Відео

Lots more to come! Stoked to go through it all and be able to share!

Wow, awesome to hear your perspective and memories of this! I remember Darryl was injured, and I have photos of Chris, Preston, Sato and Andrew Arnold riding the jumps, also one of John Cowan and a couple of someone flipping one of the jumps. Someone wearing a Felt jersey, probably Timo. There was a bunch of complaining that year about the jumps, and I don't think Cowan and Timo hit them more than a couple of times. There was also the FLOW show that year, and that drew a huge crowd for every show. 2002 I believe Cowan helped build the jumps but the location was the same and they were still on the downhill slope. 2002 the only images I have are Berrecloth and Donahue really.

I found a few black and white images of riding the log! I think one of you and one of Charles Mercier. Or perhaps that was a different day? Good memories!

Just found a whole bunch more photos from that trip! Beat Steiner came with us and filmed the snow riding from the heli, but I think he left with the heli when we got to the tree line. Such a rad trip! I remember the loam section was all time, but the road out at the bottom seemed to go on for ever. And an old friend of mine ended up being the captain of the ferry that day, total random surprise. I miss those trips! Will definitely send you a selection of images.

Yes! I found a few old B&W photos of it last night!

It was a Race Face ad I believe!

I think actually the catalog cover? Thanks for the reminder, I think I have it somewhere

Hi Adam, Happy Holidays! The simple answer is no, the Elinchrom Skyport won't directly work with the Godox flash. If you want to use the Godox alongside the Neo lights with your Skyport transmitter you would also need to purchase an Elinchrom Receiver Plus and plug that into the Godox. That would allow the Skyport transmitter to trigger all your lights simultaneously. Does that help?

If you're going to ride for more than an hour, food of some sort for energy is fairly important. I call that snacks, but it's often what people would consider energy bars or similar. However if I'm going on a longer ride, say 3 or 4 hours, I definitely bring real food.

You're in luck! They've just updated the line of bags the past few months and there is now a new version of the 16 as well as a new 22 that I'll be posting about shortly. Very similar, just a bit bigger.

I think it depends on your personal needs more than anything else. The Godox is more powerful, and has the option of bare bulb flash if you use softboxes or other modifiers already. I think of it as a bridge between on camera speedlights, like the Canon 600 EXii, and larger studio style strobes. The Canon flash is very versatile and can mount on the hot shoe of your camera (if it's a Canon camera), and the AD200Pro can't do that, it needs to be mounted on a stand or a bracket. The Canon has a zoom head that will cover lenses from 14mm to 200mm, the Godox doesn't do that. I use aftermarket Fresnel lenses from MagMod to achieve a similar versatility with the AD200Pro. So I think it depends what you will use it for. Does this help?

@@IanHylandsPhotography i wanted off flash, but I dont know which one deliver the good colors?

@@IanHylandsPhotography i wanted off flash, but I dont know which one deliver the good colors?

I can’t speak specifically to Nikon at the moment as I don’t have one, however theoretically it shouldn’t be any different. Start with the AD200 on full power to get maximum flash duration, and play with the ODS offset if it’s not perfect. Then go from there. Please let me know how it works!

Thank you! It’s definitely an adventure and equipment keeps changing almost monthly nowadays. The AD200 Pro is not quite a speed light, but the closest I’ve found to a do everything small light. And with the bulb head it works great in a soft box in the studio, or on location.

Hi Giovanni, thank you for your question and I apologize for the delay. I bought a house recently and have spent very little time online. In answer to your question, the Elinchrom transmitter can’t “control” the Godox lights, but in combination with a Elinchrom receiver it can trigger them. So if you already have an Elinchrom set up and want to add another non-Elinchrom light this will work. Does that help?

Hi, I used my Elinchrom Quadra lights in high speed mode along with my Godox AD200 Pro lights attached to Elinchrom Receivers and they worked well together. You need to adjust the output of the Godox lights manually (or with Godox transmitter) so no TTL, but you can use both together. Does that help?

Sorry not sure how I missed this question. A little late now, but yes, the Elinchrom Receiver Plus will work with the Godox AD200Pro

You can trigger the RX4 light by attaching the Godox Reciever via the 3.5 mm cable. You won't be able to control the power lever with the Godox Transmitter however.

@@IanHylandsPhotography Can godox trigger make high speed snik Sutter speed 1/8000

Hi, sorry for the very late reply. I used a DJI Gimbal (I have a couple, not sure which one) thank you!

Thank you!

I have an AD600 so I’ll have to test this one out and see the differences. Thank you!

I don’t think mine makes a click or a pop, but I haven’t listened that carefully.

Hi Dario! I don't shoot Canon but I did a quick search online and it seems to be a common problem. Most people with the problem say it is only when using TTL and HSS together with the R5 and the Godox XPro Trigger. There were some issues early on with Sony cameras and electronic shutter, I'm not sure if this effects the Canon R5 or not, but maybe try shooting with the electronic shutter turned off and see if that works? If it does please reply and let me know.

