@@jameerlawrencebondoc8162 Cannons are cannons; drums are drums : - One thing is a thing; another thing is another thing. Bass drum don´t represent cannons. Soon . . . .
Спаси, Господи, люди Твоя, И благослови достояние Твое. победы борющимся за веру правую и за святую Русь, На сопротивныя даруя. И Твое сохраняя, Крестом Твоим жительство.
Hymn at the beginning (God Preserve Thy People). Grant salvation to Thy people, Lord, and we pray Thee bless thine inheritance, O God. Grant vict'ry to those who fight to save our righteous faith and our dear sacred land. and from all evil deliver us. Then the guardian of perfect grace, the cross will forever be. The cross will forever be The cross will be, the cross. Then at measure 358, right after the long descending passage, the exciting conclusion (God Preserve Thy People/God Save the Tsar). Grant salvation to Thy people, Lord, and we pray Thee bless thine inheritance, O God. Grant vict'ry to those who fight to save our righteous faith and our dear sacred land. And we pray Thee bless thine inheritance, our dear sacred land, our sacred land. God save our sacred land. God grant us vict'ry , vict'ry against our foe! God save our sacred land! Give Us Peace!
Sou do Amazonas manaus.o meu filho tá tocando violino nesta orquestra ele está na 2fileira do violino 1hoje ja está no Brasil tocando numa orquestra profissional.obrigado a todos por acolherem meu filho bem.
A bit slow, however. This normally doesn't run over 15-or 16-minutes. ALSO, the musicians and chorus seem tired, bored, uninspired. Really too bad. Perhaps they rehearsed a bit too much. Normally this is one of my very favorite pieces.
The first part needs to be slow, yet I agree - from the boy's choir ("u vorot") up to when they get to the "Bozhe tsarya khrani" bit they should be IN FLAMES as they're winning a was against bloody Napoleon. Instead, they drag. Eighteen minutes for this piece sound as ludicrous as Lenny Bernstein's eight ones for Elgar's "Nimrod".
They are the same. However, at the beginning, the cellos do not play the choral parts, and when the children's choir sings, the wind instruments who usually play the melody generaaly do not play. Other than that, there are no differences of which I am aware.
Too slow and nice to see all the choir well turned out so well, but 3 boys let the choir down, the rest made great effort to wear either neck tie, black or white tie and the 3 just did not bother at all.
![Boston Pops: "1812 Overture" [ 2023.07.04 ]](/img/n.gif)
The choir at the beginning is deeply moving.
Without cannons, but one of the greatest versions presented of 1812.
there are cannons, represented by the bass drum
@@jameerlawrencebondoc8162 Cannons are cannons; drums are drums : - One thing is a thing; another thing is another thing. Bass drum don´t represent cannons. Soon . . . .
@@eduardomendonca8798 yes
@@eduardomendonca8798tbh I feel like the cannons take away from the overture, and even Tchaikovsky felt that way.
Спаси, Господи, люди Твоя,
И благослови достояние Твое.
победы борющимся за веру правую и за святую Русь,
На сопротивныя даруя.
И Твое сохраняя,
Крестом Твоим жительство.
Браво. поздрав из Србије
The Troparion of the Holy Cross
Hymn at the beginning (God Preserve Thy People).
Grant salvation to Thy people, Lord,
and we pray Thee bless thine inheritance, O God.
Grant vict'ry to those who fight to save our righteous faith and our dear sacred land.
and from all evil deliver us.
Then the guardian of perfect grace, the cross will forever be.
The cross will forever be
The cross will be, the cross.
Then at measure 358, right after the long descending passage, the exciting conclusion (God Preserve Thy People/God Save the Tsar).
Grant salvation to Thy people, Lord,
and we pray Thee bless thine inheritance, O God.
Grant vict'ry to those who fight to save our righteous faith and our dear sacred land.
And we pray Thee bless thine inheritance, our dear sacred land, our sacred land.
God save our sacred land.
God grant us vict'ry , vict'ry against our foe!
God save our sacred land!
Give Us Peace!
The stomps work very well as a cannon replacement, well done!
¡Fantástico!... - Desde La Patagonia, Arg.
