A Conversation with Anthony Marinelli
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- Опубліковано 19 жов 2024
- Celebrate Alan R Pearlman's birthday! June 7 and join the Alan R Pearlman Foundation (Right after PSN's Friday show @ProSynthNetwork ) at the watchparty featuring d'ARP in conversation with Anthony Marinelli @anthonymarinellimusic
What? Watchparty and Fundraising month kickoff
Who? Anthony Marinelli interview
Where? UA-cam
When? 4:00 PM NY / 1:00 PM LA/ 9:00pm UK / 10:00PM EU
Anthony Marinelli is an American composer, pianist and programmer. In his early career, he composed and performed accompaniment on the synthesizer for albums including Michael Jackson's Thriller. Marinelli has also recorded with Lionel Richie, Kenny Loggins, Herb Alpert, Supertramp, The Crystal Method, Billy Childs and James Brown and many, many more.
Marinelli worked with Steven Spielberg on The Color Purple (1985) and composed for Young Guns (1988), Graveyard Shift (1990), Leaving Las Vegas (1996), and Internal Affairs (1990).
Marinelli's work includes over a hundred feature film credits, Emmies, Clio Awards, two AICP Awards, two ADDY Awards, three Indian Telly Awards and a Cannes Silver Lion Award.
In 2022 Marinelli became the co-host and producer of the podcast series Stories in the Room: Michael Jackson's Thriller Album Podcast, which has gone viral on social media and now hosts his own hugely successful UA-cam Channel: Anthony Marinelli Music @anthonymarinellimusic
Awesome the Prince of Synth.
Mr Marinelli is someone I have so much respect for because he is a great musician but has zero ego. He's in it for the right reason, the music and shares his talent by showing how it's done.
I loved the answer about dream team... looking for who's up and coming. What a fantastic answer!
Anthony(The Prince of Synth)is one of those truly beautiful people who has an amazing gift and shares what he knows for the sake of making music better.
We love Anthony, here in the Italian Mafia Crew!!! 🍾🍾🍾
I have huge respect for the Prince of Synth.
0:53 comPOSER 😂😂😂😂 lol. man i love Marinelli
My Dad brought home a ARP Avatar he paid $50 from San Luis Obispo swap meet. He had no idea what it was but knew I was obsessed with electronics and devices with knobs and switches. It got me started in a lifelong obsession with experimenting with music and tech, and guitar synths. I have many guitar-synth tech from Yamaha g10, Roland GR-300, g50 etc. Still have the Avatar too!
I got into synths a long time ago and spend all my money on them, I now sleep on the floor and when I am a wake I'm endlessly twisting knobs 😂
@@Andrew-rz7qt Twisting knobs is all fine and stuff but I do most of my songwriting in FL Studio and with automation curves, and often with a guitar.
That's the name UA-cam gifted me and I have never changed it.
THE BEST THING A FATHER CXOULD DO FOR A SON: spend the right fifty bux... send myt respects to your dad.
@@rbus what is with your needlessly rude response? You weren't being attacked, in any way, shape or form.
Hello all! Please donate today if you can.. even if it's only a dollar or two! We survive on the kindness of synth lovers. And don't forget to subscribe! alanrpearlmanfoundation.org/d...
Nice to see Anthony and A.R.P Foundation meet ... First time i was astound by the Arp2600 was actualy Ozzy Ozborn demonstrating , the power of the envelopes was like smashing metal glass ! Never heard a synth do that ! .....25 years later I put all my savings in an Arp2500 clone or identical recreation and love it so much. It's the Church Organ of synthesizers
Fascinating discussion 👏👏👏
This is awesome! I would love to hear more about Anthony's earlier days in commercials.
An adorable instant with Anthony, merci beaucoup Arp.
It's not just the new keyboards that give synthesizers additional expression. The Roland AE-30 Aerophone Pro wind synth is a great controller - and way beyond just notes and breath. I also convert the MIDI CCs to CVs for controlling Eurorack.
great video with 2 of my favorite people. thanks so much for good conversation. Learning is all about love. When you love doing something it is not work, it is a natural process that you fall into. this is the promise of synthesizers and technology. Bravo for all your valiant efferts to promote these ideals! Cheers
Thank you!!
