First of all, I wish a happy 2025 to everyone here and advice that this new year begins with only one unidentified song from this set. Follows below Jah Chata's setlist with timestamps: 1) 0:10 "Walk Away From Love" (Billy McLean); 2) 3:31 "You Got to Be Crazy" (Tony Curtis); 3) 6:44 "Love and Happiness" (Cultura Profética); 4) 11:16 "Natty Walk (12" Mix)" (Capital Letters); 5) 15:39 "Prophesy / Prophesy Dub Medley" (The Abyssinians); 6) 18:42 "State of Emergency" (Luciano); 7) 22:34 "Wadada" (Yahadanai); 8) 26:11 "The Hills (feat. Linval Thompson)" (Nazamba); 9) 29:42 "Dub The Hills)" (O.B.F./Linval Thompson/Nazamba); 10) 30:58 "Dub Ancestral" (Sistah Lore); 11) 34:13 "Purification (Dubplate Version)" (Ital Horns); 12) 37:43 "30 Strings" (Vibronics & Lance Hume); 13) 40:44 "" (unidentified. It's one that plays from a 7" record with a central art that has two shades of blue and some squggly white letters on the top of the the lighter blue central draw); 14) 43:42 "Dub Meddling (feat. Ras Oskar I)" (Dreadlock Tales); 15) 46:20 "Amanecer" (Novalima).
Nice music! It's a shame this music is no longer popular in Jamaica. I was in Jamaica a few weeks ago. Very few of the younger people listen to Reggae days. In fact they laugh at you when you say you like Dub or even Roots Reggae. They all like what they call 'Dancehall' - which to me is just noise. Crazy to say, but Reggae music is more popular in Europe, Africa than it is in Jamaica.
Probably you are referring to the more recent dancehall, that has a very fast tempo and lots of electronic instruments, something like this: ua-cam.com/video/UWgD_IG46gE/v-deo.html I guess this because old school dancehall tended to be not that fast: ua-cam.com/video/jA8yFCRlqXU/v-deo.html Probably you are feeling the same kind of sensation I feel here in Brazil when listening to what local music became: an oligopoly of three rhythms: what we call _sertanejo_ (more or less equivalent to American country music, but with some differences), funk (not that one from James Brown, but a derivative of what is called _Miami bass_ in U.S., but now a very loose derivation) and what we call _piseiro_ (a very loose derivative from forró). Funk and _piseiro_ tend to be very fast tempos on a monotonous pattern and with the current _sertanejo_ wave almost obliterated every other rhythm scene that could exist here to a point that night scene became conditioned to one of these three rhythms of the three at the same time on a club or bar. Samba is the only rhythm that seems to not be that affected. as it's well stablished enough for decades to the point of having its own cultural scene, that is very strong and encompasses four or five generations of Brazilians. It also transcended the situation of being identified to a specific sector of the population. In part. the three-rhythm oligopoly was made possible due to the popularization of streaming, as the tamed algorithm tends to show more of a same kind of music and keeps people in bubbles. The other part is the competence of people behind the stage on spreading music. This is something specially accentuated in _sertanejo_ and the firms behind it, as they have lots of artists under contract, can rapidly offer another duo (most of the _sertanejo_ here is sung by two guys on a stage, with one being the first an the other, the second voice) in case of the intended duo or artist by a client isn't available at a given day, , making easier to retain the client. They also are great on monitoring social network to find trends or subjects for songs. Maybe modern dancehall artists are following a propagation scheme similar to that and, as Jamaica is a smaller country with a population way smaller than Brazilian, maybe trends there tend to catch to a point that other scenes are way more suffocated than Brazilian music scenario is by now. At least here in Brazil, in the large cities, we can still find some places where there's music outside the three-rhythm oligopoly. At least here in São Paulo (the largest city in the Southern Hemisphere and the second largest Latin American city), there are still some rock bars, forró clubs and places where there's a mix of some of the kind of Brazilian music that plays in channels like this where we are commenting. I also have the impression that non-oligopolistic Brazilian music is more respected by foreigners than Brazilians (see Batukizer, for example).
I'm also yet to know it and its the single unidentified song on the setlist with timestamps: ua-cam.com/video/zjUXNTReZA0/v-deo.html&lc=UgxdJ7ynpNK_a8vbYP54AaABAg
Thank you, danced to this whole set in my living room with my husband Jan 1st 2025
what a dream !
Yes I do Give thanks for this set!
Word and sound to the people.
One love worldwide family.
Perfect start to 2025.
First of all, I wish a happy 2025 to everyone here and advice that this new year begins with only one unidentified song from this set. Follows below Jah Chata's setlist with timestamps:
1) 0:10 "Walk Away From Love" (Billy McLean);
2) 3:31 "You Got to Be Crazy" (Tony Curtis);
3) 6:44 "Love and Happiness" (Cultura Profética);
4) 11:16 "Natty Walk (12" Mix)" (Capital Letters);
5) 15:39 "Prophesy / Prophesy Dub Medley" (The Abyssinians);
6) 18:42 "State of Emergency" (Luciano);
7) 22:34 "Wadada" (Yahadanai);
8) 26:11 "The Hills (feat. Linval Thompson)" (Nazamba);
9) 29:42 "Dub The Hills)" (O.B.F./Linval Thompson/Nazamba);
10) 30:58 "Dub Ancestral" (Sistah Lore);
11) 34:13 "Purification (Dubplate Version)" (Ital Horns);
12) 37:43 "30 Strings" (Vibronics & Lance Hume);
13) 40:44 "" (unidentified. It's one that plays from a 7" record with a central art that has two shades of blue and some squggly white letters on the top of the the lighter blue central draw);
14) 43:42 "Dub Meddling (feat. Ras Oskar I)" (Dreadlock Tales);
15) 46:20 "Amanecer" (Novalima).
