I remember what a big deal this record was in the spring summer of 65. This is the song that made The Stones huge and 2nd only to The Beatles for the remainder of the 60s decade. What was so unique was Keith Richard's fuzz guitar line. Fuzz guitar was a new sound and sort of new guitar technology. The second thing about this tune is Charlie Watts steady drumming that never wavers..
Thanks for this comment, can only imagine what it was like to hear this coming out completely new. I’m turning 20 in June and I had just went to see a concert at Heinz field for the stones for my first ever concert, never heard any of their real good songs only the mainstream ones like (paint it black, sympathy) and I can tell you leaving the stadium this tune was stuck in my head the whole night after and while walking the stairs out of the stadium! Amazing song! Amazing band!
@@joshcarbone6264 Remember hearing it for the first time on a beautifull summer Saturday morning in '65.I was only 6 but it made that kind of lasting impression.
I first heard "Satisfaction" on the radio of a 1955 Oldsmobile, going up to the lake. Summer of 1965 and school had just let out. Only a month later the Beatles released "Help", the Beach Boys came out with "California Girls" and Bob Dylan hit the airwaves with "Like a Rolling Stone". That was one hell of a summer.
Part of the success of this song are the added eighth notes on tambourine played by Jack Nitzsche that come in on the 3& 4 of Charlie's drum part. Cha-cha-cha. Genius.
Yeah, I’m surprised to hear the piano that well. It’s usually so low in the mix that many people aren’t aware it’s there. Kinda thickens up the acoustic guitar sound without being noticed itself. To _really_ hear the piano, check this one out. ua-cam.com/video/8Nbef8mcwUw/v-deo.html
So much of tthe Stones best stuff would have gone unnoticed without their best player of all things exotica, Brian Jones.. And the real dead Jones last laugh is that that Mick and Keith get no royalties from their ABKO catalogue [62-70]. The greedy duo got F**d by then mgr. Allen Klein. As Keith said ... '' ah well, that's the price of an education''. God Bless Brian. And rest of the Stones too.
It’s why Bowie needed success in the 1980’s , he’d only made money out of touring…’Mainman Records’ and Bowies back catalogue was OWNED by Klein - who released a lot of shonky compilation albums of Bowie…l think Bowie eventually bought it back ’
@@williardbillmore5713 I believe, as most do that the Stones best albums were Beggars to Exile. However, the Stones golden 'pop' era, '64 to '68. was completely infused by Brian's hook laden multi -instrumental exotica. No band at the time had a gunslinger like Jones. Keith's 'Chuckberryism's'. were in comparison sonically dull and generic. Brian however, towards Jagger/Richards benefit exploited the [ Sitar, guitar, flute, oboe, harpsichord, piano, recorder, organ, dulcimer, harmonica, vibraphone, ]. That really made the difference and set the Stones apart. The catchy pop tunes that Brian was featured on allowed the Stones to parallel and occasionally surpass the Beatles. Thanks and God Bless the Stones!
I can't get no satisfaction I can't get no satisfaction 'Cause I try, and I try, and I try, and I try I can't get no, I can't get no When I'm driving in my car When a man come on the radio He's telling me more and more About some useless information Supposed to fire my imagination I can't get no, oh, no, no, no, hey, hey, hey That's what I say I can't get no satisfaction I can't get no satisfaction 'Cause I try, and I try, and I try, and I try I can't get no, I can't get no When I'm watchin' my TV And a man comes on and tells me How white my shirts can be But, he can't be a man 'cause he doesn't smoke The same cigarettes as me I can't get no, oh, no, no, no, hey, hey, hey That's what I say I can't get no satisfaction I can't get no girl reaction 'Cause I try, and I try, and I try, and I try I can't get no, I can't get no When I'm ridin' 'round the world And I'm doin' this and I'm signin' that And I'm tryin' to make some girl, who tells me Baby, better come back maybe next week Can't you see I'm on a losing streak? I can't get no, oh, no, no, no, hey, hey, hey That's what I say I can't get no, I can't get no I can't get no satisfaction, no satisfaction No satisfaction, no satisfaction I can't get no
For my money, The Kinks You Really Got Me in 64 and then in 65 the Stones Satisfaction launched modern rock n roll. What a one two punch.
I remember what a big deal this record was in the spring summer of 65. This is the song that made The Stones huge and 2nd only to The Beatles for the remainder of the 60s decade. What was so unique was Keith Richard's fuzz guitar line. Fuzz guitar was a new sound and sort of new guitar technology. The second thing about this tune is Charlie Watts steady drumming that never wavers..
Thanks for this comment, can only imagine what it was like to hear this coming out completely new. I’m turning 20 in June and I had just went to see a concert at Heinz field for the stones for my first ever concert, never heard any of their real good songs only the mainstream ones like (paint it black, sympathy) and I can tell you leaving the stadium this tune was stuck in my head the whole night after and while walking the stairs out of the stadium! Amazing song! Amazing band!
