Unlocking Musicology
Unlocking Musicology
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DLFM21 Session2
Digital Libraries for Musicology (DLfM) Conference, 2021; Second Session, titled "Corpora and computational analysis of non-Common-Practice-Era music." See programme for details (dlfm.web.ox.ac.uk/2021). July 29, 2021
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Відео

DLfM21 Session3
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Digital Libraries for Musicology (DLfM) Conference, 2021; Third Session, titled "Representing chords, intervals, rows, and sets." See programme for details (dlfm.web.ox.ac.uk/2021). July 29, 2021
DLfM21 Session 1
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Digital Libraries for Musicology (DLfM) Conference, 2021; First Session, titled "Novel appoaches to audio analysis for classification, comparison, or query." See programme for details (dlfm.web.ox.ac.uk/2021)
Rethinking Wagner's 'Leitmotifs': An introduction to the Lohengrin Time Machine
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Written and Presented by Laurence Dreyfus (Faculty of Music, University of Oxford) in association with Oxford e-Research Centre Kevin Page David Lewis Professor Laurence Dreyfus describes how Wagner's way of setting and altering motifs over the course of his 1848 opera, Lohengrin, reflects and enhances the drama. This video (and an essay also by Prof. Dreyfus) is supported by a digital companio...
Visualising Writings on Music (RILM)
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Répertoire International de Littérature Musicale (RILM) documents and disseminates music research worldwide. First published in 1967, it aims to provide a comprehensive, international bibliography of writings on music. Publications are recorded not just with information such as the time, place and language of publication, but they are also given topic labels, and this provides an opportunity to...
New York Philharmonic Archives: website prototype
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The New York Philharmonic orchestra was founded in 1842, making it one of the oldest musical institutions in the United States. Its music directors have included Gustav Mahler, Arturo Toscanini, Leonard Bernstein, Pierre Boulez and Zubin Mehta. The New York Philharmonic is a long-lived orchestra, and musicians usually play with the ensemble for a long time, lending character to the performances...

КОМЕНТАРІ

  • @diliproy6455
    @diliproy6455 5 місяців тому

    Richard Wagner was the greatest musical genius of 19th century Germany who till today remains unparalleled he was highly influenced by India’s classical literature and philosophy which he has interpreted in many of his operas his greatest inspiration came from German philosopher Arthur Schopenhauer who was influenced by India’s VEDIC philosophy this Wagner has interpreted in many of his operas particularly Ring Cycle and Parsifal

  • @mattycarpaccio
    @mattycarpaccio 9 місяців тому

    Fascinating….but can’t find the app. Does it still exist?

  • @wolfgangalbrecht8246
    @wolfgangalbrecht8246 11 місяців тому

    Wehre can I find the Lohengrin app? It's not in thr Google Play Store.

  • @kambiztaghavi
    @kambiztaghavi 11 місяців тому

    It is okay and even more persuasive to sing when you teach, professor Dreyfus.

  • @deanrantz1112
    @deanrantz1112 Рік тому

    I was going to ask @ Who were the performers /recording but, I see you listed it at the end.....I thought that was Jess Thomas (Lohengrin)

  • @JoelFinkel
    @JoelFinkel Рік тому

    OMG, this is beyond brilliant.

  • @4444marla
    @4444marla Рік тому

    Just fantastic.As an opera singer and an opera Director I must thank you for your excellent outstanding work!

  • @elsalohengrin7777
    @elsalohengrin7777 2 роки тому

    Wagner hat die Leitmotive "erfunden". Später werden seine werke als musikdrma oder Bühnenbweihenfestspiel bezeichnet und nicht als Oper. Oft haben Komponisten der Filmmusik in Hollywood auf wagner zurücg gefriffen, um seinen Einfluß und zu demonstrieren bzw. die Entwicklung ewines neuen Genres.

  • @rossmerchant8435
    @rossmerchant8435 4 роки тому

    Thanks, very insightful! Half an hour for one motive. I'd imagine the ring would take a lifetime of scholarship. I know Wagner wanted his music to be enjoyed by the masses rather than just musical connoisseurs, so I'm curious. Do you think Wagner is entirely successful in making his point subliminally by the sound alone created by the way he constructs or modifies his motives. Or do you sometimes find that the essential meaning or feeling he is trying to get at is obscured to people without compositional knowledge/musical background? For instance, do you think the amen or chorale-like underpinning does a well enough job on its own to convey religiosity to the average listener who doesn't know their typical context in religious music? With Wagner, I get the feeling that people are often intimidated by how much of the iceberg they can see

    • @lourBoB
      @lourBoB 2 роки тому

      Honestly I think that the music is too complicated for the general masses. Im a theatre student, but not a music theatre student, and Ive been seeing and listening to a lot of wagners works lately. It gets better, but I feel like the music alone couldnt carry me through one evening. But it impresses me more often now