I want to thank everyone for your amazing support and questions. I just released my newest course dedicated to Rembrandt’s late style techniques. This course includes the full demo and an overview of the pigments and colors used in the demo, including full instructions on how to prepare the quartz ground. Find the link here 👉🏻www.udemy.com/course/oil-painting-techniques-rembrandt/
This is the best example of Rembrandt’s technique I have seen on UA-cam. I suppose there will always be a mystery of how Rembrandt worked. Thank you for your work and research.
Thank you for sharing this. I’ve been watching “ this is a robbery” on Netflix, and I’ve become obsessed with Rembrandt. Truly enjoyed this video and just subscribed.
If you are obsessed with him check out Vincent Van Gogh, Edward Munch, Johonnes Vermeer, Peter Paul Rubens, Caravaggio, Diego Velázquez, Claude Monet, Paul Cézanne, Peirre - Auguste Renoir, Edouard Manet & Edgar Degas. I threw in Claude Monet’s paintings because his flowers & landscapes are simply amazing! There are MANY more brilliantly wonderful artists who’s work will make you catch your breath in awe & dive into their works with great interest & intrigue! If you’re new to the art world, welcome! Stay a while, it’s beautiful & relaxing here! If you’re already aquatinted with the art world, welcome back!
This demonstration is so clear, and to see this portrait come to life under your skillful brushwork is not short of sublime. It is a feast for anyone who loves Rembrandt's later works. Watching how your glazing transforms impasto passages astonishes me. I always had the idea that glazing usually covered less robust paint application, but the surprise for me is like magic. Thank you for such a generous sharing. 💐
@@LuisBorreroVisualArtist You are more than welcome. Because I am coming to painting late in my life as a study, and because I have inched a studio in which to paint into a small apartment, preparing paints and grinding quartz are simply not possible, so for me this art is an amateur's playtime. But, I deeply appreciate your approach and techniques which you share with such a lovely generosity, and wish you all the best so that you can enjoy your expertise for a long and expressive life.
A video of this quality, mastery and scientific approach to art should go viral. How is it possible that it didn't reach at least million views is beyond me. Thank you so much for sharing with us your incredible painting and presentational talents.
Just found you and I'm subscribing. The time you take to fully describe how and why you use a particular color/technique/etc is invaluable, unlike many others who just rush through and skim over the details.
I’m going to be starting a master copy of a Rembrandt soon, so I really appreciate the detail you include here. I’m so glad I found your channel. Thank you so much!
Discovered your channel. Love your clear and down-to-earth insights. Your analysis and exploration of technical steps; embrace a scholarly standard that allows fellow artists to grasp the examples you illustrate with a sense of joy. I have always admired Rembrandt's playful approach to colour and light--upon close examination his genius is so poetic and abstract--as you point out, he travels the full range of impressionist techniques. Excellent! Thank you. I will apply many of your ideas to my own work, with particular attention devoted to portraiture. I just love the interplay of realism with abstraction. Cheers from Newfoundland. PS: I would love to see you tackle the painterly ideas of light and colour presented by Raphael. Especially his miniatures. I find they transcend aspects of Leonardo's work. There are great scholarly sites that allow one to examine his drawings and transfer methods, used to construct the panel details and spatial volumes, etc.
Felicitaciones! maravillosa investigacion y excelentes resultados.gran talento..llevo más de 50 años pintando ..siempre he admirado a Rembrandt..gracias Luis por compartir
Finally!!! Someone doing Rembrandt by applying thick paint. U would think this would b obvious, but many on line do not. Well done. The best to u & urs. 🎨
Thank you so much for your analysis. I have learnt a lot from this video. I have just returned to Art after a 35 year gap raising children! & I am just completing my final project in Level 1 Art & Design. This really helped my understanding. Made me chuckle you saying you were happy to have 800 viewers!! 😂 Now there's over 80,000!! 🎉🎉 😊
Hi Luis. I have an old painting by one of the artists and I want to document it, and then sell it, knowing that there is an unprofessional person who has tampered with it and abused the painting and then someone put a substance with the intention of examining it and made it worse. Can you help me in this matter? I want to contact one of the experts in fonts and graphics.
