Really enjoyed that. I am ex Argylls and my son attented QV School in the 80's. Iain, my son, was junior Pipe Major under PM John MacKenzie. I was lucky enough to take Piobaireachd lessons from John; an absolute gentleman.
Fascinating discussion with a true Highland gentleman whose knowledge ranges from scholarly to light-hearted (particularly loved the reference to King George's pink panty hose.) I am well aware of MacDonald's engaging Piobaireachd thesis.
Any tune around the world can be played fast or slow, depending on who is playing it, who he is playing it for - young or older dancers, or just to listen to. Dancing and playing develop and improve. Who would want to go and play the way they did 100 years ago, that would mean that we haven't improved any. As an example, have a listen to the great recordings of Cole Porter or Gershwin in the 1950's and 60's, then go back and listen to the original recordings - they're museum pieces, we all improve.
A good friend, a beautiful piper and scholar. I was honoured to have him as guest in my home, Teelin, Donegal.
Really enjoyed that.
I am ex Argylls and my son attented QV School in the 80's. Iain, my son, was junior Pipe Major under PM John MacKenzie. I was lucky enough to take Piobaireachd lessons from John; an absolute gentleman.
Fascinating discussion with a true Highland gentleman whose knowledge ranges from scholarly to light-hearted (particularly loved the reference to King George's pink panty hose.) I am well aware of MacDonald's engaging Piobaireachd thesis.
Any tune around the world can be played fast or slow, depending on who is playing it, who he is playing it for - young or older dancers, or just to listen to. Dancing and playing develop and improve. Who would want to go and play the way they did 100 years ago, that would mean that we haven't improved any. As an example, have a listen to the great recordings of Cole Porter or Gershwin in the 1950's and 60's, then go back and listen to the original recordings - they're museum pieces, we all improve.