@@AlanRPearlmanFoundation thank you for continuing the great service of keeping ARP alive! Your efforts have made many people happy, including me. Cheers
Fantastic
Thanks so much!
i liked your videos at superbooth about digital and analogue...
cool interview, Marinelli rules
Absolutely fascinating!❤
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Thank you.
Great Interview!! Thank you!! (I was a bit surprised/confused about his Thriller "Cricket" answer here though..) Everyone know's now it was a Casio.... They raffled one off!! LOL!! ?? Just confused!! LOL!!
Hi was flying
🙌🔥🔥🔥
How come i wasn't subscribed here ??? So as i'm here on this channel for the first time, first i have to say i'm in love with my arp gear, i had a voyager before but it didnt give me what i wanted, but when it comes to the sound palet, i'm much happyer with my arp reeditions, i love the enveloppes and the ring mod and the sawtooths in particular. Secondly i want to share this if anyone is interested to chat about; i'm going to mod my Odyssey FS too make it modular. Nothing complicated here since the arp implementation is so friendly to this task; if you look at how the 2600 is implemented, you'll get that all you have to do to get a modular odyssey is go to the switch row: your patch points are allready there, either remove the switches (nah) or add splitters or mixers (basic opamp circuits) where needed, or another trick would be to replace those two throw switches with three poles to send third to patch jacks (the most classy imo but you'd have to find adaptable switches and i'm not shure that would be very easy but worth seeking a bit), or you could replace switches with jack to make your ody faceplate look very close to what a 2600 is.... But as i own a TTSH (2600) that is EXACTLY the width of the odyssey (like if it was done on purpose, same circuits and components, not smd, but 80% of the original size, wich imo is perfect in nowadays), i'm planning to add an external box behind the ody with patch jacks being a bit higher than the ody to access them easy, and then i can put the ttsh on the top of that box (conected to the ody with proper cables and conectors, still usable without if i use the "splitters and mixers" option...), so once done i will have all my 2600 patch jax row on the upper side and the ody's on the lower side, and then i can patch them together very confortably and use the ody's kb for playing. HA! told you i was a fan, anyone intersted feel free to get in touch. i have a channel where i show my builds'n'sell, but i'm thinking about making a new one with more technicall stuff, tyhis project might be one of my first vids for the new channel... Advice or suggestions are very welcomed aswell. i think that kind od a moded modular ody combined with a 2600 wil be much more powerfull than using two 2600's (like some do) regarding options (sync, lfo, three different filters onm the ody FS).... I LOVE YOU GUYS. Alan Robert Pearlman will live forever...
Why sped up through the most significant byte at the end? 🥲
😂yeah that was nuts
The tutorial was long with sound glitches. It wasn’t set up to hear the keyboards well.
Poser? I think not! :)
computers forces us to be programmers because of the latencey, players wont bond with computers until they become latencey free but since computers share so many resources and arnt really made with music in mind I dont see this programmer mentality slowing down and evetually people wont make music, computers will.
Ableton 12 has now fixed that.
Expression comes from with in us. I will never let a program write for me.
Well Anthony is a programmer, and the Synclavier is a computer. All synths for decades are computers internally of course. I always find it amusing people looking down on people using DAWs as if somehow they aren't musicians or are somehow inferior. I guess people need a reason to feel better than others. Well personally I do hybrid, everything from live loops to regular live jams and totally in the box. No limits. And I use Bitwig as my DAW, which is more of a modular synthesizer than anything. It's great because if I need a sound and it doesn't exist you can just build whatever synth you need to get the job done. Making music is so much fun! ❤
@@jumpstar9000 your right i could have said that more polite but the truth is musicians mostly practice without latency and your right synths like a motif are actually super computers but they are built from the ground up with musicians in mind on a motif you can stack up to 128 voices and have 4 inserts and returns per and experience no degrade on sound in realtime and no latency. why thou im not sure i believe motif are risc based computers which are many processors connected to a high speed buss mabe apple should make risc based computer idk. Latency is my opinion why people have to program more than just reaching for keyboard my bad you feel downplayed.
Hay guys let us not fall out. We all have our own way of making music and weather you use a DAW or play an instrument what matters is only the music, no right or wrong way. Just put a piece of you into it and as long as you enjoy what you are doing what else matters?
All sound that requires electricity to be performed is not real music. We lost the essence of music when amplification, effects, and other manipulation became the standard. If the performance can't continue when the power fails it is not real music. 😉