This song always makes me cry, it was the intro theme to my first d&d game, and played before every session. Sadly it fell apart, but my love for this song still flows
ivàn moguelle you are right, they are not accurate, the song is sung in english, french and spanish, juslt like Alegria, most of their songs are sung in different languages, not just french or enlgish, but yes you are correct, the spanish verses are so wrong, but still an amazing song!! love it.
Also on top of those languages, they also have their own gibberish Cirque language which only the cast and crew understand. It is quite beautiful how they mix the different languages
Spanish part actual lyrics: Bailo en este lienzo de dolor Sonámbulo* sin mapa ni brújula La dulce locura, mi solo refugio Nazco en la sombra del payaso. *They mispronounced sonámbulo...
***** It's not french, and I'm not your bro, dude. No, but seriously this song was composed in english, french and spanish, the spanish part is a little off. I know the 3 of them, french being the least.
"The album features the voices of Audrey Brisson-Jutras and Mathieu Lavoie" Atleast that's what I saw on Wikipedia trying to also find this out :) I hope it helps!
I got to see them and John in the first run back in Southern California in 97 and a couple years later in Baltimore and Northern Virginia (at which point, I believe they had all moved on). That first show, in Santa Monica was astounding!
Ne bom aí tô com saudade de vc melhorou muito vó Eu não sei se minha mãe vai lá amanhã eu te amo muito vó Eu não sei se minha mãe vai lá minha mãe vai lá amanhã eu te amo muito vó
The girl is alienated from her parents and simply imagines a world where she is entertained and someone pays attention to her. She dreams everything. I don't see where the suicide interpretation comes from. Please explain. I'm interested.
Have you ever read "Stages on Life's Way", by Søren Kierkegaard? It's the continuation of his famous "Either/Or". Kierkegaard speaks of irony as the means by which persons make the transition between aesthetic and ethical awareness, and humor as the means for making the transition between ethical and religious awareness. Although Kierkegaard does not primarily link the phenomenon of despair to the problem of suicide, his systematic analysis in The Sickness Unto Death furnishes anthropological starting points for addressing the question of suicide in depth. The main cause of despair, according to Kierkegaard, is the inability of a person to fully become himself, where the measure of true self is the attitude toward eternity or to God. Though the prevailing present understanding of man does not consider the dimension of eternity and the discussion of the phenomenon of suicide is limited to the autonomy of man's freedom, Kierkegaard's existential analysis brings forth important methodological tools for a deeper understanding of this phenomenon and raises the issue regarding the exclusively secular understanding of suicide. Death is indeed the expression for the state of deepest spiritual wretchedness, and yet the cure is simply to die, to die to the world. It is not suicide that kills one’s spirit, but self-pity, lack of courage, and loss of self-worth. There's a philosophy and esthetic behind "Quidam," a Latin word meaning anonymous person, as Kierkegaard himself acknowledges: "I am just as remote from being Quidam of the imaginary construction as from being the imaginative constructor, just as remote, since the imaginative constructor is a poetically actual subjective thinker and what is imaginatively constructed is his psychologically consistent production. Concluding Unscientific Postscript 1846, Hong pp. 625-626." As a starting point, the creative team looks at what's happening in the world at large. "Quidam," for example, began in response to the massive loss of individual identity in Bosnian and Rwandan refuguees. Thousands of people were dehumanized. And in the process lost their sense of a past, present, and future. They had in some ways become anonymous. "I am just as remote from being Quidam of the imaginary construction as from being the imaginative constructor, just as remote, since the imaginative constructor is a poetically actual subjective thinker and what is imaginatively constructed is his psychologically consistent production. Kierkegaard,S. Concluding Unscientific Postscript 1846, Hong pp. 625-626." The creative team,head master, Mr. Franco Dragone had certainly thought about the paintings of Magritte when making the circus set. His works talk to a sense of anonymity. They also thought about the photographs of Robert Doisneau, whose pictures focus on one face in a group, although if you look beyond that one face you see many and the individuality becomes blurred. With these images launching the central theme -a girl on a journey- the Alice in Wonderland narrative evolved. Most viewers will not grasp the specificity of the story, but that doesn't matter. A mood-an ambience-has been created. Both the music and choreography were also conceived to evoke a flavor with subtle nods to many sources. This is the individual who is living in an esthetic way. A young woman who is still maturing. Still looking for the highest good. She and 'No Name" have found love of each other to be the highest but none have had any experience except for the seducer. Who may or not be telling the truth. Kierkegaard says, "Even “The Seducer’s Diary” was only a possibility of horror, which the esthete in his groping existence had conjured up precisely because he, without actually being anything, had to try his hand at everything as possibility... To fully understand the psychological and psychossocial view of Kierkegaard's world, try those two books: -Kierkegaard's Dialectic of Inwardness: A Structural Analysis of the Theory of Stages, by Stephen Northrup Dunning -Kierkegaard: The Aesthetic and the Religious: From the Magic Theatre to the Crucifixion of Image, by George Pattison
Its basically the Girl is ignored by her parents and so she creates a world where everyone pays attention to her but then has a nightmare of the headless man
This song always makes me cry, it was the intro theme to my first d&d game, and played before every session. Sadly it fell apart, but my love for this song still flows
I saw this show back in the late 90s. Wish it was still on! Great memories!!!
