Відео

Godetevi questa meraviglia. Per chi non conosce le parole, si metta il libretto a fianco. 😀😀

POVERINO DOMINGUIN. BRAVO BERGONZI, CORELLI, DEL MONACO, BONISOLLI

Les Contes d'Hoffmann has always been my favorite opera dear to my heart. My mother sang the roles of both Olympia and Antonia with NYC opera back in the 1950s and with local So Cal companies when I was young. I remember seeing this amazing production live and it is still my favorite! Fast forward to 1994 and I had the pleasure of performing The trio as Dr. Miracle which I adored. I never had the opportunity to play all the villains but have studied it. Tales has a little of everything, fairytale, seduction, tragedy, gothic romance and the grandeur of Belle Epoque era. This is the perfect start to my Thanksgiving week revisiting this magical production over an elegant dinner of crêpes, champagne and fabulous gâteau poire Hélène. My brother in law was Bruce Sledge -a Met star who has performed this role, and was Pinkerton last year in the Met Telecast of Butterfly. I had the pleasure of studying opera back at CSUF the alma mater of many opera stars including Megan Weston who did a fantastic Olympia . As a bass -baritone I much prefer to play the wicked villain roles. Happy Opera watching everyone.

… current standard. However not in historic respect. MDM, CS and EB etc. have left us their legacy. Fortunately also with Ernani…

🎶I think Scotto/Pavarotti are the defining Mimi & Rodolfo, because i saw this same Special as a child. I have never again seen those 2 roles performed that equal the Scotto/Pavarotti duet in chemistry, voice, & acting. To me, when i picture Mimi & Rodolfo….ohhh…but i see only their faces; they became ✨Master Puccini’s✨ “La Boheme”. Thank you for posting such a warm memory. 🎶 **The entire cast performing in this production here define their respective roles in this opera in the most extraordinary ways-nobody did it better than they did.**

My. Dad was an opera lover. He always had it on the radio and also records. At the time I was only slightly interested in it. I watched this performance with my dad and of course saw and heard Pavarotti for the first time. Well I was instantly transformed. I was 21 at the time and became an instant opera fan and have been ever since. I realized what I witnessed was an incredible art form that so few people can master. It has everything. Fabulous music written by musical geniuses. Vocal athletasism coriography and amazing staging. There is lots of forms of fine musical entertainment but nothing comes close to opera in my opinion anyway.

Wixell está péssimo, como sempre.

I've been reading up on American tall tales with an idea for a mock epic poem about Pecos Bill in the style of 'Don Juan', and I've stumbled across this.

Watch the every Christmas with my family. The pantomime angel scene has me in tears every time. Such beautiful direction, cast, music, sets, costumes and everything. Thank you so much for posting this!

Bravo Bravissimo 💐🌹🌺💐

Thank you very much !

I love Eva Marton, but this role has never been hers.

I was there.

💚🦅💚

I watched this concert live on tv when it aired on the BBC and thought it sensational. Still do!

28:30 La note il giorno 61 43:46 Ecco laggiu Gerard 98 44:31 Barer 59:44 il feritore? 01:03:44 Cittadino Gerard 1:10:10 Amici, ancor 1:34:29 Molti ex! 1:35:16 Pittore! 1:36:52 E un traditor 1:37:11 A che parlar 1:37:41 Pericoloso 1:37:53 e un traditor 1:41:07 esso e unsospetto

Merci à Verdi, Daniel Barenboïm et tous, pour ce moment de bonheur et d'émotions

Beautiful voice

<3

03:58 04:19 Dalle gravi palpebre il sonno adiscacciar Lavera storia cinarra di garzia germano alnosteo conte 05:23 06:39 08:40 Giusto quel petti sdegno commose; linsana vecchia lo provoco Ah schelle rata oh donna infame; Del parminveste одьодьорор 09:30 10:29 10:50 sul 11:29 campana si ama ledeta la strega la stregainferna 29:00 цигани Ведиле фоске нортуне сполье дечиели свестелименса волта Сембрауна виедова киалфинси толье ибруни панни ондера ин волта 30:00 версамян трато 34:00 mesta 34:50 56:25 59:15 01:02:50 aah 01:04:50 tu col 1:06:05 vanegi 01:09:07 orc daddy 1:10:29 squil 1:17:20 elastesa 1:18:20 infame 1:28:20 alarmi

Спасибо....

