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YAO LU-MAGIC EASTERN MUSIC STUDIO
United States
Приєднався 13 січ 2014
I have a happy and lovely family and update my videos in a very laid-back manner. Sometimes, I create a series of instructional videos. Founder of the Atlanta Folk Music Studio, Magic Eastern Ensemble.
For a personal introduction, please visit [www.magiceastern.com](www.magiceastern.com). Don't forget to subscribe to the channel and follow on Facebook! ❤️
Shanghai Theatre Academy ❤️ Missing the school days even more after graduating... Striving to make my alma mater proud!
For a personal introduction, please visit [www.magiceastern.com](www.magiceastern.com). Don't forget to subscribe to the channel and follow on Facebook! ❤️
Shanghai Theatre Academy ❤️ Missing the school days even more after graduating... Striving to make my alma mater proud!
上海筝协考级古筝8级演奏《包楞调》丨学习使用
仅供筝友学习使用
《包楞调》
此曲是由著名山东筝派演奏家、山东筝派代表人之一的韩庭贵先生根据山东菏泽成武民歌改编而成的,创编于先生在山东艺术学院执教期间。乐曲惟妙惟肖地描绘了旧中国的农村妇女起早摸黑纺棉花的连绵不绝的“楞楞”声,就在这“楞楞”声中,蕴含着农村妇女的苦楚与哀痛,同时也饱含着她们对幸福生活的向往和企盼。歌曲则以“楞楞”为衬词,曲调舒展开阔,尽现山东民间音乐的风格。
"Pa Leng Diao"
This piece was adapted by Mr. Han Tinggui, a renowned Shandong guzheng artist and one of the representatives of the Shandong guzheng style, based on a folk song from Chengwu, Heze, Shandong. It was composed during his teaching tenure at the Shandong Academy of Arts. The music vividly depicts the continuous "leng leng" sounds made by rural women in old China as they spun cotton from dawn till dusk. Within these "leng leng" sounds lies the hardship and sorrow of the women, yet it also embodies their longing and hope for a better life. The song uses "leng leng" as a refrain, with a broad and flowing melody that fully displays the characteristics of Shandong folk music.
该筝曲着重突出了山东派古筝演奏技法,大指第一关节的灵活快速托劈所产生的效果,犹如珠玉落盘,清脆利落。但韩庭贵先生的演奏视野比同代的演奏家更为开阔,而不拘泥于传统技法的窠臼。执教期间,他始终保持着创新的精神,独创性地使用了左手快速上下刮奏、快速八度大跳等技法,使乐曲极具有艺术感染力。乐曲活泼爽朗,粗犷豪放,又韵味十足。
This guzheng piece emphasizes the performance techniques of the Shandong style, particularly the agile and rapid plucking with the thumb’s first joint, producing a sound akin to pearls dropping onto a plate - crisp and sharp. Mr. Han’s musical perspective was broader than that of his contemporaries, not confined to the conventions of traditional techniques. During his teaching, he maintained a spirit of innovation, uniquely incorporating techniques such as rapid up-and-down scraping with the left hand and swift octave jumps, which gave the music great artistic appeal. The piece is lively, bright, bold, and full of flavor.
如今,该曲已经在山东境内普遍流传,深受业内人士的好评;此曲获得多次奖项,并曾于国内外电台录音播放,影响深远。此外,韩老还于1985年创作《骏马奔蹄》筝独奏曲,在山东省器乐比赛(器乐录音)中获一等奖。
Today, this piece is widely circulated within Shandong and is highly regarded by industry professionals. It has received multiple awards and has been recorded and broadcast on radio stations domestically and abroad, making a lasting impact. Additionally, in 1985, Mr. Han composed the guzheng solo piece "Galloping Horse," which won first prize in the instrumental music competition (instrumental recordings) of Shandong Province.