I don't produce with resources from the artists of the past, but I think your research is wonderful. I learn a lot from your videos. your channel has proved to be the best of its kind
Thank you for sharing. I copied from life Rembrandts Lucretia, one of two still existing out if the three versions he painted. With limited time I focused just on her face. Four colors. Best thing I ever did for my education. To be humbled and inspired by such example of human potential.
Lois ! I just discovered you and i am very interested in everything you that you are very interested in and I feel like i am listening to you MYSelf speak as a master painter ! you have taught me so much in only a few videos and you just get it and i will be purchasing SOMETHING from you . i want to try and compensate you for the invaluable knowledge that you are imparting on me . you really get it and i really want you to know that there are people watching that are just so happy to be able to be taught by someone like youirself that CARES about the history and the materials and the passion. thank you so much and please DO NOT STOP MAKING THESE VIDEOS ! you are making artists when you speak and your own personal work , your paintings are just fucking GREAT. THANKYOU , IM A VIEWER FOR LIFE AND THAnkyou
@@LuisBorreroVisualArtist ….I am I your debt for introducing the technical bulletin…I am a self taught artist…so your content is like a MFA program for me….I worship Velazquez, Goya , Titian, Piero Della Fresca …
Almost at the end, I was thinking this is great and really well done, but not rembrandt'ish. But the you added the glaze and poof! Rembrandt achived. Incredible 🤯
Thank you for sharing, I recently painted two Rembrandt master copies, but used a slightly different technique, it was very interesting to see how you initially painted the face, in an almost impressionistic style, before blending things together and glazing!
I am amazed that Rembrandt only had to wait a few days for the layers of paint to dry. I paint with oils but I paint thinly and even then, the paint takes a while to completely dry. How was Rembrandt able to paint over these layers without smearing them together? I love his style and am learning a lot from you about it. Prior to watching your channel, I had no idea at all that some of the old masters used materials to texture the paint. It makes so much sense to me now seeing Rembrandt's portrait paintings.
Thank you for commenting. The old masters used various dryers to expedite the drying time of their oils. Check out this article from the National Gallery Technical Bulletin.www.nationalgallery.org.uk/media/15694/white_kirby1994.pdf
Not sure if you take requests! I'm a forever student of the Renaissance, and Carlo Dolce. It wild be great to see his process. I'm sure it's similar to the others of that time, but he really stands out with how soft and bold his work is.
@@LuisBorreroVisualArtist tons of information you are sharing, I always make sure to take down notes, missed the live stream, next time I will try attend and ask my friends to watch also, you need more followers and students to subscribes, support and follow you, your a good teacher and artist! Amazing and thanks again #rembrandt #rembrandtmastercopy #rembrandttechniques #rembrandtteaching #rembrandtpaintings #classicalpaintings #oldmasters #royaltalens @royaltalens
Hi Luis so Grateful to find you ... listen to a live from Brasil and comes Rembrandt names ... that is why I am here and subscribe on your channel. I do have your maguinific portray of me. Soon I will be in touch. Love care compassion love ARTS.
Excellent demo . I've always been interested in Old Master techniques and yours are among the best regarding explaining this. Thanks and look forward to more.
Thank you for sharing your knowledge and demonstrating these techniques. It’s fascinating. Particularly find the adjustment in your brushes used for this painting. Much appreciated. I’ve just started your drawing class on Udemy. Very pleased to have found it.
Very interesting and I just want to congratulate you for your talent! Your works always make me eager to continue working and experimenting with my own paintings and videos. Thank you for sharing! ❤️
You have a good adapted painting technique! Most Rembrandt reconstructions, I've seen so far don't have. Most people only try to create a surface, but without deep. You also can't do a Rembrandt by using titanium white for example... And also not every Lead White is possible. Modern lead white is a lot different to the one made by traditional processes. I like that you are working close to chemical analysis too. Your painting has deep!
Thank you Jonas! My channel has a focus not just on the mechanics of technique, but also on the importance of historical materials used by past artists. I very much appreciate your comments. Best regards!!
@@LuisBorreroVisualArtist ua-cam.com/video/4sRZrYYgf00/v-deo.htmlsi=U9WAsnE9mOK7AmWV Partially adapted technique in one of my paintings. Overlayered with tempera.
unusual painstaking technique of building up opaque short strips of mixed paint with carefully controlled and very limited blending on canvas. best method for chiaroscuro.