@@joshcarbone6264 Remember hearing it for the first time on a beautifull summer Saturday morning in '65.I was only 6 but it made that kind of lasting impression.
I first heard "Satisfaction" on the radio of a 1955 Oldsmobile, going up to the lake. Summer of 1965 and school had just let out. Only a month later the Beatles released "Help", the Beach Boys came out with "California Girls" and Bob Dylan hit the airwaves with "Like a Rolling Stone". That was one hell of a summer.
@@sprague49 I agree 100 percent...
Part of the success of this song are the added eighth notes on tambourine played by Jack Nitzsche that come in on the 3& 4 of Charlie's drum part. Cha-cha-cha. Genius.
That D6 piano chord adds so much oomph to this. Absolute Bad-Ass!
Keep them coming Famulus. Nice version. You can hear the acoustic guitar and piano here.
Yeah, I’m surprised to hear the piano that well. It’s usually so low in the mix that many people aren’t aware it’s there. Kinda thickens up the acoustic guitar sound without being noticed itself. To _really_ hear the piano, check this one out. ua-cam.com/video/8Nbef8mcwUw/v-deo.html
The fuzz guitar riff "invented" by Keith sounds a lot like the theme from the TV cop series "Dragnet".
so simple ... so elegant ... so perfect ... Brilliant
Love Keith's guitar, but Brian's underneath is nothing to sneeze at. It plays a vital role in the feel of the song
Die einfachen Melodien prägen sich bei dem Song sehr gut ein, ist fast für jeden geeignet .....👌🎼🎶🎵...
The National Anthem
There are a few runs by Richards that get really intense. Great music.
So much of tthe Stones best stuff would have gone unnoticed without their best player of all things exotica, Brian Jones.. And the real dead Jones last laugh is that that Mick and Keith get no royalties from their ABKO catalogue [62-70]. The greedy duo got F**d by then mgr. Allen Klein. As Keith said ... '' ah well, that's the price of an education''. God Bless Brian. And rest of the Stones too.
Klein fucked the Beatles, then the Stones, THEN David Bowie !!?? Bowie signed over his royalties to Klein while drugged up ….
It’s why Bowie needed success in the 1980’s , he’d only made money out of touring…’Mainman Records’ and Bowies back catalogue was OWNED by Klein - who released a lot of shonky compilation albums of Bowie…l think Bowie eventually bought it back ’
Brian plays a very clever second guitar on this!
The Stones did their best stuff after Jones was fired.
That is indisputable. The numbers don't lie.
@@williardbillmore5713 I believe, as most do that the Stones best albums were Beggars to Exile.
However, the Stones golden 'pop' era, '64 to '68. was completely infused by Brian's hook laden multi -instrumental exotica. No band at the time had a gunslinger like Jones. Keith's 'Chuckberryism's'. were in comparison sonically dull and generic.
Brian however, towards Jagger/Richards benefit exploited the [ Sitar, guitar, flute, oboe, harpsichord, piano, recorder, organ, dulcimer, harmonica, vibraphone, ]. That really made the difference and set the Stones apart. The catchy pop tunes that Brian was featured on allowed the Stones to parallel and occasionally surpass the Beatles. Thanks and God Bless the Stones!
I can't get no satisfaction
I can't get no satisfaction
'Cause I try, and I try, and I try, and I try
I can't get no, I can't get no
When I'm driving in my car
When a man come on the radio
He's telling me more and more
About some useless information
Supposed to fire my imagination
I can't get no, oh, no, no, no, hey, hey, hey
That's what I say
I can't get no satisfaction
I can't get no satisfaction
'Cause I try, and I try, and I try, and I try
I can't get no, I can't get no
When I'm watchin' my TV
And a man comes on and tells me
How white my shirts can be
But, he can't be a man 'cause he doesn't smoke
The same cigarettes as me
I can't get no, oh, no, no, no, hey, hey, hey
That's what I say
I can't get no satisfaction
I can't get no girl reaction
'Cause I try, and I try, and I try, and I try
I can't get no, I can't get no
When I'm ridin' 'round the world
And I'm doin' this and I'm signin' that
And I'm tryin' to make some girl, who tells me
Baby, better come back maybe next week
Can't you see I'm on a losing streak?
I can't get no, oh, no, no, no, hey, hey, hey
That's what I say
I can't get no, I can't get no
I can't get no satisfaction, no satisfaction
No satisfaction, no satisfaction
I can't get no
Never heard the piano in this song before
The acoustic rhythm is almost as important as the electric lead on this
can I cashapp you and you make me a CD of work?
after working 124 hours this week I come home and listen to everything you got!
Conbriansiera
Ritmopesado