First of all - Gould recorded the Handel's Suites only on harpsichord and completely in different style! This "Mr. Pirate", who without any permission used a concert recording of young Petukhov( I have this CD! - " undatet and unreleased concert tape", - what a shame to say it!!) in fact had not so bad taste! Famous Russian composer- pianist Mikhail Petukhov, who is also a famous pupil of legendary Tatiana Nikolayeva, within many years has been called in professinal musical world a " Russian Glenn Gould"!.. ( Just listen to the Petukhov's concert recording of D minor Concerto by Bach with the Bolshoi Theatre Chamber orchestra!)... By the way, this pirate action was noticed by only one person(!), existing on UA-cam for a long period.... Just now - when the real information about this recording is opened! - it becomes to be "so clear" for everybody:):):)
This record is from legendary Russian composer and pianist Mikhail Petukhov's live concert in 1982, as his student i have this CD on my hand, and i uploaded this on UA-cam few years ago, the original video is on my UA-cam channel, so why are you making this fake video??
Obviously not Glenn Gould. Despite the obvious influence of Gould on the player's touch, it is the approach to counterpoint which is radically different. Gould always had the voices "converse," whereas here that is sorely lacking..
How nice - in such a big delay! - to find the difference between Gould and Petukhov! :) Tutti sono bravissimi! :) As to "Mr. Pirate"(glenngould32) - he is simly IL MASNADIERO, however, not without some good taste...:) Bravo!
Ok, that's what I am talking about lol. What I was hoping to find today! btw, have you checked Bruce Cross's channel? It has a lot of rare interviews that have snippets of playing that are very interesting. I am trying to find Arts National to send him. Like Glenn in that respect, I suffer from being rather unorganized.
Articulative style of Glenn Gould [ frankly to say, - mostly staccato or non legato!] could be from time to time agressively mechanical in the Bach music... Mikhail Petukhov [who is named "Glenn Gould" in this recording!!!] is definitely much more connected with the performing manner of his great teacher, legendary Russian pianist-composer Tatiana Nikolayeva.
Mr." Pirate", who without any permission used live recording of young Petukhov, ( I have this CD!) in fact had no so bad taste: Mikhail Petukhov - famous Russian composer- pianist, is also a famous pupil of legendary Tatiana Nikolayeva and for many years has been called in professional music world like a " Russian Glenn Gould"... (Just listen to the Petukhov's concert recording of the D minor Concerto by Bach with Bolshoi Theatre Chamber orchestra. For many specialists this is the best version indeed.)
Sounds like early Gould in my opinion. From what I've heard in his early live recordings, it's sounds like he had a more "traditional" approach to phrasing, with rubato and "nuances", the agogic stuff commonly associated with expressive and lyrical interpretation. Something he gradually took out of his playing.
Hmmmmmm......there are references in the internet of Gould having recorded 4 suites by Handel, BUT....on the harpsichord. Cannot locate a reference to him having done another recording, unreleased perhaps....of the same material on a piano. And quite an awful piano sound.....so, I'm not sure I believe this to be Gould. Besides....no singing along? Very suspicious.
En dos partituras, esta y el herrero armonioso , ambas de Händel, se presenta a Gould, lo cual me genera muchas dudas porque imprime mucha rapidez y una insistencia en el uso del pedal que no fue habitual en Gleen. se menciono a Petukhov y yo agregaría a Sviatoslav Ritcher que interpretó maravillosamente esta suite IV, también ruso
First of all - Gould recorded the Handel's Suites only on harpsichord and completely in different style!
This "Mr. Pirate", who without any permission used a concert recording of young Petukhov( I have this CD! - " undatet and unreleased concert tape", - what a shame to say it!!) in fact had not so bad taste! Famous Russian composer- pianist Mikhail Petukhov, who is also a famous pupil of legendary Tatiana Nikolayeva, within many years has been called in professinal musical world a " Russian Glenn Gould"!.. ( Just listen to the Petukhov's concert recording of D minor Concerto by Bach with the Bolshoi Theatre Chamber orchestra!)... By the way, this pirate action was noticed by only one person(!), existing on UA-cam for a long period.... Just now - when the real information about this recording is opened! - it becomes to be "so clear" for everybody:):):)
I quite like Gould playing this on the harpsichord. Petukhov playing here is also good, but there's a dead giveaway that it's not Gould...no humming!
@@Galantski Gould recorded on an easily identifiable Steinway which he had modified according to his instructions. This is obviously not that piano.
Thank you for this informative and enlightening comment! Much appreciated!
@@raymondgood6555vi cosa prendete conto che tutto plagio back si sente tutto influenze musicali.
@@Galantski it’s not a harpsichord. It’s a forte piano.
