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Freepickin
Приєднався 2 жов 2009
Відео
19 Take this Hammer + 7th Chords and Backup Discussions VII Mini series
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19 Take this Hammer 7th Chords and Backup Discussions VII Mini series
11. The Merry Blacksmith (Part B).mov
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11. The Merry Blacksmith (Part B).mov
10. The Merry Blacksmith (Part A).mov
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10. The Merry Blacksmith (Part A).mov
9. The Maid Behind the Bar (Part B).mov
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9. The Maid Behind the Bar (Part B).mov
8. The Maid Behind the Bar (Part A).mov
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8. The Maid Behind the Bar (Part A).mov
7. The Maid Behind the Bar, The Merry Blacksmith & The Ships are Sailing.mov
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7. The Maid Behind the Bar, The Merry Blacksmith & The Ships are Sailing.mov
15. Take this Hammer + 7th Chords and Backup Discussions III (Mini-series).mov
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15. Take this Hammer 7th Chords and Backup Discussions III (Mini-series).mov
14. Take this Hammer + 7th Chords and Backup Discussions II (Mini-series).mov
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14. Take this Hammer 7th Chords and Backup Discussions II (Mini-series).mov
13. Take this Hammer + 7th Chords and Backup Discussions I (Mini-series).mov
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13. Take this Hammer 7th Chords and Backup Discussions I (Mini-series).mov
Acoustic guitar player for 25 years here. I just inherited my wife's uncle's mandolin, and have had a desire to learn for years. This is a very helpful video. Now if I can just get past my "tiny fretboard/huge hands" issue, lol.
Been playing guitar for years as well. Got a mandolin and have just been doing chromatic exercises to get used to the scale of the instrument. It is quite an adjustment when you're used to having more real estate between your fingers. I think these exercises will help. They are boring and un-musical, but they work.
@@user-xk9md4yf9j Yeah, but he threw in some flashy licks and intros that make you feel good about your success when you play them. An ego booster, if you will. And he did it in 6 minutes. Good video for somebody seeking inspiration for his new mandolin.
Thanks a ton. Helped me get n my journey.
Tank you very much!
Thanks. Helped me
Thank you
Thank you
Thank you. RIP..
Is there a easy way to get three finger seventh chords thanks in advance.
is there an easy way to get a 3 finger g7th and other 7ths? Thanks in advance.
Great stuff thanks
RIP Anthony. Thanks for sharing your knowledge and enthusiasm.
This is big breakthrough for me. Im thankfull you sharing your talent with us. I got to learn my scales. Im gonna have to see if you got video 9f scales. Thanks again. Your good at explaining finger movements.
Good lesson.
Even an Old Mandolin Picker like Me can still learn some new tricks. (I think it all may be infinite?) Thanks for sharing.
That's how you start a lesson? By intimidating folks that are learning? Makes me not want to touch my mandolin. It reminds me of how horrible that I am and feeling like I am never going to get this. Thanks anyway.
Great vid, pity it's barely audible
Good stuff Awesome thanks
Absolutely wonderful lesson for a rhythm player like me. I'm looking forward to learning these parts and using them. Thank you very much!
Good lesson.
Thanks Anthony. I enjoy your lessons. I have one recommendation: You should change your "up" "down" terminology! In music, and for all instruments, especially string instruments, "up" means "up in pitch"(frequency=vibrations per second of a note)" not the direction of your hands or fingers or how you hold the mandolin. And "down" means "down in pitch". When your hand or fingers go up the neck (towards the bridge) you are going "up" in pitch. And when you go down the fretboard (towards the headstock) you are going "down" in pitch. To refer to "up" and "down" in any other way is confusing! It's similar to being on a boat. Boaters do not refer to the "left" side or the "right" side of the boat because a listener on the boat may hear you but may not be looking at you, so he/she doesn't know whether you're facing forward (toward the Bow), or aft=backward (toward the stern), and therefore he/she doesn't know which side of the boat you are referring to. So the nautical terminology that always works is "starboard" for right and "port" for left. Thanks for understanding this, and implementing proper "up" "down" references in your next videos. Again I enjoy your videos very much.
Yes, he even contradicts himself about “up” and “down” the neck toward or from the bridge (about 2:52 and 3:20). Good reason to use standardized terminology! But the lesson is helpful nonetheless. Thanks for the post.
Best advice I have heard on barre chords in standard g tuning. Thank you.
THANK YOU!!!!!
Thanks for sharing,best wishes from Portugal ...
That was very nice Antony, thanks.
What a tiny pick you have
Thank you!
2 minutes in and the lesson begins...LOL
These are great!!! Thanks!
dude n'title's misleading
I love the thumbnail. it's like an omelette from walmart
One of the (many) problems that I seem to have is that my pick almost always seems to move between my thumb & forefinger, quite often I am still holding it but the tapered end of my oval shaped pick is between my thumb & forefinger, and I am barely even gripping it! Could it possibly be that I do not have a firm enough grip on my pick?
That playing in the dark is how I practice...
Hi Folks, it’s the MooseHerder here. Just letting y’all know that all 200+ of David’s great banjo lessons are now available 100% FREE at www.freebanjolessons.org Happy Pickin’ !
Very cool! Not there yet, but looking forward to the ride!
Wow very informative, but lacking on the visuals.. Post it again please.
This is awesome!
Great tips
I just started mandolin after half my life playing guitar. Really appreciate the tips. I like the d chord you made, haven’t seen that one. Having trouble learning runs. But starting to get there. Those double string notes helped. Keep up the good work.
Here in Germany, we already have the H Chord for centuries.
I wonder what kind of fiddle is he playing in this video? Sure sounds good.
wouldnt h just be a in the next octave. or g##
At 3:40 you play a C and an A and call it a D . Then you play an F and a D and call it a G. I don't get it.
He plays a D7 and a G7
I was just thinking the exact same thing, I came straight to comments hoping I would see something about it.
@@MicahFoxxMusic So you're saying he's playing the b7 and 5th to make the chord D7? And the same for G7? Just playing b7 and 5th to make the chords. Leaving out the root and third?
@@Rowen170 that is correct. “Shortcuts”, he calls them.
@@Rowen170 they aren’t technically chords, they are dyads.
Thank you! Just learning
Very Nice!!!!
great lessons. But the sound is only in my left earpiece on your videos. If they were in stereo would be awesome. thanks.
I think this practice of the G chord overall and the extension on the pinky practice are EXCELLENT!
Reverse screens for the next one.
Did you cut off a part of your fret board? Is this common to cut off the little bit on the F style mandos with the tiny, essentially useless highest group of 6 or 7 frets?
William Fleming I can’t say that he has but cutting off the ‘florida’ is done quite often.
Again, great stuff / tons of help thanks Anthony
Thanks again for all your hard work with these videos....they really help