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GUZHENG/CHINESE ZITHER COURSE
ATLANTA BAMBOO FLUTE COURSE
亚特兰大古筝/竹笛学习课程
路瑶音乐工作室 亚特兰大专业的民乐工作室
Magic Eastern Music Studio
《包楞调》
此曲是由著名山东筝派演奏家、山东筝派代表人之一的韩庭贵先生根据山东菏泽成武民歌改编而成的,创编于先生在山东艺术学院执教期间。乐曲惟妙惟肖地描绘了旧中国的农村妇女起早摸黑纺棉花的连绵不绝的“楞楞”声,就在这“楞楞”声中,蕴含着农村妇女的苦楚与哀痛,同时也饱含着她们对幸福生活的向往和企盼。歌曲则以“楞楞”为衬词,曲调舒展开阔,尽现山东民间音乐的风格。
"Pa Leng Diao"
This piece was adapted by Mr. Han Tinggui, a renowned Shandong guzheng artist and one of the representatives of the Shandong guzheng style, based on a folk song from Chengwu, Heze, Shandong. It was composed during his teaching tenure at the Shandong Academy of Arts. The music vividly depicts the continuous "leng leng" sounds made by rural women in old China as they spun cotton from dawn till dusk. Within these "leng leng" sounds lies the hardship and sorrow of the women, yet it also embodies their longing and hope for a better life. The song uses "leng leng" as a refrain, with a broad and flowing melody that fully displays the characteristics of Shandong folk music.
该筝曲着重突出了山东派古筝演奏技法,大指第一关节的灵活快速托劈所产生的效果,犹如珠玉落盘,清脆利落。但韩庭贵先生的演奏视野比同代的演奏家更为开阔,而不拘泥于传统技法的窠臼。执教期间,他始终保持着创新的精神,独创性地使用了左手快速上下刮奏、快速八度大跳等技法,使乐曲极具有艺术感染力。乐曲活泼爽朗,粗犷豪放,又韵味十足。
This guzheng piece emphasizes the performance techniques of the Shandong style, particularly the agile and rapid plucking with the thumb’s first joint, producing a sound akin to pearls dropping onto a plate - crisp and sharp. Mr. Han’s musical perspective was broader than that of his contemporaries, not confined to the conventions of traditional techniques. During his teaching, he maintained a spirit of innovation, uniquely incorporating techniques such as rapid up-and-down scraping with the left hand and swift octave jumps, which gave the music great artistic appeal. The piece is lively, bright, bold, and full of flavor.
如今,该曲已经在山东境内普遍流传,深受业内人士的好评;此曲获得多次奖项,并曾于国内外电台录音播放,影响深远。此外,韩老还于1985年创作《骏马奔蹄》筝独奏曲,在山东省器乐比赛(器乐录音)中获一等奖。
Today, this piece is widely circulated within Shandong and is highly regarded by industry professionals. It has received multiple awards and has been recorded and broadcast on radio stations domestically and abroad, making a lasting impact. Additionally, in 1985, Mr. Han composed the guzheng solo piece "Galloping Horse," which won first prize in the instrumental music competition (instrumental recordings) of Shandong Province.
---------------------------------------------------------------------------------------------------------------------
GUZHENG/CHINESE ZITHER COURSE
ATLANTA BAMBOO FLUTE COURSE
亚特兰大古筝/竹笛学习课程
路瑶音乐工作室 亚特兰大专业的民乐工作室
Magic Eastern Music Studio
Переглядів: 109
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解得很详细且清楚,好棒!
老师我练了,感觉上不来气咋办
气是慢慢训练长并且稳定的,千万不要一上来就深吸一大口气,这样反而会觉得身体很累
❤❤❤❤❤🎉🎉🎉🎉สวัสดีครับโกอังเกาะสมุยกำลังใจให้นะครับเก่งนะครับเพราะมากเลยครับ❤❤❤❤❤❤❤😊😊😊คงจะน่ารักด้วยครับ❤❤❤❤❤
谢谢分享!
@@xinlanchen4562 正在赶工下半部分
請問你收學生嗎?
你好啊,之后会在UA-cam开启会员的专属课程。如果是亚特兰大可以来上实体课。线上的话是会在UA-cam的会员专属频道有从零基础入门的教学。最近我们正在演出季,所以需要等感恩节之后开始频道会有会员课程的更新。
我是在加州,請問什麼時候會在youtube 找什麼題目可以找到你呢?謝謝.
路瑤老師你好,因我看過很多關於笛子資料,覺得你指導非常清晰,所以很想跟你學習,不知你可收門生. 你說在youtube 可以看,不知道是什麼題目可以看到,什麼時候可以有得看呢?謝謝.