When it played on Bravo
Was to the show twice. The ticket place: you again ?
@Verikae They had it on the santa monica pier in Southern California
My favorite song from Cirque du Soleil!
Same here. Kalimando as well
Such memories from this song.. Thank you for uploading. 💙
3:19
Bailo en este lienzo de dolor.
Funámbulo sin mapa ni brújula.
La dulce locura mi sólo refugio.
Nazco en la sombra del payaso.
Excelente espectáculo del Cirque du Soleil el mejor del mundo
Adoro as musicas do Cirque du Solei.
I love the lyrics, thanks for sharing!
Saldades!!! GUIDAM😫😭
I love this i sang this with my friend for choir
Pra mim não existe outro que substitui esse grande espetáculo que é este circo parabéns
The spanish lyrics are not really accurate, but it´s still amazing, thanks for uploading!
Pretty sure they're French...
They have world wide staffing, but Cirque du Soleil was born in Canada
ivàn moguelle you are right, they are not accurate, the song is sung in english, french and spanish, juslt like Alegria, most of their songs are sung in different languages, not just french or enlgish, but yes you are correct, the spanish verses are so wrong, but still an amazing song!! love it.
Also on top of those languages, they also have their own gibberish Cirque language which only the cast and crew understand. It is quite beautiful how they mix the different languages
@@Aramoonstaz yeah I remember hearing that a lot of the words were made up.
Spanish part actual lyrics:
Bailo en este lienzo de dolor
Sonámbulo* sin mapa ni brújula
La dulce locura, mi solo refugio
Nazco en la sombra del payaso.
*They mispronounced sonámbulo...
***** It's not french, and I'm not your bro, dude.
No, but seriously this song was composed in english, french and spanish, the spanish part is a little off. I know the 3 of them, french being the least.
It is not "sonámbulo" but"funámbulo", which means "acrobat"
Es Funámbulo
Beautiful
Magnífico!
😭😭😭😭😭😭😭😭😭😭
the french lyrics is not really accurate but it still amazing, thanks for uplaod
show is over😢
Andre 😢😢😭
😭😭😤
lindo!!!
Adorei esta usina
Ei outra legal e bancoete ovo
Who are the singers?
"The album features the voices of Audrey Brisson-Jutras and Mathieu Lavoie" Atleast that's what I saw on Wikipedia trying to also find this out :) I hope it helps!
@@itshyperstar thank you😀😗😙😘
@@eminatramn1943 You're very welcome! 😊❤️🤗 Enjoy the music!
@@itshyperstar and you enjoy the life👄😗
I got to see them and John in the first run back in Southern California in 97 and a couple years later in Baltimore and Northern Virginia (at which point, I believe they had all moved on). That first show, in Santa Monica was astounding!
Ne bom aí tô com saudade de vc melhorou muito vó Eu não sei se minha mãe vai lá amanhã eu te amo muito vó Eu não sei se minha mãe vai lá minha mãe vai lá amanhã eu te amo muito vó
Esta canción da algo de nostalgia.