Thanks for the demo,ive learned a lot,even if i using watercolor for painting,i like the old masters technique,and also the historical value of your video is very helpful...hope you cover more classic painters especially the never heard artists that also great like rembrandt.
Hola Luis muchisimas gracias por tu contenido muy amable de tu parte compartirlo, estaria fabuluso alguna sección en español para los que no dominamos el ingles. saludos desde el sur del mundo
i love watching your videos. they are very informative as well as entertaining. i would like to see you make a video on the topic of Leonardo da Vinci's painting techniques.
Interesting subject - and I admit that it would be very helpfull to have written down the names of colors, brushes and other materials as a list that could be downloaded - and then go into the very painting process 🌷❤️
Hello Luis I have a you tube Chanel and you may have seen our videos on Rembrandt I would love to do a video it’s you on zoom to discuss his methods and mediums. I’ve been making lead white bone black etc with some success and will try another copy All best and keep up your wonderful work
En ese trabajo da la sensación que el comienza , por encima de la primera capa marrón con pinceladas empastadas de gris y blanco, bueno que hace una grisalla pero muy suelta, se ve muy bien en las ondulaciones del cabello y en los cuellos blancos.
good work. I would say that you're adding white much too early. If you do that, it bleaches out the portrait. Rembrandt built from dark to light, as any traditional oil painter. the lighter you go, the thicker the paint. The darker tones are never painted over the lighter tones. The darker tones are revealed through the lighter tones. he also didn't smudge paint with a rag. He painted distinct strokes with distinct values only, with occasional scratches to reveal more of the dark under painting.
I agree too much white at first. It took too much paint to tone down all that white. The finished painting ended up looking too rough because of this. Start with more of a flesh tone. It also looked like the overall paint was too thick. Just my impression. Nice video though. He was a master. None of use can really replicate what he truly did.
Exelente canal informativo, estoy siguiendo los videos. Que diferencia tiene este tipo de imprimatura que utilizaba rembranth velazquez o caravaggio a la de gesso como lo utilizaba tiziano o el greco? Es mas flexible?
Saludos Alejandra: Gracias por comentar. El gesso histórico a base de cola animal es mucho menos flexible que una imprimación de óleo y pigmentos de tierrra o plomo.
Thank you, these presentations are great. I really appreciate your efforts. I would love to know what Tiepolo and Rembrandt used for their brown drawings. It was said bistre was used but was more recently discover to be iron gall ink. Iron gall ink has the appearance of black however. I would love to know what they used. I would love to know how to make this brownish yellow ink. Tiepolo made beautiful washes with it as well in his sketches. Thank you!
Thank you for commenting! I am using a small amount of heat bodied Linseed oil cooked with Litharge. arstechnica.com/science/2023/01/scientists-identify-rare-lead-compounds-in-rembrandts-the-night-watch/amp/
I want to thank everyone for your amazing support and questions. I just released my newest course dedicated to Rembrandt’s late style techniques. This course includes the full demo and an overview of the pigments and colors used in the demo, including full instructions on how to prepare the quartz ground. Find the link here 👉🏻www.udemy.com/course/oil-painting-techniques-rembrandt/
This is the best example of Rembrandt’s technique I have seen on UA-cam. I suppose there will always be a mystery of how Rembrandt worked. Thank you for your work and research.
I appreciate your feedback Carl. Thanks for writing.
La traduccion no es exasta!!
Thank you for sharing this. I’ve been watching “ this is a robbery” on Netflix, and I’ve become obsessed with Rembrandt. Truly enjoyed this video and just subscribed.
Thank you for commenting and subscribing to my channel. Best regards!
If you are obsessed with him check out Vincent Van Gogh, Edward Munch, Johonnes Vermeer, Peter Paul Rubens, Caravaggio, Diego Velázquez, Claude Monet, Paul Cézanne, Peirre - Auguste Renoir, Edouard Manet & Edgar Degas. I threw in Claude Monet’s paintings because his flowers & landscapes are simply amazing! There are MANY more brilliantly wonderful artists who’s work will make you catch your breath in awe & dive into their works with great interest & intrigue! If you’re new to the art world, welcome! Stay a while, it’s beautiful & relaxing here! If you’re already aquatinted with the art world, welcome back!
