Enrico Caruso. Celeste Aida.Sings (live) in concert.Edited by Marino van Wakeren
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- Опубліковано 28 вер 2024
- Celeste Aida. Heavenly Aida.Listen to this unique recording,Caruso live singing in a concert with public!
Holde Aida.
December 27,1911.
Enrico Caruso,1873-1921. Sings Celeste Aida,
From the opera Aida.
Giuseppe Verdi.1813-1901.
Marino,s Choice.
Historical record collection; Marino van Wakeren.
The best! Ever............
FENOMENALE !!!
The ecstatically paralyzing effect at 3:03 is incomparable. This (1911) is the greatest performance of this aria in the whole history of vocal culture...
I like the idea. Of course no live recordings survive of Caruso, but I do recall that there was an experimental Met radio broadcast done circa 1909 (Cav/Pag) in which Caruso sang the role of Canio in Pagliacci. Would've loved to hear that one!
There are some Gounod's Faust scenes recorded live. This was what I heard from the radio announcer many years ago. They were from very early years of his career.
This is obviously bogus, but I wonder how many people will take it for genuine because they don't even realize Caruso predates electrical recording by several years or that concert audiences a century ago did not interrupt the music to express their recognition and approval as they do at pop concerts today.
No matter how you put it his voice was definitely richer than the 78 recordings 11 witness said it was 4 times it's great.
Muy bueno...bastante original....
I would have loved to be able to go back in time just to hear him sing live in concert.
Cute idea to give one a feeling of what an audience would sound like. However, you'd be surprised how many people would really take you seriously and assume that you mean this literally (as can be seen from some of the responses).
This is just silly. And for what it's worth, the thing with the audience bursting into applause after the first line is an unfortunate modern consequence of Britain's Got Talent and other such non-talent shows. It never happened back then, or at any time before the last ten years or so.
You are right,but I like to show how it would have sounded, when a live Concert of him ever be recorded.
Who today could match this?
Fake!
He is great, but sorry he is not the greatest. There have been much better ones, such as Bonci, or Tamagno, who was the first Otello and worked with Verdi. Unfortunately people don't know those before Caruso, Callas, which is why consider them the best, but there was Malibran and Patti and even castratti that were the best! It depends who we compare Caruso or Callas with.
Bonci? There are quite a few recordings made by him. No sense at all to compare them. He had a very different kind of voice. Tamagno? He was a Verdi choice but the second one. Initially Verdi opted for another singer. I read it in Verdi's biographical book almost half of the century ago. I lost from my memory the name of another tenor, but most probably it was Angelo Massini. Verdi disliked Tamagno's robust sound, which would not allow him to go through romantic part of Othello music score. Even George Bernard Shaw admitted it to Verdi. Finally, Verdi agreed to take Tamagno mostly for very dramatic expression he was able to produce… However, their voices are far behind Caruso’s masculine sound. We can only imagine the quality of prerecording era singers as Jenny Lind, Garcia Malibran, Anna Milder or castrate Farinelli. Caruso should not sing lyric roles in later age. Simply, because his voice was too huge for them. Those were then normal theatre policies…
You made your point quite well. I believe there are enough recordings of the singers around Caruso's time that would either support or rebut ruby edelman's comment. It is safe to say that they do not support his contention.
We will never forget him. How could we?
With no amplification.
the applauding wounds "modern". Should be same quality as Caruso recording....
Great pictures - great slidshow ! Maybe a bit exgaerated calling it live in concert.... Never happened.... All of his recordings were studio recordings where he sang into a funnel.
What about some Gounod's Faust scenes recorded live? Around 1904 to 1906.
@@johnfalstaff2270 NO recording of Carusos were live. All studio recording where he sang into a funnel. This is a remastered version with a modern orchestra recorded around 2000.
To Ruby , Neither Tamagno or Bonci were better than Caruso, they were different. They were singers of the old school and not as attractive. I have around 1000 tenors on original recordings and detect a difference between Caruso and the rest. He was better. Martinelli, a pretty good tenor, said that it needed at least three tenors to replace Caruso after he died. AK
prachtige fotos, marino; ik heb alle bekende caruso-opnames op plaat en op cd met datums
caruso heeft inderdaad op 27 december 1911 celeste aida opgenomen met recitatief maar ik betwijfel sterk dat dat publiek was
Haha! You want to be a little nasty! Nice as a grand illusion!
It was not Enrico Caruso, the greatest technologist in the world, rather Enrico Fermi, inventor of the fuel cell. Fermi knew Caruso and dined with him once in Berlin After that, never again!
Where did you find technologist here among of all other comments?
@@johnfalstaff2270 Internet search.
@@johnfalstaff2270 Internet Data Corp. of America...