This record is from legendary Russian composer and pianist Mikhail Petukhov's live concert in 1982, as his student i have this CD on my hand, and i uploaded this on UA-cam few years ago, the original video is on my UA-cam channel, so why are you making this fake video??
This is wonderful. Handel`s suites should be known, they are magnificent.
Obviously not Glenn Gould. Despite the obvious influence of Gould on the player's touch, it is the approach to counterpoint which is radically different. Gould always had the voices "converse," whereas here that is sorely lacking..
This "secret of Polinichinelle" has been discovered MUCH EARLIER in previous comments:):)
Manuel M. Ponce (mexican composer) made a prelude and fugue about this theme, you can find it typing: Preludio y fuga sobre un tema de Haendel.
Egregio compositor, Manuel M. Ponce.
How nice - in such a big delay! - to find the difference between Gould and Petukhov! :)
Tutti sono bravissimi! :)
As to "Mr. Pirate"(glenngould32) - he is simly IL MASNADIERO, however, not without some good taste...:) Bravo!
Where is the obbligato singing part? I don't think this is Glenn Gould. Whoever it is they are good.
Ok, that's what I am talking about lol. What I was hoping to find today! btw, have you checked Bruce Cross's channel? It has a lot of rare interviews that have snippets of playing that are very interesting. I am trying to find Arts National to send him. Like Glenn in that respect, I suffer from being rather unorganized.
Yes, his channel is fantastic, thank you.
I read this piece is not recorded by Glenn Gould. I cannot verify this but when this is true, it must be changed.
only i find good in this fake uploading is the quality of audio check sviastoslav richter for something authentical
9:46 - Hnng! Such a Handel cadence. Beautiful.
Why say this is Gould when it isn’t? This is Petukhov’s recording. You should change the title immediately and credit the correct artist.
He DOES NOT hum in public?
It's not Glenn Gould anyways
@@your_crazy_lazy_pianiste Richter
grazie
Articulative style of Glenn Gould [ frankly to say, - mostly staccato or non legato!] could be from time to time agressively mechanical in the Bach music... Mikhail Petukhov [who is named "Glenn Gould" in this recording!!!] is definitely much more connected with the performing manner of his great teacher, legendary Russian pianist-composer Tatiana Nikolayeva.
Much pedaling and long trills in right Hand - it cannot be Gould for sure..
Mr." Pirate", who without any permission used live recording of young Petukhov,
( I have this CD!) in fact had no so bad taste: Mikhail Petukhov - famous Russian composer- pianist, is also a famous pupil of legendary Tatiana Nikolayeva and for many years has been called in professional music world like a " Russian Glenn Gould"... (Just listen to the Petukhov's concert recording of the D minor Concerto by Bach with Bolshoi Theatre Chamber orchestra. For many specialists this is the best version indeed.)
It is not good, because it is not Gould!
Give credit to the actual performer. This is not Gould.
No humming over the melody, no insane playing speed,
Somehow I doubt this is a Glenn Gould recording
I may be totally wrong... it does not sound like Gould... not at all.
Sounds like early Gould in my opinion. From what I've heard in his early live recordings, it's sounds like he had a more "traditional" approach to phrasing, with rubato and "nuances", the agogic stuff commonly associated with expressive and lyrical interpretation. Something he gradually took out of his playing.
ua-cam.com/video/TwD0nr3P4u4/v-deo.html
@@giorgosmaragos1807 thanks
Does anyone have more info about this recording? I really like it.
@Thomas O'Neal This isn't gould playing. This is the real video. ua-cam.com/video/TwD0nr3P4u4/v-deo.html
@@anthonym4282 thanksss
!!!
Superb skill in playing Bach's is also applied to Handel's by Gould. May I conclude that he is very talented in Baroque's music?
ua-cam.com/video/TwD0nr3P4u4/v-deo.html I dont think gould played this. This is a fake video.
Not Glenn
❤
Too much pedal... unusual to Gould!
Yeah, does not sound like Gould at all...
Passion.
Hmmmmmm......there are references in the internet of Gould having recorded 4 suites by Handel, BUT....on the harpsichord. Cannot locate a reference to him having done another recording, unreleased perhaps....of the same material on a piano. And quite an awful piano sound.....so, I'm not sure I believe this to be Gould. Besides....no singing along? Very suspicious.
Here’s Gould. Ridiculously fast of course.
ua-cam.com/video/FUnmKKO7Thw/v-deo.html
Richter
This does NOT sound like Gould!!!
grazie
En dos partituras, esta y el herrero armonioso , ambas de Händel, se presenta a Gould, lo cual me genera muchas dudas porque imprime mucha rapidez y una insistencia en el uso del pedal que no fue habitual en Gleen. se menciono a Petukhov y yo agregaría a Sviatoslav Ritcher que interpretó maravillosamente esta suite IV, también ruso