Відео

@@masumwahid9602 I no longer have a GT1000 so I can’t check but if you download the patch you’ll see what the phaser settings are when you load it

@@alexandervalencia9658 No, I haven’t tried it into the effects return of an amp….I use it with studio monitors at home or direct to PA for gigs (with a Yamaha DXR10 as my on stage monitor).

That's how i connect mine, sounds great.

@@jeremywho2289 thanks very much….yes it’s a great sounding unit for an incredibly low price 👍

@@albimerz3300 thank you 👍

@@stevegardiner8473 thanks for your comment and yes that’s true and a very good point but I don’t really use the Kemper for anything acoustic so it’s not really a problem for me personally. Regards.

@@StereoAnthony Thanks for your comment and I take your point but respectfully I still believe the Fletcher Munson effect is the main reason for the difference in sound between home and gig volume and here’s why…. In the early days of having a Kemper I set my rigs up in my home studio and EQ’d them to sound good though my Yamaha DXR10, a PA speaker. I then went to a rehearsal studio and played those rigs through exactly the same DXR10 speaker at gig volume and they all had a significant spike around 3k and sounded thin. I then applied the EQ logic outlined in my video and the rigs then sounded good through the DXR10 at gig volume…..and because of the EQ settings I applied, the rigs also then sounded good through the vast majority of PA systems that I get to use. So, whilst I agree that the quality of speakers certainly has a part to play, my personal experience suggests to me that the FM effect is the main reason for the difference in sound between home volume and gig volume. Regards.

Absolutely agree with that!!!

@@guitartoneSA thank you, very much appreciated 👍

Hi and here are my thoughts on your 3 questions: As you have an unpowered toaster, if you want to use a regular guitar cab as a monitor, you'll need a power amp of some sort (e.g. Seymour Duncan Powerstage). Connect the monitor out of the Kemper to the power amp and then power amp -> cab. You can then use the Master Monitor EQ section of the Kemper to shape the sound coming out of the cab (if required). When going direct to FOH, I have my Master High Cut set to 5khz and Low Cut set to 80hz but if you 're using external IR's, I'd probably set the High and Low cut flat as the IR's will probably have a similar effect. If they're regular PA style monitors, it's no different to running to FOH.....i.e. take an XLR from the Kemper Main Out into the monitor, you can then use the Master EQ section in the Kemper to adjust the sound coming from the monitors. Hope that helps.

@@HD-ok1kg - Thanks for getting back. That helps. I'll try these out. For rehearsal, these are floor monitors, so from Master EQ, tweak settings?

@@ajayburra6958 yes, that would be my approach 👍

@@HD-ok1kg- Great. I'll check these out. For some reason master output section shows Kemper Kone. I'll check.

@@brianleecooper1814 thanks Brian, very much appreciated 👍

@@kevinparsons2451 I always use the main out.

@@HD-ok1kg Ok thanks

@@kevinparsons2451 I always use the main out.

@@trevorgabriel2488 hi….the patches are in a zip file and my guess is your device has a setting which is blocking the download of zip files. If you send me your email address, I’ll send the patches to you individually (I.e. unzipped). Cheers

@@HD-ok1kg It took a while but I got it figured out. Thank you very much. These settings are fantastic. Most of the patches that people share are great, but not useable in a cover band. Yours are perfect.

@@trevorgabriel2488 thanks, really glad you like the patches….please check out my video on using the GT1000 live direct to PA….. ua-cam.com/video/VhMfHIAtoBg/v-deo.htmlfeature=shared

Glad you found it useful 👍

All my clean patches have the same EQ stomp box saved at the end of the chain and all my overdriven patches have a different EQ stomp box saved at the end of the chain. At a gig, I sound check one of the clean patches and adjust the “clean stomp box EQ” to suit the room…..that EQ stomp on all other clean patches is then automatically changed. I then sound check one of the overdriven patches and adjust the “overdriven stomp box EQ” to suit the room….that EQ stomp on all other overdriven patches is then automatically changed. Hope that answers your question ?

Thanks, I hope you found it useful.

Glad you found it useful 👍

I think this link may answer your question: www.vguitarforums.com/smf/index.php?topic=26202.0

That’s exactly why I set up 2 “global EQ”stomp boxes, one for clean and one for overdriven sounds. When I get to a gig, I just adjust those 2 EQ stomp boxes so the clean and overdriven patches sound good through whatever amp or PA is provided. NB: if an EQ stomp box is used in 20 different patches, you only have to adjust it on one patch and all the others will automatically be adjusted accordingly. When playing through a PA I set both my “global EQ” stomp boxes to have a hi cut somewhere between 4 and 6khz and this helps to mimic the high end roll off you get with a normal guitar speaker. If you’re playing through a guitar amp, I would suggest removing the hi cut as the speaker in your guitar amp will probably already have a high end roll off. Also some guitar amps can have a mid focussed tone whereas most PA’s have a fairly flat EQ, so if I’m presented with one of those guitar amps I’d probably also roll off some mid range (500hz-1khz). Hope that helps. Regards,

I’ve never noticed anything like that, the decay/sustain sounds quite natural to me.

