Scriabin is a type of composer who, over the years, improves his style to a gigantic point. It's amazing to see his evolution from age 16 with the Preludes to adulthood with his last sonatas, it's amazing to see that! I hope that in the future I can develop as a composer like Scriabin. PS: Demir, a few months ago I quoted my piano concerto "Criação do Universo" to you, listen, I'd love your feedback, is on my UA-cam channel.
Goodness me, the trumpet is SO bad in the Finale, how did they even agreed to publish this? Rozhdestvensky was always a soulless and cold, nothing excited me about him. He was also very rude towards my orchestra - leaving the concert hall an hour before the concert he was supposed to conduct because he found his name in the tickets printed too small - nothing to do with the orchesta. That cemented my opinion of him. I think history will prove I am right and his recordings will fade from the memory.
It's right the trumpets go detune sometimes in the 5th movement, especially in the first couple measures. Strongly disagree with his interpretations being soulless and cold though. I can't argue with the rest of the comment, however.
@@DemirSezer Let me praise your restrained tone in your reply! Much appreciated. Also let's highlight how we both seem to like this unfortunately rather underperformed symphony.
Scriabin is a type of composer who, over the years, improves his style to a gigantic point. It's amazing to see his evolution from age 16 with the Preludes to adulthood with his last sonatas, it's amazing to see that! I hope that in the future I can develop as a composer like Scriabin.
PS: Demir, a few months ago I quoted my piano concerto "Criação do Universo" to you, listen, I'd love your feedback, is on my UA-cam channel.
I'll give it a listen once I'm free :)
@@DemirSezer thank you!
Also thanks for sharing this great piece by Scriabin!
Goodness me, the trumpet is SO bad in the Finale, how did they even agreed to publish this?
Rozhdestvensky was always a soulless and cold, nothing excited me about him. He was also very rude towards my orchestra - leaving the concert hall an hour before the concert he was supposed to conduct because he found his name in the tickets printed too small - nothing to do with the orchesta. That cemented my opinion of him. I think history will prove I am right and his recordings will fade from the memory.
It's right the trumpets go detune sometimes in the 5th movement, especially in the first couple measures. Strongly disagree with his interpretations being soulless and cold though. I can't argue with the rest of the comment, however.
@@DemirSezer Let me praise your restrained tone in your reply! Much appreciated.
Also let's highlight how we both seem to like this unfortunately rather underperformed symphony.