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Thanks Carol. i hope the lessons help you out.

Have fun, my friend!

Thanks Leslie!

Thanks much!

Thank you Stephen!

Thanks so much. Yes, Greasy Coat us a gem!

Fantastic. So glad you enjoying1

Obrigado

Thanks so much for your appreciation,Leslie, and also your insightful comments. I think I had a vague sense of this tying back to Dwight Diller, but never followed up on that. Didn’t take much looking on UA-cam to confirm that, and also that DD sources it to Jenes Cottrell. Bob Thornburg also put out a very Dillereque version. Also, yes, Double C is the “Swiss Army Knife” tuning when it comes to modes. I did a whole video on that a few years back demonstrating how and why Double C works for major, minor, mixolydian, and dorian modes of C. I even did a sequel video where I played Mississippi Sawyer in Double C, starting in the normal major mode, then working through the other three

Thanks, and have fun with it!

Thanks Lee! Regarding the key, the important thing to use the right chords, regardless of the tuning. Playing a C minor chord in the standard C tuning is no big deal (and yes, I just dropped the 4th string to a C from the standard G tuning). You can see the chord forms I used on the tab, but as regards C minor chord, all I did was modify the C major chord that is created by barring across strings 1, 2, & 3 at the 5th fret. To do that, you must fret the 2nd string at the 4th fret, rather than the 5th fret. So instead of a bar chord, it now becomes a three finger chord (again, have a look at the tab). Also, notice that the three chords used are Cm, Bb, and F#m, not the usual C. F, and G chords used for songs in C major. One could play this in Cm using the Double C tuning just as well, but I preferred how it worked in the standard C tuning. Hope this answers your question.

Thanks, so glad you enjoyed it. And yes, there is significant history to this song.

Thanks as always Mike!

Thanks STP!

Thanks as always!

Thank you for commenting. No worries on the translator, but I am not quite sure if I understand your question. What do you mean by “source on sns”? I’ll do my best to answer if we can bridge the language divide.

@@banjojack I don't know if the meaning will be conveyed well If you register a video on your personal SNS with that score, I will leave you a link to the original video. That means a link to Jack Boutin's UA-cam video will be left in the post. That is, it shows the source.

@@육돌이 This is not something I will do. Please enjoy the video as I posted it on UA-cam.

@@banjojack Okay. Thank you for always sharing your score.

Glad to do it. Thanks!

Thank you Jeffrey. It can take some time to break away from clawhammer mechanics, but just chip away and you’ll get there.

That’s a great combo!

Thanks so much!

You're most welcome!

Thanks!

The down stroking of clawhammer definitely can present a challenge, and I think especially so if you come from a guitar picking style background. It is indeed, odd at first. But you will get it at some point. Laying down steady rhythm and timing, regardless a speed, is the key in my opinion. Glad I can help out a bit. Keep at it!

You are most welcome, banjodaze! I hope you have some fun with it. Since you are a fan of Ola Belle Reed, you may want to check out my Undone in Sorrow playlist. I have a two finger version, an “advanced” clawhammer version, and an “easier” clawhammer version, each with a tab, just like with C&B. ua-cam.com/play/PL00z9mDkwwfcvlKZGQouhzt_2AUAkigey.html

@@banjojack oh my gosh thank you! ☺️ i will bookmark it

Thanks TW!

Thanks much, and glad to share the tabs!

Most welcome!

Thanks Les!

Glad you like it!

Ha, maybe I should do “Muskrat Love” or something like that next and give you a break. Thanks Charles!

Thanks Frank! Yup, after working up Arthur McBride I got on a Paul Brady kick, and well, like you said, “the other Paul Brady song”.

Thanks Tessie Mae. Glad it was helpful!

I’m sure this would work with clawhammer. I tend to prefer two finger picking for waltzes these days. So, it’s really just a stylistic preference. It should be possible to extract the melody notes from the 2F tab, then work up a clawhammer rendition.

@@banjojack Thanks!

Thanks Amanda. I’m glad to hear it appeals to more than just rank beginners!

I just finished the tab (and made some tweaks). I am going to post a full length video with the tab, as usual. It’s next in the queue, so hopefully this week sometime.

You bet, Charles1

Glad to do it, Paul. Thanks.

Thanks Mike. Usually my noodling is just that. On rare occasion something emerges.

Give it a go! Clawhammer will be weird at first, with the down stroking and finger lead, but it will kick in at some point.

I’ll give it a try. So much good clawhammer music out there!

Thanks Mike!

! hope the rest of you Sunday went as well. Cheers, Jack

Thanks Tom!

Thanks Edward! I had tabbed this arrangement some time ago, but just yesterday I realized I had not posted a video, even though I meant to.

Glad to know that I’m helping out. And yeah, I think you have the right approach-glean what you can, or what resonates with you, from the tabs. That’s pretty much what I have done over the years. Have fun, and thanks!

Thank you, and glad you enjoy!

Fantastic! And wow, that is a challenging arrangement for a first clawhammer song. It’s my pleasure to help where I can. Keep on pickin’!