40:44 is „Bass Lion Stepper“ by Bass Lion on Indica Dubs Label
Bitty not Billy... 00:10
Wherever you are in our precious planet. Peace to you, and yours for this new year! "troubles aren't always"
thanks for all the music MAJ
This lady knows her dub! 👍🏼
Love waking up to Dub Music, especially on Sunday mornings! Plus, a great way to start a new year... 🙏🏾
Dubbin into the new year just the way I like 😎Saludos y abrazos desde Colombia! 🫶
rewind selektor ..give thanx always
Happy New Year
This (for my tastes) was a flawless soundtrack. Happy new year, everyone.
very nice music, like that dub flow
Oh hell yea, Cultura Profetica is the vibes!
Fire! Gracias Jah Chata. Blessings.
Very very nice selections, my sister. Happy NY
Enjoyed this one, thanks all! and a HNY!
fya burn! ❤️🔥
No better way to start the year off then with some good reggae. Hope everyone has a beautiful new year! 🎉🤍
Sup brothas and sistas! In my best accent possible! Love you! Happe Nu Yeeeea! 😍🎉
Peru represent !!!!
Just subscribed! Happy New Year and Thank you! Love this channel! 😊🗽🚖🍎🏙️🩵💚
Hello people, Jah and plants. 🪴
Thank you for this smooth set
Hermoso!... gracias!
Nice music! It's a shame this music is no longer popular in Jamaica. I was in Jamaica a few weeks ago. Very few of the younger people listen to Reggae days. In fact they laugh at you when you say you like Dub or even Roots Reggae. They all like what they call 'Dancehall' - which to me is just noise. Crazy to say, but Reggae music is more popular in Europe, Africa than it is in Jamaica.
Probably you are referring to the more recent dancehall, that has a very fast tempo and lots of electronic instruments, something like this:
ua-cam.com/video/UWgD_IG46gE/v-deo.html
I guess this because old school dancehall tended to be not that fast:
ua-cam.com/video/jA8yFCRlqXU/v-deo.html
Probably you are feeling the same kind of sensation I feel here in Brazil when listening to what local music became: an oligopoly of three rhythms: what we call _sertanejo_ (more or less equivalent to American country music, but with some differences), funk (not that one from James Brown, but a derivative of what is called _Miami bass_ in U.S., but now a very loose derivation) and what we call _piseiro_ (a very loose derivative from forró). Funk and _piseiro_ tend to be very fast tempos on a monotonous pattern and with the current _sertanejo_ wave almost obliterated every other rhythm scene that could exist here to a point that night scene became conditioned to one of these three rhythms of the three at the same time on a club or bar.
Samba is the only rhythm that seems to not be that affected. as it's well stablished enough for decades to the point of having its own cultural scene, that is very strong and encompasses four or five generations of Brazilians. It also transcended the situation of being identified to a specific sector of the population.
In part. the three-rhythm oligopoly was made possible due to the popularization of streaming, as the tamed algorithm tends to show more of a same kind of music and keeps people in bubbles. The other part is the competence of people behind the stage on spreading music. This is something specially accentuated in _sertanejo_ and the firms behind it, as they have lots of artists under contract, can rapidly offer another duo (most of the _sertanejo_ here is sung by two guys on a stage, with one being the first an the other, the second voice) in case of the intended duo or artist by a client isn't available at a given day, , making easier to retain the client. They also are great on monitoring social network to find trends or subjects for songs.
Maybe modern dancehall artists are following a propagation scheme similar to that and, as Jamaica is a smaller country with a population way smaller than Brazilian, maybe trends there tend to catch to a point that other scenes are way more suffocated than Brazilian music scenario is by now. At least here in Brazil, in the large cities, we can still find some places where there's music outside the three-rhythm oligopoly. At least here in São Paulo (the largest city in the Southern Hemisphere and the second largest Latin American city), there are still some rock bars, forró clubs and places where there's a mix of some of the kind of Brazilian music that plays in channels like this where we are commenting. I also have the impression that non-oligopolistic Brazilian music is more respected by foreigners than Brazilians (see Batukizer, for example).
@@Andrepaulistano_oh my.. Brazil is a bucket list destination, thank you for typing your comment out 🫶🎉✨cheers & happy new year!!
Cheers brindo 2025 desde Bahia, Brasil!!!! ⚕️💰🍯🥂⚒️⚡️
Amo😉
JAH BLESS XX
Jahhhhh chataaaaaaaa
Brilliant
deep indeed.
🔥❤️🔥💛🔥💚🔥
Chatita ❤
sick
Love this!! 🔥 41:27 can anyone work out what this is?!?!
I'm also yet to know it and its the single unidentified song on the setlist with timestamps: ua-cam.com/video/zjUXNTReZA0/v-deo.html&lc=UgxdJ7ynpNK_a8vbYP54AaABAg
Its „Bass Lion Stepper“ on Indica Dubs
Yes mate
@@damienphilip8128 glad I could help ✌🏻
eu achei ela bem legal :P
irey!
Daniiiiiiiiiiiiiu
ESQUARTEJANDO
#GORDOOUMAGRO
Can anyone place the Love & Happiness cover? 🔥