😍😍😍😍
Joko und Klaas
lucas riso
You guys are aware the show tells the sad story of a suicide, don't you?
It's one of the most beautiful and darkest shows of Cirque du Sóleil
The girl is alienated from her parents and simply imagines a world where she is entertained and someone pays attention to her. She dreams everything. I don't see where the suicide interpretation comes from. Please explain. I'm interested.
Have you ever read "Stages on Life's Way", by Søren Kierkegaard? It's the continuation of his famous "Either/Or".
Kierkegaard speaks of irony as the means by which persons make the transition between aesthetic and ethical awareness, and humor as the means for making the transition between ethical and religious awareness. Although Kierkegaard does not primarily link the phenomenon of despair to the problem of suicide, his systematic analysis in The Sickness Unto Death furnishes anthropological starting points for addressing the question of suicide in depth. The main cause of despair, according to Kierkegaard, is the inability of a person to fully become himself, where the measure of true self is the attitude toward eternity or to God. Though the prevailing present understanding of man does not consider the dimension of eternity and the discussion of the phenomenon of suicide is limited to the autonomy of man's freedom, Kierkegaard's existential analysis brings forth important methodological tools for a deeper understanding of this phenomenon and raises the issue regarding the exclusively secular understanding of suicide.
Death is indeed the expression for the state of deepest spiritual wretchedness, and yet the cure is simply to die, to die to the world.
It is not suicide that kills one’s spirit, but self-pity, lack of courage, and loss of self-worth.
There's a philosophy and esthetic behind "Quidam," a Latin word meaning anonymous person, as Kierkegaard himself acknowledges:
"I am just as remote from being Quidam of the imaginary construction as from being the imaginative constructor, just as remote, since the imaginative constructor is a poetically actual subjective thinker and what is imaginatively constructed is his psychologically consistent production. Concluding Unscientific Postscript 1846, Hong pp. 625-626."
As a starting point, the creative team looks at what's happening in the world at large. "Quidam," for example, began in response to the massive loss of individual identity in Bosnian and Rwandan refuguees. Thousands of people were dehumanized. And in the process lost their sense of a past, present, and future. They had in some ways become anonymous.
"I am just as remote from being Quidam of the imaginary construction as from being the imaginative constructor, just as remote, since the imaginative constructor is a poetically actual subjective thinker and what is imaginatively constructed is his psychologically consistent production. Kierkegaard,S. Concluding Unscientific Postscript 1846, Hong pp. 625-626."
The creative team,head master, Mr. Franco Dragone had certainly thought about the paintings of Magritte when making the circus set. His works talk to a sense of anonymity. They also thought about the photographs of Robert Doisneau, whose pictures focus on one face in a group, although if you look beyond that one face you see many and the individuality becomes blurred.
With these images launching the central theme -a girl on a journey- the Alice in Wonderland narrative evolved.
Most viewers will not grasp the specificity of the story, but that doesn't matter. A mood-an ambience-has been created. Both the music and choreography were also conceived to evoke a flavor with subtle nods to many sources.
This is the individual who is living in an esthetic way. A young woman who is still maturing. Still looking for the highest good. She and 'No Name" have found love of each other to be the highest but none have had any experience except for the seducer. Who may or not be telling the truth. Kierkegaard says, "Even “The Seducer’s Diary” was only a possibility of horror, which the esthete in his groping existence had conjured up precisely because he, without actually being anything, had to try his hand at everything as possibility...
To fully understand the psychological and psychossocial view of
Kierkegaard's world, try those two books:
-Kierkegaard's Dialectic of Inwardness: A Structural Analysis of the Theory of Stages, by Stephen Northrup Dunning
-Kierkegaard: The Aesthetic and the Religious: From the Magic Theatre to the Crucifixion of Image, by George Pattison
@@marypowell7791 yeah, I'm with you, that's some intense projection and not once implied nor written in the synopsis by the writers
@@limaroger nope
Its basically the Girl is ignored by her parents and so she creates a world where everyone pays attention to her but then has a nightmare of the headless man
I think she says "touched the stars, but they weren't moved"
Linda musica