When I tell you I cried in the first few notes of this playing, I seriously mean that. It got me the same way T-KT got me. The affect of music always blows me away. I wasn’t just connected to the scenes that this played over, it made me reflect on personal trials of mine. AoT stop it! But don’t ever freakin stop!
KOHTA YAMAMOTO is inspire By Sawano for sure when whe work with but you have to know how to be worthy of it and KOHTA is it is not for nothing that he makes up the majority of the final season.
I underestimated this ost too much. But I like it more up to the minute 1:37 I would extend this part by deleting the hanje part. That part is nice too but it doesn't drive me crazy
This song is sooo good and I´ve been waiting for this song so long (~2000 years or so) But I don´t know. Is this really composed by Kohta Yamamoto alone? Because the violine parts sounds like the hand writing of Hiroyuki Sawano, especially this one 2:00 Anyway, would give aother example that Yamamoto is also an exellent choice for AoT ^^
Well, in this album Sawano's influence on Yamamoto is very noticeable, apart from composing the album they have been working together for a long time, with Sawano teaching him
Does it really matter who to compose? The majority of the final season was composed by KOHTA YAMAMOTO and it is obvious that he draws his inspiration from what Sawano has done. These two composers are connected, so I think we should simply talk about both. After I understand when you listen for example 86 there we can better distinguish who did what because it is voluntary in relation to the story told
2:54 (Premise I don't know about music and if you want you can also insult me for it) I must admit that but I don't despise it too much but only because the 2 music despite different mix Grisha's music quite well with that of Hanji because (imo) only because they have the same sound / instrument effect
One of the most beautiful tracks of all time... and very sad.❤
When I tell you I cried in the first few notes of this playing, I seriously mean that. It got me the same way T-KT got me. The affect of music always blows me away. I wasn’t just connected to the scenes that this played over, it made me reflect on personal trials of mine. AoT stop it! But don’t ever freakin stop!
03:40
I imagine baby Eren being put to sleep while his mother dances slowly with him in her arms, just beautiful...
Thé violen THE VIOLEN man this is masterpeace
The violinist ❤
Could you imagine if this was the final track that played in the story?
Are you happy now eren?
A very Sawano sounding track
KOHTA YAMAMOTO is inspire By Sawano for sure when whe work with but you have to know how to be worthy of it and KOHTA is it is not for nothing that he makes up the majority of the final season.
Amazing
this needs to play in EP one of part 2
You mean part 3?
i think
@@warfeest no part 69
@@heisenberg3206 why 69
@@Oxirius_ it was a joke
I underestimated this ost too much. But I like it more up to the minute 1:37 I would extend this part by deleting the hanje part. That part is nice too but it doesn't drive me crazy
OMG
This song is sooo good and I´ve been waiting for this song so long (~2000 years or so)
But I don´t know. Is this really composed by Kohta Yamamoto alone?
Because the violine parts sounds like the hand writing of Hiroyuki Sawano, especially this one 2:00
Anyway, would give aother example that Yamamoto is also an exellent choice for AoT ^^
Well, in this album Sawano's influence on Yamamoto is very noticeable, apart from composing the album they have been working together for a long time, with Sawano teaching him
Does it really matter who to compose? The majority of the final season was composed by KOHTA YAMAMOTO and it is obvious that he draws his inspiration from what Sawano has done. These two composers are connected, so I think we should simply talk about both. After I understand when you listen for example 86 there we can better distinguish who did what because it is voluntary in relation to the story told
When Yamamoto’s tracks are so good people think Sawano composed them. That’s the highest praise you can give.
1:50
1:36 🫂
2:54 (Premise I don't know about music and if you want you can also insult me for it) I must admit that but I don't despise it too much but only because the 2 music despite different mix Grisha's music quite well with that of Hanji because (imo) only because they have the same sound / instrument effect