Thanks 👍

Thanks Clive, very much appreciated 👍

Thanks mate really appreciate that 👍…..these tracks are 24 years old…hopefully I’ll find some time to write some more soon 👍🎸

Cheers mate 👍

Hi, I'm glad you found the video interesting. In answer to your question, I would leave the EQ1 block permanently engaged and then adjust the parameters depending on the environment I'm working in. e.g. At home, I set the parameters of my two EQ1 Stompboxes (one for clean and one for overdriven patches) to sound good through studio monitors but then on a gig, I apply whatever EQ settings are needed to suit the venue. The great thing about the 'Stompbox feature' is that I only need to amend the EQ1 Stompbox settings on one clean patch and one overdriven patch and they will automatically then be applied across all patches that use those stompboxes. So at a gig, I only have to adjust the EQ settings on 2 EQ stompboxes (one for clean and one for overdriven patches...as per the video) and all patches that use those 2 stompboxes will then automatically be amended accordingly. Similarly, when I return home after a gig, I just amend the settings of those 2 EQ stompboxes to sound good through my studio monitors. Hope that helps.

@@HD-ok1kg ah right, got it. yes that makes much more sense than how I was thinking you might be doing it (disabling the EQ on every patch depending on location). Clever stuff , I will be adopting this method. Thanks bud. Really appreciate the time you put into responding to my question.

You’re welcome, glad you found it useful.

Hi Paul, I actually no longer have the GT1000 but when I had it my signal path was : GT1000 Main Out (XLR) -> FRFR monitor (Alto TS310) ‘mix out’ output on the Alto -> main PA The ‘mix out’ on the Alto is effectively a ‘thru’ output….i.e. the input signal gets routed directly to it. Using this signal path I only ever needed to have the ‘global eq’ block on the main outputs. This method worked really well for me with the GT1000 and even though I now use a Kemper Stage, I still use the same signal path. Regards,

Thanks, hope they work well for you 🎸

Thanks, much appreciated…..the ‘amp’ was a JC120 amp sim from a Boss GT1000.

How to achieve a good guitar sound is very subjective and what works for one person may well not work for another. At the time I made the video, we used a very bright sounding PA for live work and a hi cut at 4k worked perfectly to get rid of the really harsh/brittle top end and give me a smooth but punchy overdriven lead sound. Also, my main guitars are a pair of 1994 PRS Custom 24’s which have an upper mid range hump, so cutting though a mix with those is not a problem. Very recently (since I made the video), we have bought a new PA and the top end is considerably smoother, so I have now changed the hi cut to 6.3k. So for me, the hi cut I apply is very much dependant on the voicing of the PA (PA’s vary greatly…..especially the crossover frequency). The point of the video was not to suggest that everyone should use a hi cut at 4k….it was to illustrate how you can use 2 ‘stomp box’ EQ’s to act as separate global EQ’s for clean and overdriven sounds.

Thanks, glad you found it useful.

Hi and thanks for your thoughts/comments. There are many factors which can influence getting a good live sound and the video explains what works for me with the GT1000 but I appreciate it may not work for everyone. At the time I made the video, we were using a PA system which I always found to be very bright indeed, hence a 4k hi cut gave me a fat guitar sound without the piercing top end. Also, my main guitars are a pair of 1994 PRS Custom 24's and the HFS bridge pickup in those instruments has (to my ears) a real upper-mid range hump and not much low end, hence I don't need much of a low-cut and cutting through the mix is not a problem. What I was trying to explain in the video was how to use 2 EQ 'stomp boxes' as separate global EQ's for clean and overdriven sounds......but of course I appreciate that the actual high and low cut frequencies may well vary depending on the player, guitar, PA....etc. Based on the feedback I've had, some players have found that my settings work well for them......but I'm sure there are others who need to adjust them. Interestingly, we've very recently acquired a new PA (since I made the video)......and with that system, I now set the hi cut to 6.3k as the new PA is much less toppy than the RCF one. Regards,

Thanks, glad you found the patches useful 🎸

​@@HD-ok1kg please can you send me the link to download Gt1000 patches for free

@@patrickbig1960 www.dropbox.com/s/so9orqc00a3oj6m/Boss%20GT1000%20-%20my%20commonly%20used%20patches.zip?dl=0

Thanks 🎸

Thanks, glad it helped 🎸

Thanks, really glad you found the video useful 🎸

Thanks, really glad you found it useful.

Glad you found it useful 🎸

@@HD-ok1kg i tried patches and are fantastic!!!( for me reverb off and low cut at the end, eq1, 100hz, with 2 dxr15 yamaha at very loud volume with a full band)

@@gabrielestriuli6590 that’s great, I’m so pleased they work well for you 🎸

Thanks Kenny.

Thanks Paul.

Thanks James, very much appreciated.

Hi, really sorry for the very slow response but I’ve been having lots of trouble with UA-cam account. Unfortunately I no longer have the GT100 so I can’t share the patch settings. The only thing I can remember is that the 2 delays are 750ms. Thanks.

@@HD-ok1kg Totally pointless !!! waste of time !!!