In the original Russian?!? I have never heard it in the original Russian before! Beautiful!
Yes! And thank you!
@mordechai. It's actually in the original Church Slavonic.
I really like this rendition of the piece.
Prachtig ! Beautiful !
Ich stimme Ihnen zu!. Hervorragend! Magnifique !
Sou do Amazonas manaus.o meu filho tá tocando violino nesta orquestra ele está na 2fileira do violino 1hoje ja está no Brasil tocando numa orquestra profissional.obrigado a todos por acolherem meu filho bem.
Magnífica versión gran coro
Thank you Igor Buketoff!
Beautifully executed!!!!! I love it!!
Established as a fine piece of work. Thank you god bless indeed 🙏
很少聽到以合唱方式的演奏,濃濃的沙皇時代氣息!
The choral always brings be to tears. The Russians army praying as Napolean advanced upon them.
"napolean"
Ģrandiosa precentasion emosionante
Well done .....Thank You
Fantastic !!!
Bellísima
合唱団が一緒の1812年序曲のライブ映像はなかなか見られないので、とても素晴らしいと思います。
17:29 Wait...here comes the crescendo !!!!
Where are the strong Baritone/Bass voices in the beginning? Sounds kind of incomplete without that deep undertone.
合唱ありのやつが見たくてたどり着きました。すごい！ただたまに金管楽器が気になるところがチラホラ……。気のせい？？
The flat at 1:31 is spot on.
Love from Moscow
SPECTACULAR
👏🏿👏🏿👏🏿👏🏿👏🏿👏🏿👏🏿
This is not Igor Buketoff's arrangement as the description claims. There are some very noticeable differences and this version is worse overall.
A bit slow, however. This normally doesn't run over 15-or 16-minutes. ALSO, the musicians and chorus seem tired, bored, uninspired. Really too bad. Perhaps they rehearsed a bit too much. Normally this is one of my very favorite pieces.
I agree. I had great hopes for this, having only recently discovered the choral version, but I found this version too mechanical and lacking passion.
@@chrisnabavi1490 Try the choral version by Andrew Litton, it is amazing!!!
The first part needs to be slow, yet I agree - from the boy's choir ("u vorot") up to when they get to the "Bozhe tsarya khrani" bit they should be IN FLAMES as they're winning a was against bloody Napoleon. Instead, they drag. Eighteen minutes for this piece sound as ludicrous as Lenny Bernstein's eight ones for Elgar's "Nimrod".
@@chrisnabavi1490 Listen to Ashkenazy's interpretation
I would liten to this. Prioe to going in to battle in Vietnam.
I’m trying to find the orchestra parts to Buketoff’s edition. Does anyone know where to find them?
They are the same. However, at the beginning, the cellos do not play the choral parts, and when the children's choir sings, the wind instruments who usually play the melody generaaly do not play. Other than that, there are no differences of which I am aware.
@@deanwilliams2353 Mr Williams I think you are quite correct
Mr Mejias, I used to have it. If I find it, we'll be in touch.
Napoleon kaput! )
1:52 bass player is laughing.
Don't worry. He is now chopping logs in Siberia :-)
@@ArkanTheClean update, he's mining coal in sibirsk
14:25 is the finale
10:56;13:22 Девушка в оркестре слева от дирижёра вверху зевает. Ей просто стало скучно :)
Часто зевают от волнения и напряжения.
В конце обязательно проснется.
Too slow and nice to see all the choir well turned out so well, but 3 boys let the choir down, the rest made great effort to wear either neck tie, black or white tie and the 3 just did not bother at all.
MELC YELMUR okay boomer
Sorry, your comment is beyond stupid.
Who gives a shit what the choir is wearing?
Несколько странная трактовка....как в замедленных съёмках.
masz rację, mocno nie dopracowana i dziwaczna
*
Bardzo dziwne wykonanie. Podopisywali jakieś swoje fragmenty , że tak niektórych to śmieszy w trakcie gry?
great!can be more powerful!!
dziwaczna ta wersja jakaś jest
Хор хороший, оркестр...это худшее, что я слышал.
sounds weak
Slava Ukraine
Да здравствует Россия
Тягомотина.