Less crop is nice, too.

Wondering what camera and lens was used looks awesome

Good God these are outstanding!

Ich hab noch nicht verstanden, wo ich angebe, welche Scanqualität ich haben möchte, oder ob die Negative zurückgeschickt werden sollen. Wenn das nicht auf dem Voucher passiert, wie soll dass dann später gehen? Zumal der Service durch den Voucher ja im Vorhinein schon bezahlt wurde.

Nikon F5

Just get Minolta, find yourself model that you like and you can find dirt cheap a-mount lenses for any scenario.

I rocked the Contax G1 for about 2 years but I moved over to the Contax 139Q recently and love it so far, I have the 45mm pancake lens and the 50mm 1.4.

I’m with Ludwig here! Love the passion. I have five rolls in development right now with you guys and I love the waiting, and I love the results, theres something so unique about the process, and the colors are fantastic when it turns out. there’s times when I shoot and in waiting for the results I second guess everything, then once I see the results I go “totally worth it…I gotta do it again!”

Fbi and dea wants to know your location

Wundervoll! Ich fand die ergebnisse mit eurem alten Scanner ehrlich gesagt immer etwas zu unscharf. Das hört sich jetzt aber gut an. Auf eurer Website schreibt ihr, das der Scanner mit einem IQ PhaseOne Rückteil arbeitet. kann man von euch dann auch die RAWs bekommen und selber in CaptureOne verarbeiten? Die JP2 Dateien werden ja leider nicht von C1 akzeptiert…

I'm working on it. Planning a trip to the Irish coast with Silbersalz! 😅

What are the sizes of the 14K files? And do you also do 14k scans of super 35mm film 🎞️ for cinema ? Thank you 🙏

I like film & digital, both has it's place =) Grüße an Ludwig der mir immer so nett auf meine Mails antwortet

That's a lot of film, i don't have enough to fill a fridge but if I had one maybe I would

well..

so interessant, gerne mehr ✨

Yea that’s damn cool

🔥

That's awesome! I can't wait to see what you shoot on it! :)

❤🔥❤

Would love to shoot this film anytime soon 🎞️

do you plan on selling the Apollon to other labs?

If I shoot it at 200 iso and send it to your lab should I mention that the film needs to be pulled -1 stop then (because in the Ilford data sheet for C41 is written that pushing or pulling would not be required at different iso settings)?

babamäßig

😍 mindblowing

Sadly XnConvert can only export 8-bit pcc images. So you are forced to go through Gimp and save a Tif file to edit in Lightroom when on Windows.

What a stunning model!! 😍😍😍

skintones or the overall image looks like it has a yellow cast. Is this on accident or just your color science? Will my Silbersalz scans look like this?

Thanks for this experiment!

Interesting, who made the Apollon scanner?

I really wish there was a medium-high option with 8k and 14bit. The 14K scans just kill my PC and eat storage.

Since you scanned a Portra 400 film (and not a Vision3 film) by the Apollon scanner, when is this option avaiable for customers? I mean seeing this video I don‘t want to miss the chance anymore, to get this amount of details out of my negatives.

Really great results from Apollon. In the real world, to use Apollon, I would have to develop Portra 400 in ECN-2 (that would be the process with Silbersalz right?). I would love to see a comparison between Portra ECN-2 developed & apollo scanned vs Portra C41 developed and Frontier Scanned.

Wow!!

This is my Home town. I love it a lot. I will send you a film in a few weeks and want to let digitalize it with the apollon thing! :)

Is this how a bleach bypass looks like?

Really cool