@@marywong8 你可以发邮件到magiceasternstudio@gmail.com,如果是一对一的线上学习我们可以邮件沟通,谢谢你的认可😁更多信息可以在www.magiceastern.com查询~
吹不出聲音
@@EdwardYuen-f4g 对着镜子试试看,口风不能太大,上下嘴唇尽可能保持平面的状态。
請問高音和低音怎麼練習吹
要注意在相同的指法下,区别的是你吹的气流量的大小,气息的角度控制,还有气流快慢(也就是所谓的缓急),因为吹气很抽象,所以需要自己感受,多做尝试
有人会说阿拉伯语吗?
😍😍😍😍😍
老師 高音so要怎麼吹穩呢?
Sophia never disappoints! 😍😍😍😍😍😍😍😍😍😍
太厲害了👍
周望老師年輕时琴艺就好精湛了😊
大师就是大师~
这鼓声听着难受,用传统的大鼓会还有气势。
主要是缺鼓手,希望不久的将来有鼓手加入~
Beautiful
赏心悦目
全程活动请看→ua-cam.com/video/yl8gfjiKIYM/v-deo.html (亚特兰大华语电视台录制)偏干音向
老师,有微信么!看你发的课程的视频并不多,我是个人刚开始练习!如果有些不懂得,该如何提问?不能每次都用这个留言吧
今年会再抽空录一些…太忙了…做视频的过程太花时间了…
講解得很詳細且清楚,好棒!
23歲的小孩子來聽課啦
🎉Good
請问有教筒箫?
谢谢,找很久了。
還是吹不好,抓不到訣竅,而且嘴酸唇乾。。😭
别着急,位置对准了会轻松很多,主要一开始找的时候稍微要耐心点,贴到位置先感受一下和你下嘴唇的位置关系,然后再吹。不能一下一下立刻连续的尝试,这样你的下嘴唇感受会变的麻木不敏感。
吹笛子的人,嘴唇干起皮,建议是每天要喝足够的水,另外润唇膏开始需要勤快使用的。
Ohhh the sound! 🥰🥰🥰
努力學習中,謝謝老師分享❤
❤
GOODJOB SOPHIA AND GOODLUCK!!! ❤
老师,你好美啊!
好好听❤❤❤❤❤
'PromoSM' 😑
老師,請問低音7跟高音7要怎麼吹出來,他們指法都一樣😢
使勁出高音,不使勁則出低音
气息力量控制急一些,平视前方的时候,吹得气息在胸前1-2扣子的位置,会比较容易发出高音,低音7则是平视前方,感觉在往自己的膝盖高度送气,气息平稳的同时,需要控制气流缓慢放松,这时候口风和唇部肌肉也会相对放松一些,别着急,可以多尝试几次找找感觉。
抢沙发❤
❤
我想学习吹萧 ,可是我要在哪里找我喜欢的歌的吹法呢?
什么歌曲呀?现在网上找乐谱倒是比以前要方便多了
好棒❤
请问一样的指法,为什么会有不同的声音?
和你用气的量多少,还有进气的角度有关~
好音樂
❤
老師顏值挺好的呀~ 教得非常清楚👍
颜值挺难的...就管不住嘴又不想折腾脸~反正~别讨人厌的感觉就行了~我要求很低的
這個很好
太好听了
老師,我吹了多次,有時吹到有吹不到,我不知道為什麼吹不到
有时候是因为有手指没有完全覆盖笛孔。先把第一步的视频学会,每次都能很轻松的成功发出最响的声音,然后再开始覆盖手指~
您好,如果您和我愿意同意并在 UA-cam 上制作剪辑,请在有好主意时与我联系
你想使用这个视频吗?没有问题
我的意思是,如果我们是一家公司,我会向你展示这个想法,然后我们会制作一个视频并将其发布在我的频道上。我们所取得的成果将对你我都有利可图
Totally Amazing!!
Johns Creek, Fulton County, north-central Georgia, USA (a northern suburb of Atlanta)
原來這麼多人都是看了陳情令學吹笛子,真感動了!大家加油。
教的非常仔細,只是畫質不夠高清,可能是有幾年的關係,但還是很讚
感謝教導!
讲得非常清楚明了,太棒了