@@IanHylandsPhotography well I did some experiments today with the mode "electonjs first curtain" the only way if you shot at 1 320, I mean in hss plus ttl, is to set ttl at - 2.3 and the pics is quite acceptable. But you hate to fix it in post. But with this escamotage you can shot sports players that are in différent distance from flash.

I think it’s possible to go either way really. Which Elinchrom transmitter do you have, and do you have an Elinchrom receiver? The Flashpoint Transmitter will give you great control and TTL functionality with the Explor600 Pro, and they’re relatively cheap. The Elinchrom transmitter won’t give you TTL control, or any control of your Flashpoint light other than simple triggering via an Elinchrom receiver. Does that make sense? Do you have Elinchrom lights as well or just the transmitter?

@@IanHylandsPhotography The Rotolight has built in receiving for the Elinchrom so I have the same Transmitter you have in this vid. ELSP-HS... Yah "6 of 1, 1/2 dozen of another", The Flashpoint trigger is priced really reasonable so I will likely just invest in another bank of Flashpoint kit.

Thanks for watching, glad you enjoyed it!

Thanks!

Not directly. You could use it to trigger the V1 via an Elinchrom EL Skyport receiver and a 2.5mm sync cable, and I'm pretty sure it will work with Hi-Sync this way, however I haven't personally tried the V1. The reason you would do this is so you could use your V1 with your Elinchrom lights and have them all trigger at the same time. You would have to manually adjust the V1 or use the Godox remote to adjust the power. Does that help?

@@IanHylandsPhotography copy that 👌🏽

This sounds strange, however I have had a few occasions where I saw very thin bars or strips horizontally across the frame. I can’t repeat it, but it looked like perhaps the pulses from the flash didn’t perfectly line up. Please send me an image, I would love to see it. Send to info at ianhylands dot com

@@IanHylandsPhotography Hello, I send you an email, I hope you could hacve a time to check it, thank you in advance for your help... English is not my natural language, I am able to read it but I have problems writing it.

@@existircuantico7141 I hope you have the problem sorted out. That's why in some cases hypersync as done by pocket wizard is an alternative or sometimes a better alternative. It's just one big chunk of light instead of pulsing of lights like in high speed sync does.

You are welcome!

I haven’t used the D-Lite 4 personally. Does it show up on your Transmitter screen as a D-Lite 4? There can also be issues with camera and lens compatibility, I can’t use Sony with an off brand manual lens and my Skyport Pro HS. What are the issues you’re having when you say it’s hit or miss?

@@IanHylandsPhotography thanks for your reply. I’ve finally worked it out .

Thanks, I’m glad they’re useful. So many more to make when I find the time!

I’m sorry Ramez, I didn’t see your comment. I’ve never shot motorsports with strobe, but I don’t imagine it’s much different than any other sport except the subject is moving faster, and is also perhaps a little bigger. With Rally a small flash like the Ad200 Pro is probably best used to put some light on the drivers face instead of trying to light the entire car, that’s best done with a larger light.

Thanks, I'm with you on that one! I don't even use Lightroom presets so that will never be an issue.

You're welcome! I'm happy to be able to help!

21 Blinks in almost 8 minutes. My eyes hurt just thinking about it XD

🤣

thanks! Please let me know if there’s anything else specific you’d like to see. Been completely overwhelmed with work and moving the past month but getting back at it shortly.

So we’re you shooting with the flash on TTL or manual? Thanks

Great question! At the time I shot this video I was shooting in Manual mode, however I’ve since switched to the Godox Xpro transmitter (R2 from Flashpoint) and now I usually start shooting in TTL and use the TCM button to switch to Manual and keep the TTL light settings. This way I get a really quick setup and I can then tweak the light as needed without having to worry about the camera changing it on me if the ambient light changes. It’s super simple to use, just shoot in TTL, adjust as you want, then press and hold the TCM button and it will switch to manual with the flash levels set to the last TTL shot. Profoto and Elinchrom also offer this feature, although I don’t have any Elinchrom TTL lights so I haven’t tried their version yet. I have a half finished video comparing the 3 systems, I just need to finish it.

awesome, I’m glad I could help! I find I use the mag mod tele adapter as much to control light spill now as I do to improve power. Always learning new things, and then figuring out how to share them!

where can i find this video thanks )))

Awesome Micha, let me know what you think once you get it.

@@IanHylandsPhotography Cheers Ian, just received my backpack and it is literally exactly what I expected it to be. Small, light and enough space for: Canon EOS R, 16-35 2.8, 70-200 2.8, a small mic and a DJI Mini 2 drone. The zoom lens is in the upper compartment, but that is 100% fine for me. Putting the DJI Mini away gives me space for another small prime lens. Big thanks again and have a good one!

Cheers! I used to have a Shimoda Explore 30, it was a beautiful bag! I have an Evoc CP26 and a CP35 that I use for actual photo shoots where I carry more gear. It’s always mix and match depending on the situation, photo, video, lights, big lights, no lights, one body, two bodies... So many different scenarios!