Beethoven - Serenade in D major, Op. 8 (1797)
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- Опубліковано 4 лип 2024
- Ludwig van Beethoven (baptised 17 December 1770 - 26 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire, and span the transition from the classical period to the romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. The "early" period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his "middle" period showed an individual development from the "classical" styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as "heroic". During this time, he began to suffer increasingly from deafness. In his "late" period from 1812 to his death in 1827, he extended his innovations in musical form and expression.
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Serenade in D major, Op. 8 (1795-97)
I. Marcia. Allegro; Adagio (0:00)
II. Menuetto. Allegretto (6:19)
III. Adagio (D minor) (8:39)
IV. Allegretto alla polacca (F major) (13:03)
V. Tema con variazioni. Andante quasi allegretto (18:07)
Grumiaux Trio
The Op. 8 Serenade for string trio, published in 1797, is music for a light evening's entertainment in a social setting, or for amateurs to play. Carloads of such serenades, cassations, divertimentos, Nachtmusiks, and notturnos were published and played in the late 1700s, but they are little known today. Aside from a few repertory staples by Mozart, most of them are charming but unmemorable, and the only ones that get played in concert now are by composers who are famous for other reasons. Beethoven composed less light music, and enjoyed it less, than most composers. The Serenade is graceful, attractive music, but lacks the gripping musical ideas that make so much of Beethoven's music unforgettable.
There are nonetheless some of the features that got Beethoven a reputation for trying too hard to be novel and unusual, and clever touches that mark the Serenade as the product of a giant at play. In the March that begins and ends the work, the cello occasionally finds itself playing four 16th notes against three 8th notes in the upper parts, which is more rhythmic complexity and ambiguity than a march needs. The Minuet begins with a bang and ends with a few plucks, and the slow movement is interrupted by a half-minute-long scherzo in which the violin and viola scamper daintily while the cello pounds away impatiently.
There are foreshadowings of the later Beethoven. The Andante quasi allegretto is a set of variations on a theme that he later turned into a song titled "Sanft wie die Frühlingsohne" (Soft as the Sun in Spring), and the short-short-short-long motif that Beethoven used so often in his "Middle period" works - most famously in the Fifth Symphony - makes an early appearance in the March.
Publisher info:
Ludwig van Beethovens Werke, Serie 7:
Trios für Violine, Bratsche und Violoncell, Nr.58
Leipzig: Breitkopf & Härtel, 1862-90. Plate B.58.
Copyright:
Public Domain
0:00 I. Marcia. Allegro; Adagio
6:19 II. Menuetto. Allegretto
8:39 III. Adagio (D minor) 10:00 Scherzo 10:30 Adagio 11:50 Allegro molto
13:03 IV. Allegretto alla polacca (F major)
18:07 V. Tema con variazioni. Andante quasi allegretto
Movement V (Theme and Variations) starts at 16:48, doesn't it?
The III Adagio is one of my favorite Beethoven moments. So simple and yet so full of yearning, like an old man longing for a smile from childhood.
Wow! I hadn’t heard this piece before and I fell in love immediately.
No alcanzan palabras para expresar lo hermoso de esta obra y lo grandioso del legado de Beethoven.
"Cuando mueren las palabras, comienza la música".
La interpretación del trio Grumiaux es ajustada, tecnicamente clásica y musicalmente romántica.
It was my first time to listen to his serenade and it moved me so much!
At 0:16 - 0:21 the same rhythm used here was also used as the main motif in his 5 Symphony. There are many other examples of this motif occuring in other works of his. And, not only with this theme but many others, too! Thanks for the upload :)
Muchas gracias por subir esta pieza. Una maravilla. Uno de los momentos más gloriosos de Beethoven
Such a great moment at 4.16: that majestic slide from high D down to G# and then A! I find the whole of the first adagio brilliant, particularly from the key change after the first time bar at 3.32 ending at the Bb at 3.53.
4:16
3:32
3:53
Absolutely beautiful !!!
II. Menuetto. Allegretto at 6:18 III. Adagio (D minor) at 8:39 IV. Allegretto alla polacca (F major) at 13:04 V. Tema con variazioni. Andante quasi allegretto at 16:42
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@@laughegg9887 stop smashing your keyboard
Beautiful
Gracias! Hermosa interpretación de una bella obra!
Some composers sound like their mature selves in their early works, but not Beethoven. He's almost like a different composer.
Pringao
I have to disagree. Just listen to the Op. 2 sonatas or Op. 1, no. 3 trio. One can clearly hear who they're listening to.
Even here. For example, the rhythmical dazzlement in the minuet is typical for Beethoven.