Wow, I am blown away by your painting ability. Thank you for explaining what you did in an easy-to-understand methodology.
Thank you for visiting my channel John. I appreciate your comments. Best regards..
This demonstration is so clear, and to see this portrait come to life under your skillful brushwork is not short of sublime. It is a feast for anyone who loves Rembrandt's later works. Watching how your glazing transforms impasto passages astonishes me. I always had the idea that glazing usually covered less robust paint application, but the surprise for me is like magic. Thank you for such a generous sharing. 💐
@@pchabanowich Thank you for commenting. It’s great to know that you enjoyed the demo. 🙏🏼🙏🏼
@@LuisBorreroVisualArtist You are more than welcome. Because I am coming to painting late in my life as a study, and because I have inched a studio in which to paint into a small apartment, preparing paints and grinding quartz are simply not possible, so for me this art is an amateur's playtime. But, I deeply appreciate your approach and techniques which you share with such a lovely generosity, and wish you all the best so that you can enjoy your expertise for a long and expressive life.
You are an amazing artist - your work is excellent and looks very accurate to me!
I like the way you used the lighting in your monolog. I'm sure you did that on purpose, looks nice. Makes me want to paint you !
I appreciate your feedback. 🙏🙏
A video of this quality, mastery and scientific approach to art should go viral. How is it possible that it didn't reach at least million views is beyond me. Thank you so much for sharing with us your incredible painting and presentational talents.
Thank you for commenting Silvana! I appreciate your feedback.
Just found you and I'm subscribing. The time you take to fully describe how and why you use a particular color/technique/etc is invaluable, unlike many others who just rush through and skim over the details.
I appreciate your feedback. Thank you for subscribing to my channel. 🙏
Great presentation, very much appreciated !
I’m going to be starting a master copy of a Rembrandt soon, so I really appreciate the detail you include here. I’m so glad I found your channel. Thank you so much!
Truly appreciate not only your mastery an skill but also your generosity in sharing your process of discovery and techniques! Thank you, Luis!
Discovered your channel. Love your clear and down-to-earth insights. Your analysis and exploration of technical steps; embrace a scholarly standard that allows fellow artists to grasp the examples you illustrate with a sense of joy. I have always admired Rembrandt's playful approach to colour and light--upon close examination his genius is so poetic and abstract--as you point out, he travels the full range of impressionist techniques. Excellent! Thank you. I will apply many of your ideas to my own work, with particular attention devoted to portraiture. I just love the interplay of realism with abstraction. Cheers from Newfoundland. PS: I would love to see you tackle the painterly ideas of light and colour presented by Raphael. Especially his miniatures. I find they transcend aspects of Leonardo's work. There are great scholarly sites that allow one to examine his drawings and transfer methods, used to construct the panel details and spatial volumes, etc.
Thank you for the demonstration! It's wonderful ❤
Felicitaciones! maravillosa investigacion y excelentes resultados.gran talento..llevo más de 50 años pintando ..siempre he admirado a Rembrandt..gracias Luis por compartir
Muchas gracias por tus comentarios Alejandro. Saludos!🙏🏻
...best teacher on UA-cam!!!!! Tuned in !!! 😎👍🏾
Thank you for coming by!! I appreciate your comment!! Best wishes..
Amazing tutorial I am learning a lot thank you
Rembrandt is the greatest master of painting
Your painting was gorgeous at every stage!! Thank you so much for this demonstration. Excellent!!!
Finally!!! Someone doing Rembrandt by applying thick paint. U would think this would b obvious, but many on line do not. Well done. The best to u & urs. 🎨
I am most impressed with your research...and...depth of scholarship...
Thanks again
I love the lighting in his work, it always reminds me of a shuttle version of caravaggios work.
Thank you so much for your analysis. I have learnt a lot from this video. I have just returned to Art after a 35 year gap raising children! & I am just completing my final project in Level 1 Art & Design. This really helped my understanding. Made me chuckle you saying you were happy to have 800 viewers!! 😂 Now there's over 80,000!! 🎉🎉 😊
Fascinating! Thank you for sharing so much of your research into his technique. I had no idea he used sand for body! Thank you!
