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St. Basil's Catholic Parish
Canada
Приєднався 1 кві 2020
St. Basil's Catholic Parish at the University of St. Michael's College in Toronto.
Charles-Marie Widor - Symphonie no. 7, IV. Allegro ma non troppo | John Paul Farahat, organ
John Paul Farahat, organist
Drew Henderson, audio and video production
Charles-Marie Widor is considered a representative composer of the French symphonic organ tradition. He served as professor of organ at the Paris Conservatoire (1890-1896), and as organist of Saint-Sulpice (1870-1933). Though remembered mainly as the composer of the famous Toccata from Symphonie no. 5, Widor was a prolific composer in his time, writing for a wide variety of solo instruments and ensembles. The Allegro ma non troppo from Symphonie no. 7 is a lesser-known movement from Widor’s compositional output: a unique and spectacular example of pianistic writing for the organ.
Recorded at Saint Basil's Catholic Church at the University of Saint Michael's College in December 2023.
Drew Henderson, audio and video production
Charles-Marie Widor is considered a representative composer of the French symphonic organ tradition. He served as professor of organ at the Paris Conservatoire (1890-1896), and as organist of Saint-Sulpice (1870-1933). Though remembered mainly as the composer of the famous Toccata from Symphonie no. 5, Widor was a prolific composer in his time, writing for a wide variety of solo instruments and ensembles. The Allegro ma non troppo from Symphonie no. 7 is a lesser-known movement from Widor’s compositional output: a unique and spectacular example of pianistic writing for the organ.
Recorded at Saint Basil's Catholic Church at the University of Saint Michael's College in December 2023.
Переглядів: 373
Відео
William Byrd - Ne irascaris Domine-Civitas sancti tui
Переглядів 1,2 тис.3 місяці тому
Sung by St. Basil’s Schola Cantorum, Toronto John Paul Farahat, director and conductor Jane Fingler, Lindsay McIntyre, sopranos Julia Barber, Peter Koniers, altos Michael Johnston, Jeremy Tingle, tenors Kai Leung, Graham Robinson, basses Drew Henderson, sound engineer and video producer Manuel Piazza, producer Ne irascaris Domine: 0:00 Civitas sancti tui: 4:38 Ne irascaris Domine satis, et ne u...
Johann Sebastian Bach - Fantasia and Fugue in g minor, BWV 542 | John Paul Farahat, organ
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John Paul Farahat, organist Drew Henderson, audio and video production Fantasia: 0:00 Fugue: 6:44 The most famous composer of the Baroque era, Johann Sebastian Bach was a skilled organist, harpsichordist, and improviser. It is for these performance qualities that he was highly regarded by his contemporaries. His abilities are symbolized in the Bach/Marchand harpsichord-improvisation duel of Sep...
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In this video, Brendan and Marc lead us through a brief introduction to Synods and Pope Francis' call for greater Synodality. You can complete the parish survey here: forms.gle/D3Lsb5fccBvpJS9s7
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An interview with Suzanne Mulrain and Msgr. Michael Magee, SSL, STD. This is part of our With One Accord journal available at www.magdalacolloquy.org
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Reflection: 16th Sunday in Ordinary Time
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The Great Antiphons: An Advent Service of Lessons & Chants
Переглядів 1243 роки тому
The Great Antiphons: An Advent Service of Lessons & Chants
A wonderful rendition of this wonderful song
Architecturally, this composition is supreme, with h it‘s timeless phrases, and textual feeling. This has to be a stupendous composition of Byrd.
Thankyou for singing this female work- fabulously sung;a real gem!
Bravo!
Nice work!
Such a humble and fine delivery from the presenter. Thankyou for a lovely rendition of silent night. 😊
Beautifully interpreted, with a timeless feeling. Congratulations on a superb performance! 😍
Would be interesting to learn something about the organ. And where is it? I assume it is based on the classic baroque principal chorus, with the Hauptwerk on the bottom manual. The English organs with their diapasons are not ideal for Bach's compositions.
Hi Hans - thanks for the question! This organ is in Toronto, Canada here at St. Basil's Catholic Parish and is built in the French Romantic style by Casavant. The organ is equipped with a Great/Choir transfer which allows the organist to play the Great division on the bottom manual.
@@basilstoronto So I got that totally wrong! I assume that the French Romantic style is even further away from the baroque German style. Here in New Zealand most organs are in the English style based on a diapason chorus. Only a handful of organs here have a principal chorus (which I miss). Anyway, your organ sounds great, a good complement to your playing.
Tuning: 0c: A4 = 440Hz
Merveilleux hymne dû au génial William Bird que j'aime tant. Merveilleux chanteurs, aussi, à qui je rends grâce. La beauté de ce chant nous mène dans les sphères célestes...et nous en avons tellement besoin eu égard à l'iniquité de cette Société. Merci mille fois.
Well spoken- it is truth.
Great tempo choice ! 😊 loved the performance !
hervorragend, sehr ausdrucksstark, herrliche Dynamik und Spannungsbögen, sehr gute Stimmen. Vielen Dank aus Deutschland!
Had no idea this redoubtable lady had written motets as well as the March of the Women … what amazing harmonic language she could command …a real late Romantic and a real discovery …thank you!
Never thought a there’d be a rendering of this twinned piece to compare with Voces 8 … but this has more of a liturgical feeling to it …essential, as it’s not a concert piece … thank you!
Stunning job!
I beautiful rendition, I agree
Beautiful performance
Thank you!🌷
Really great performance! I don't know how organists accomplish that 3-part polyphony in the Fugue! Great pedal-work, excellent registration choices. Nice one-foot 4ths in Fantasia! Nice organ and excellent acoustics in this chapel. (from Canada)
It's actually 4-part harmony.
This was wonderful
Exquisite❤
Absolutely amazing!!!
Luminous.
Wonderful, wonderful, wonderful...
The most beautiful interpretation of Rheinberger´s Abendlied I´ve ever heard!
This is not the original version, so it is difficult to compare it to other interpretations. I do admit that is beautifully sung, though.
Immaculately executed, with a beautiful blend and balance. Well Done!
8 singers for 6 parts, I’m curious which ones were doubled
All 4 parts were doubled, as the description says which groups them in pairs. Though the original is written in six parts and contrary to the impression that there ARE singers singing on their own (because they are standing distant and the camera isolates them!), they are singing a reduced score of just four parts which preserves all beginnings of the six parts but omits some filling or even bass notes and thereby simplifies the harmonies. Compare these recordings: ua-cam.com/video/7k0cEC9H0GY/v-deo.html ua-cam.com/video/f9CgbPSf_og/v-deo.html ua-cam.com/video/sIOagJryMik/v-deo.html ua-cam.com/video/p1Dl5kuUY8w/v-deo.html
Thank you for this lovely singing.
Sehr sehr schön!!!!
Прекрасне виконання, вітаю!В деяких місцях не було добре чутно бас, в тому числі в останньому акорді не вистачає нижньої фа
Это потому, что они поют четырехчастную версию.
Wie schön ist das denn gesungen. Ich bin begeistert. Danke für die wundervolle Musik.
Super!😊
Beautiful.
Danke für die schönen und klaren Melodien zum Abend
Wonderful singing and fantastic camera work. If you keep this up, you've got a bright future on UA-cam 😃
Beautiful! ❤🤍🕊😌
VERY beautiful!
Excellent session - very valuable and full of hope.
Awesome!!!
Thank you for continuing to connect with the community via these recordings.