@@dzinypinydoroviny I disagree with you, I know that may sound ironic but I feel beethoven became better after his deafness, his music became deeper and better and structures got more sophisticated, of course it is the same style but like more developed cause sonata no.1 is much less deep than moonlight or Appassionata
Je dirais qu il a essayé l élégance virile ,puis l attitude héroïque , puis la pose. prophétique ,et qu il n a pas mal réussi chacune des phases
When you listen to his Opus 1 No 1 you distinctly and clearly hear later Beethoven in his older years. His early work was far more classical but there were early appearences of Romantic era composition and you notice it quite clearly.
Nossa muito bom!!! Fantástico adorei essa obra!!!
Dankie Bartje!
at some time of the play it becomes extremely beautiful! and repeat over and over lovely
Is it a critical point of view on thé classical forms? So il think you re right.
They(?.pardon m'y english!)are borh toi much and not enough!
Thank you very much for the upload
Una pieza hermosísima
Heisenbergs Lieblingsstück, allerdings spielte er Klavier.
V begins at 16:46
Beethovens Serenade D-Dur, die von Lebenskraft und Freude überquillt und in der sich das Vertrauen in die zentrale Ordnung überall gegen Kleinmut und Müdigkeit durchsetzt. In ihr verdichtete sich für mich beim Zuhören die Gewißheit, daß es, in menschlichen Zeitmaßen gemessen, immer wieder weitergehen wird, das Leben, die Musik, die Wissenschaft.
Deserves to be better known. No less delightful than Eine Kleine Nachtsmusik.
Melvyn Elphee totally agree
In terms of emotional depth, even better.
Eine Kleine Nachtmusik is horrendous.
Ha ha ha ! Almost as bad as the Brandenberg Concertos!!!
listen to Beethoven's C minor concerto Op.37 (1800) and compare it with Mozart's C minor concerto K.491 (1786). (both written when they were age 30). Mozart's has more chromaticism (even uses all 12 tones of chromatic scale in the theme) and greater variety of emotion. Beethoven even said it himself upon hearing K.491 at a rehearsal, "Cramer, we shall never be able to do anything like that!" Also listen to Masonic Funeral Music in C minor K.477 or Adagio and Fugue for String Orchestra K.546.
at the beginning I thought this was mozart
Do you know of any recordings of the song "Sanft wie die Frühlingsohne" that developed from the theme of the last movement? Or is the song even less known than this serenade and less performed? What I find interesting is that Beethoven first wrote the theme and variations and then the song, which is opposite of what Schubert did later, when he first wrote "Die Forelle" (The Trout) and then composed the theme and variations based on it as a movement of his Trout Quintet.
super
i understand the violin is the melody most of the time but the viola and cello are playing sooo quiet.
anybody knows what's going on with the chello writing on the fourth movement when it starts singing the melody? (from 14:40 to 15:09)
i mean, it is quite crazy that beethoven would write such a passage that any cellist could ever play without lowering it an octave, or am i dumb?
actually all the treble cleff parts are played one octave lower throughout the piece wtf is going on 😅
Splendid! Who are playing? Thanks
+Yaeli P Grumiaux Trio
Franco Gulli, Bruno Giuranna, Giacinto Caramia
+Madeline Prager They comprise Trio Italiano d'Archi.
+Madeline Prager Thank you for this information
Grumiaux Trio
Where would I be able to buy this sheet music?
You can download it for free on IMSLP web site
Why is Van Beethoven allways called Beethoven ?
Ja, goede vraag. Het probleem is de Engelse taal. In de VS bijv. denkt men dat Van de voornaam is, werkt heel erg verwarrend. Van? Ik dacht dat hij Ludwig heette? Plus mensen zoeken naar de B niet naar de V. Ik weet er alles van omdat mijn naam van Bronkhorst is. In Nederland sta ik onder de B hier in VS onder de V. Heel vervelend.
composers are generally reffered to with their last name, unless it is a common name, in which case you use the whole name.
Sounds very Italian
Cred că sigurul compozitor in lume care scrie serenade in major ,cu terță mare,ceilalți n minor , rugător,.poate greșesc!?!? atât Laszlo din Timișoara
The repeats are not there to look beautiful on the score; they're supposed to be played.
It has to do with playing time of the CD or before LP's and tapes. You can't just record all the repeats it would change 26 minutes into maybe 35 to 45 minutes, minutes they used for another work.
Plus keep in mind, when this was composed, no one could repeat the piece as often as they like to catch any neat details, which modern technology allows us to do today. Audiences would demand encores of entire movements at times. The repeats could gratify the early audiences' "wish I could here that one more time, that was so cool" desire. We can just start the track over or rewind, so in one sense, we don't really need the repeats today. There are other arguments in favor of the repeats that go into the balance and form of the overall movement, but I won't go there.
bueno y barato
Rafraîchissant après l horreur de l opus 3 !