Thank You so much for your initiative teaching us
looking forward to the class
Excellent. I wish I had seen your video before copying the Rembrandt portrait of Jacob Trip, it would have helped me a great deal
You and Rembrandt are true inspirations for my own painting . Thx for posting
Hello J: Thank you for visiting the channel. I appreciate your feedback. Great to know you find channel’s content inspiring. 🙏🏻
A very fine job recreating his technique in your demonstration.
Thank you for your comment Christopher.
You are a great professor, I tip my hat to you.
Hi Luis. I have an old painting by one of the artists and I want to document it, and then sell it, knowing that there is an unprofessional person who has tampered with it and abused the painting and then someone put a substance with the intention of examining it and made it worse. Can you help me in this matter? I want to contact one of the experts in fonts and graphics.
My 2 favs. Rembrandt. And tadema - next try.
I don't produce with resources from the artists of the past, but I think your research is wonderful. I learn a lot from your videos. your channel has proved to be the best of its kind
Thank you for wonderful feedback! I really appreciate your comments Gilmar.
yes I agree, the best, a lot of info!
Very interesting lexure. Thank you for sharing your knowledge.
Thank you for sharing.
I copied from life Rembrandts Lucretia, one of two still existing out if the three versions he painted. With limited time I focused just on her face. Four colors. Best thing I ever did for my education. To be humbled and inspired by such example of human potential.
Love this!
Love the science ,technology and the artistic direction .
Very well done 🎨😉👍🏼
Thank you for commenting and visiting my channel Dave. 🙏🏻
Really enjoyed your video...will defn enroll as soon as possible
Thanks for sharing so much knowledge!
That was pretty damn good! I wasnt expecting much. Nice surprise!
Lois !
I just discovered you and i am very interested in everything you that you are very interested in and I feel like i am listening to you MYSelf speak as a master painter ! you have taught me so much in only a few videos and you just get it and i will be purchasing SOMETHING from you . i want to try and compensate you for the invaluable knowledge that you are imparting on me . you really get it and i really want you to know that there are people watching that are just so happy to be able to be taught by someone like youirself that CARES about the history and the materials and the passion. thank you so much and please DO NOT STOP MAKING THESE VIDEOS ! you are making artists when you speak and your own personal work , your paintings are just fucking GREAT. THANKYOU , IM A VIEWER FOR LIFE AND THAnkyou
Thank you very much for sharing your thoughts and feedback. I appreciate your support! 🙏🏼🙏🏼🙏🏼
OMG this is like rocket science 😹😹, thank you for the video! Im glad that I found your channel
amazing work and demo. thank you!
Wow Rembrandt 🙌🏻🙌🏻
Great Painting Luis.... Great Video, always enjoying your stuff
Thank you FF!! It’s wonderful to know that you enjoy the content. Best wishes.
Amen Brother! I value your video's so much!
Hello Peter: I appreciate your feedback and support. 🙏🏻🙏🏻
You can paint extremely well 👍
Masterly recreation! Wonderful beyond words
I really appreciate your feedback. Best wishes!
@@LuisBorreroVisualArtist ….I am I your debt for introducing the technical bulletin…I am a self taught artist…so your content is like a MFA program for me….I worship Velazquez, Goya , Titian, Piero Della Fresca …
@@neoaureus It’s so great to hear your feedback. The Bulletin is an amazing source of information that is very often overlooked by artists.
Almost at the end, I was thinking this is great and really well done, but not rembrandt'ish. But the you added the glaze and poof! Rembrandt achived.
Incredible 🤯
Very impressive
Thank you for commenting!!🙏🏻
Thanks Luis, great presentation. I will have to start a second copy of this painting using all the info you have shared.
Thanks for commenting Javier!! Best regards.
Thank you for sharing, I recently painted two Rembrandt master copies, but used a slightly different technique, it was very interesting to see how you initially painted the face, in an almost impressionistic style, before blending things together and glazing!
