Hey! If you would like to Step-by-Step Instruction for this classic piece, click the link below: my.classicalguitarshed.com/courses/sor-b-minor-etude-35-22/
One of my favorite Sor etudes to play. Great advice on breaking the piece into melody and chords to start, and focusing on phrasing. I initially learned this piece by plowing straight through which was a disaster.
a great lesson on balance within the piece. i was always strict to playing the piece as written, as the composer wrote it. so i guess i was wrong. your way sounds better by far.
At the end...what happened? You played the song as if it didnt matter or something...rushed and devoid of dynamics and feeling. That's a good example of how not to play this song.
Hey! If you would like to Step-by-Step Instruction for this classic piece, click the link below:
my.classicalguitarshed.com/courses/sor-b-minor-etude-35-22/
One of my favorite Sor etudes to play. Great advice on breaking the piece into melody and chords to start, and focusing on phrasing. I initially learned this piece by plowing straight through which was a disaster.
Amazing insight for me! this is the way to learn guitar I was missing all this years of practice in vain
Thanks for the vid...I will relearn this piece and bring out the melody.
I think its important to play the melody apoyando ( with rest strokes) it comes out really strong
You have to relax your fretting hand when learning this one I found out. This is a great piece for both hands.
a great lesson on balance within the piece. i was always strict to playing the piece as written, as the composer wrote it. so i guess i was wrong. your way sounds better by far.
So good 😃🙏
Ah, your videos seem so nice. I wish I could afford them... Maybe someday.
in my opinion i think its a bit too fast but its probably just me.
This approach reminds me a lot of the Segovia version. Which I disagree with - the arpeggios shouldn't be split into melody and accompaniment.
At the end...what happened? You played the song as if it didnt matter or something...rushed and devoid of dynamics and feeling. That's a good example of how not to play this song.
Nul! Beaucoup de blabla et très peu de démonstration sur l instrument.