This fine production is the benchmark of what Grand Opera should be! I saw it in 2023 near the end of its run and will never forget the spectacular visuals and their overpowering effect on me. It was really something to see in person and I will never forget seeing it.

Kleinzach song is the best!!!

Madam T-S can still ace the 'high Db' in ancora un passo. Brava!

OMG, why didn't you upload this earlier? This version is so epic.

E' un' ottima edizione. Bravissimo il tenore ed anche gli altri interpreti. Anche la scenografia discreta, in questi tempi di scenografie assurde.

Pavarotti in forma strepitosa ed all'apice della sua carriera! Wixell, poi, un Marcello straordinario, cantante troppo sottovalutato. Che dire poi della Scotto e Paul Plischka.

27:48

way too nasal

Why not in german?

Listen to this for two and a quarter hours of stunning singing and orchestral playing. Visually, the production is very static, gorgeously dressed, but with oppressive sets that tower and over-crowd the stage - once the entire company is on-stage, there's hardly any room to move. But the result does provide a luxurious canvas for the beautiful music that emerges. Elvira may be rather large, but that is of no consequence, her singing is wonderful, an absolute joy whether in her solos, or in ensembles where her high notes ride securely over the rich musical textures. Perhaps the staging is "over-done" to compensate for a story that provides little opportunity for action, but it does provide much to engage the eye while the ear is happily engaged from the first orchestral note at the opening to the very final note from the entire company. In a word - enjoy!

:’(

Wow thank you!!!!

Eine schöne Aufführung. Diese Oper ist mehr für die kleinen Kinder und ausgezeichnet, um ihnen das Böse und die Rettung durch die ewig präsente Göttlichkeit zu zeigen. Gut is die Übersetzung, weil Kinder bei Euch die deutsche Sprache nicht verstehen.und die Sprache ist hier unverzichtbar. Das Schönste ist natürlich der Song: "Abends wenn ich schlafen geh, vierzehn Engel um mich stehen" , einmalig 1953 unter Karajan von Elisabeth Schwarzkopf und Elisabeth Grümmer gesungen. Schließlich ist zu loben, dass die Atmosphäre so gut eingefangen ist. Allerdings muss der Vater auf dem Besen umgekehrt sitzen.

I used to force my little brother to dance with me 😂 to this opera... recorded from channel 11 by my grandpa 🤗 thank you for posting!!

I've loved this telecast since it was first broadcast in 1988. I've been an opera fan for over 55 years and I saw Pavarotti & Domingo & many other greats, but I still consider Neil Shicoff's performance in this telecast to be the single best operatic portrayal I've ever seen. Great vocalism, complete immersion in the role! The production, itself, was so wonderful, unlike the current terrible production the Met has.

mi avete fatto assistere ad una grande opera verdiana sono stato molto colpito dalla perfezione ed ai grandi interpreti bravissimi un grazie al teatro di roma per il suo allestimento di grande qualita'

questa soprano davvero brava

finalmente un'esucuzione davvero verdiana regia e costumi ottimi il maes tro armillato non si discute dove c'e' verdi, cast di preim'ordine bene orchestra e coro ve lo dice un bussetano doc dalla piazza verdi busseto

Für mich weitgehend die beste Performance!!! Die Solisten sind fantastisch - „Crème de la Crème“ der dramatischen Stimmen von heute. Der Chor singt mit wunderbaren Präzision und Leidenschaft. Das Orchester meistert eine fantastische Virtuosität. Maestro Barenboim ist auch als Dirigent immer eine Extraklasse.

Thank you so much for posting this in it's entirety! Great cast but especially Rosalind Elias... the best!

Русия! Недостижимая!

Have I missed something? Why is Mere Marie sining down an octave in her last scene?

I swear this great opera production was staged in 1929, not 1989 with all those singers masquerading in black face. You cannot convince me this production of Verdi's great opera couldn't find a person of colour in the opera world who could sung those parts in freakin 1989.

The movie Fitzcarraldo brought me here. The last scene is performed at the beginning. Once you've seen it you will never forget it. :)

1:56 Act 1.... 28:25 Act 2.... 1:08:37 Act 3.... 1:29:52 Act 4 1:27:13 "Di Quella Pira"

The Venice scene is missing.

7 jNn😊.uno que h773rj4w6