I am amazed that Rembrandt only had to wait a few days for the layers of paint to dry. I paint with oils but I paint thinly and even then, the paint takes a while to completely dry. How was Rembrandt able to paint over these layers without smearing them together? I love his style and am learning a lot from you about it. Prior to watching your channel, I had no idea at all that some of the old masters used materials to texture the paint. It makes so much sense to me now seeing Rembrandt's portrait paintings.
Thank you for commenting. The old masters used various dryers to expedite the drying time of their oils. Check out this article from the National Gallery Technical Bulletin.www.nationalgallery.org.uk/media/15694/white_kirby1994.pdf
Beautiful!
I love rembrandt's technique because it looks detailed when it's actually not. It also gives a lot room for self expression
Amazing
Not sure if you take requests! I'm a forever student of the Renaissance, and Carlo Dolce. It wild be great to see his process. I'm sure it's similar to the others of that time, but he really stands out with how soft and bold his work is.
amazing, thanks a lot, also the lighting of the videos are great!!! Love it!
Thank you Sweaty Palms! Best regards..
@@LuisBorreroVisualArtist tons of information you are sharing, I always make sure to take down notes, missed the live stream, next time I will try attend and ask my friends to watch also, you need more followers and students to subscribes, support and follow you, your a good teacher and artist! Amazing and thanks again #rembrandt #rembrandtmastercopy #rembrandttechniques #rembrandtteaching #rembrandtpaintings #classicalpaintings #oldmasters #royaltalens @royaltalens
Thanks again Sweaty Palms!!!
So beautiful man. Tnx
Thank you very much Ron. Best regards..
its awesome.
Hi Luis so Grateful to find you ... listen to a live from Brasil and comes Rembrandt names ... that is why I am here and subscribe on your channel. I do have your maguinific portray of me. Soon I will be in touch. Love care compassion love ARTS.
Hello Fifi: Muchos Saludos!! Un abrazo. Gracias por escribir. 🙏🏻
Excellent demo . I've always been interested in Old Master techniques and yours are among the best regarding explaining this. Thanks and look forward to more.
Thank for writing Todd. I appreciate your comments. Best wishes.
Thank you … very helpful
Thank you for sharing your knowledge and demonstrating these techniques. It’s fascinating. Particularly find the adjustment in your brushes used for this painting. Much appreciated. I’ve just started your drawing class on Udemy. Very pleased to have found it.
Very interesting and I just want to congratulate you for your talent! Your works always make me eager to continue working and experimenting with my own paintings and videos. Thank you for sharing! ❤️
Thank you very much for your kind words. I am pleased that the videos are inspiring and helpful to you. Best wishes!
Brillant!
🙏🏻🙏🏻Thank you!!
Luis you are a great teacher. I'm so happy that I found someone painting and drawing the masters. Dou you have one with 3 colors?
Great video. Awesome explanation! ❤️🙏😃
Thank you Eduardo!! 🙏🏻🙏🏻
Well done sir, that was super interesting. Thanks.
Thank you for commenting!🙏🏻
You have a good adapted painting technique! Most Rembrandt reconstructions, I've seen so far don't have. Most people only try to create a surface, but without deep. You also can't do a Rembrandt by using titanium white for example... And also not every Lead White is possible. Modern lead white is a lot different to the one made by traditional processes. I like that you are working close to chemical analysis too. Your painting has deep!
Thank you Jonas! My channel has a focus not just on the mechanics of technique, but also on the importance of historical materials used by past artists. I very much appreciate your comments. Best regards!!
@@LuisBorreroVisualArtist
ua-cam.com/video/4sRZrYYgf00/v-deo.htmlsi=U9WAsnE9mOK7AmWV
Partially adapted technique in one of my paintings. Overlayered with tempera.
¡Muy buen trabajo!
Gracias por tu visita y comentario Agustina. Muchos Saludos! 🙏🏻
Could u please tell about the mediuns used in each layer? Im amazed by your art talent
Thank you.
unusual painstaking technique of building up opaque short strips of mixed paint with carefully controlled and very limited blending on canvas. best method for chiaroscuro.
Thanks! What could Rembrandt's varnish have contained? Do you have any suggestions ?
Thank you for this tips 🙂
Thanks for the demo,ive learned a lot,even if i using watercolor for painting,i like the old masters technique,and also the historical value of your video is very helpful...hope you cover more classic painters especially the never heard artists that also great like rembrandt.
