Quelle voix merveilleuse ! quel sentiment de tristesse, de beauté, quelle simplicité... Et Moore au piano par-dessus le marché... le bonheur et l'émotion sont complets. Merci mille fois !
How to make the most of EMOTION in music; first never push it too much, second offer the audience the opportunity of adding their own emotion to the mix. Here the difference between emotion and emotionalism is perfectly displayed. Bless Hotter ... and incontrario motu for this rare joy.
A GREAT year for him (1951 & ICH HABE GENUG weren't bad either)! Some of his most wonderful (and STEADY!) Lieder singing were recorded this year (1949). What a gem AM BACH IM FRÜHLING is & why its not better known & performed more really escapes me. Since 2004 I have included it on EVERY Lieder recital.
Most wonderful thing in life, to enjoy all of Mr. Hotter's master works.
Quelle voix merveilleuse ! quel sentiment de tristesse, de beauté, quelle simplicité... Et Moore au piano par-dessus le marché... le bonheur et l'émotion sont complets. Merci mille fois !
Thank you for posting these. What a singer...
Memorable song.
How to make the most of EMOTION in music; first never push it too much, second offer the audience the opportunity of adding their own emotion to the mix. Here the difference between emotion and emotionalism is perfectly displayed. Bless Hotter ... and incontrario motu for this rare joy.
Outstanding!
Quelle belle voix merci mon patou de me l'avoir fait écouter
J'aime écouter cette belle voix
We, ,,, V
,,
A GREAT year for him (1951 & ICH HABE GENUG weren't bad either)! Some of
his most wonderful (and STEADY!) Lieder singing were recorded this year (1949).
What a gem AM BACH IM FRÜHLING is & why its not better known & performed
more really escapes me. Since 2004 I have included it on EVERY Lieder recital.
If ever there was a Nobel Sound.....
Maravilloso Hans Otter.
Reasonable and natural vocalization.
Bravo....
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!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!