I don't really like the A when you're in Gmin7. You do resolve it up to a chord tone, so the dissonance gets fixed. But, it's the III chord (not a II or VI), so I'd prefer to treat it like that.
This is at 3:15, right? I don't think most people who listen to jazz would consider that dissonant. It's just a 9th and it's in the scale. It's practically a chord tone. An octave up and it wouldn't stick out at all.
@@peterkossits4794 It's not the 9th. You're in Eb major. The scale for Gmin7 (which is the III chord in the context of the song) would be G Ab Bb C D Eb F. An A natural is outside of the key. It would be the 9th if you were in G minor or in F major. But, you're Eb. So, not a chord tone.
I goofed. I thought we were in a ii-V. And actually we might be... Gm7 -> F#dim. The F# is a tritone sub for C7. Gm7/C7 is an F major key center making the Gm7 function as a ii. A few bars later there's also a long A natural an octave up against the G7. We're changing key centers quick. Anyways....all ears are different. I didn't find it all that jarring and on a relisten it reminded me a lot of Dexter Gordon.
@@peterkossits4794 You're not in F major. You're in Eb major. I think the IIImin to bIIIdim to IImin is it's own thing since the resolution is typically to a minor II chord unlike tritone subs. The key centers don't change until the bridge. I'm sorry, but you just don't know the song....
Man, you have the soul of an old jazzman! I love it!
Thank You
Ive always wanted to learn this tune. Looking fwd to learning it this weekend.
I simply love this song...Thank you very much...
Perfect for the start for my practice session. Thanks a lot
Thank you for your great work
Thank you! Very good!👍👏
Thanks for that 😉🙏🏽
Great playing❤ Can you just have the instrumental so I can play this aswell😊🥰
I love your solos, I love this song. Will you publish it for members of your group ? Thank you
Sorry, I forgot to upload...
Now I did it!
can you please do that song for alto?
Yes, I'll try!
@@sax-jazz thank you!
I don't really like the A when you're in Gmin7. You do resolve it up to a chord tone, so the dissonance gets fixed. But, it's the III chord (not a II or VI), so I'd prefer to treat it like that.
This is at 3:15, right?
I don't think most people who listen to jazz would consider that dissonant. It's just a 9th and it's in the scale. It's practically a chord tone. An octave up and it wouldn't stick out at all.
@@peterkossits4794 It's not the 9th. You're in Eb major. The scale for Gmin7 (which is the III chord in the context of the song) would be G Ab Bb C D Eb F. An A natural is outside of the key. It would be the 9th if you were in G minor or in F major. But, you're Eb. So, not a chord tone.
@@peterkossits4794 You can listen to Barry Harris, too haha. He makes the same point on a different song: ua-cam.com/video/3V2eNh8qWVo/v-deo.html
I goofed. I thought we were in a ii-V.
And actually we might be...
Gm7 -> F#dim. The F# is a tritone sub for C7.
Gm7/C7 is an F major key center making the Gm7 function as a ii.
A few bars later there's also a long A natural an octave up against the G7. We're changing key centers quick.
Anyways....all ears are different. I didn't find it all that jarring and on a relisten it reminded me a lot of Dexter Gordon.
@@peterkossits4794 You're not in F major. You're in Eb major. I think the IIImin to bIIIdim to IImin is it's own thing since the resolution is typically to a minor II chord unlike tritone subs. The key centers don't change until the bridge. I'm sorry, but you just don't know the song....
Why i get this transcrip for lesson?