Amazing🤩😍👍
Amazing explanation, i will put in practice, i always wanted to paint like rembrandt and Vermeer, Im on the path 😀
Thanks again for your support and feedback. 🙏🏻🙏🏻
@@LuisBorreroVisualArtist Just I'm content to find people with the same passion for painting, it helps to keep improving
sehr schön
Hola Luis muchisimas gracias por tu contenido muy amable de tu parte compartirlo, estaria fabuluso alguna sección en español para los que no dominamos el ingles.
saludos desde el sur del mundo
It's amazing! Would I know that which paint you used to paint that... Like acrylic color or any other...?
Hello Sarah: Thank you for commenting. I used hand made historical oil colors to work on this Rembrandt master copy.
Brilliant thank you!
Thank you David!!!
i love watching your videos. they are very informative as well as entertaining. i would like to see you make a video on the topic of Leonardo da Vinci's painting techniques.
Hello Jason: Sounds like an interesting subject for the future.
Great video , i always though that Rembi used to paint only impasto & glazzing , i mean no direct colour
It has been very surprising
Is there any where to buy natural mongoose brushes that were manufactured before the ban?
great video. how did you get the impasto to dry so fast that you can work over in in one day?
Interesting subject - and I admit that it would be very helpfull to have written down the names of colors, brushes and other materials as a list that could be downloaded - and then go into the very painting process 🌷❤️
Hello Luis
I have a you tube Chanel and you may have seen our videos on Rembrandt
I would love to do a video it’s you on zoom to discuss his methods and mediums. I’ve been making lead white bone black etc with some success and will try another copy
All best and keep up your wonderful work
Великолепно)!👏👏👏👏👏
I think choosing a palette of pigments is an art in itself. And using them to the utmost is also an art.
Wasn't Rembrandt known for his use of glazes to develop depth from painted texture; where he would apply glaze, wipe it off, etc.
GREAT
En ese trabajo da la sensación que el comienza , por encima de la primera capa marrón con pinceladas empastadas de gris y blanco, bueno que hace una grisalla pero muy suelta, se ve muy bien en las ondulaciones del cabello y en los cuellos blancos.
good work. I would say that you're adding white much too early. If you do that, it bleaches out the portrait. Rembrandt built from dark to light, as any traditional oil painter. the lighter you go, the thicker the paint. The darker tones are never painted over the lighter tones. The darker tones are revealed through the lighter tones. he also didn't smudge paint with a rag. He painted distinct strokes with distinct values only, with occasional scratches to reveal more of the dark under painting.
Rembrandt utilized a lot of glazing. You cant glaze from dark to light. Thats why you start with some lighter tones.
@@OnYourMarkgitsitGooo wrong. You apparently don't know what glazing is.
I agree too much white at first. It took too much paint to tone down all that white. The finished painting ended up looking too rough because of this. Start with more of a flesh tone. It also looked like the overall paint was too thick. Just my impression. Nice video though. He was a master. None of use can really replicate what he truly did.
Exelente canal informativo, estoy siguiendo los videos. Que diferencia tiene este tipo de imprimatura que utilizaba rembranth velazquez o caravaggio a la de gesso como lo utilizaba tiziano o el greco? Es mas flexible?
Saludos Alejandra: Gracias por comentar. El gesso histórico a base de cola animal es mucho menos flexible que una imprimación de óleo y pigmentos de tierrra o plomo.
Thank you, these presentations are great. I really appreciate your efforts. I would love to know what Tiepolo and Rembrandt used for their brown drawings. It was said bistre was used but was more recently discover to be iron gall ink. Iron gall ink has the appearance of black however. I would love to know what they used. I would love to know how to make this brownish yellow ink. Tiepolo made beautiful washes with it as well in his sketches. Thank you!
sir Aapne konsa material Use kiya plz. share kro...
Hello, very good your copy, what is your medium to do this, egg like Paulo Frade?
Thank you for commenting! I am using a small amount of heat bodied Linseed oil cooked with Litharge. arstechnica.com/science/2023/01/scientists-identify-rare-lead-compounds-in-rembrandts-the-night-watch/amp/
What light source did Rembrandt use while posing? It’s not window light. What kind of lamp did he use?