@@ignacioclerici5341Actually when he writes (very seldomly) "forte" or "piano", these indications are actually bach's. They are found in toccatas and the klavier übung ll (french ouverture and concerto italiano),as he specifies in the manuscripts that those conpositions are for double manual harpsichord specifically, on which he plays a lot in contrasto between the bottom and top keyboard.(lower forte and upper piano)
@@antoineroche2073 F major as superdominant of E, then E as subdominant of F#, and F# as dominant of b. Still, I agree that f# makes 10 times more sense than f natural
à partir du moment où vous comparez qui que ce soit à Glenn GOULD vous êtes dans une impasse... GOULD se reconnaît généralement à la première écoute de quelques notes !
0:27 Allegro
2:45 Adagio
4:42 Fugue
9:19 Gigue-like Conclusion
I am always in the mood for Bach, always. Beautiful. :)
Really like Deljavan's interpretation
Fugue 8:58
Fugue 19:36
These are great. Definitely up there with Gould.
Not there but very very good
Interesting piece
allegro 00:28
adagio2:49
fuga 9:18
Il y a toujours ces alternances dans les toccatas pour piano de Bach
So intriguing the similarities of the Fugue which is actually a Gigue with the Gigue of the 5th French Suite in G Major❤
So impressive
is google crazy to place an in the middle of a musical performance? Is this their thank you for closing my ad blocker?
Are you planning to do all of Bach’s toccatas? BWV 914 in E minor is my favorite, so I would really appreciate if you made a video on it!
Tout ces toccatas sont géniales. par leur grande beauté créativité et écriture .
Could you make a video of Schumann’s kreisleriana using Virsaladze’s 1988 recording?
Interesting, I thought Bach never used tempo words
Probably editors.
He sometimes did, just like he occasionally used "forte" and "piano."
@@dominicfiacco These are editors messing with the music, not Bach's words
Tempo indications can be found in WTC 2.
@@ignacioclerici5341Actually when he writes (very seldomly) "forte" or "piano", these indications are actually bach's.
They are found in toccatas and the klavier übung ll (french ouverture and concerto italiano),as he specifies in the manuscripts that those conpositions are for double manual harpsichord specifically, on which he plays a lot in contrasto between the bottom and top keyboard.(lower forte and upper piano)
It's not a fugue. It's a Tarentelle
indeed but it does take the form of a fugue
Or actually a Gigue; if you think about the G Major French Suite it all matches
13:17 A natural ??! haha
13:38 Same mistake !
He was using a different edition, most likely.
@@pjimenez08 Maybe... but I can't explain harmonically this A natural... This chord is obviously the dominant of B minor.
@@antoineroche2073 F major as superdominant of E, then E as subdominant of F#, and F# as dominant of b.
Still, I agree that f# makes 10 times more sense than f natural
@@antoineroche2073 Quelle mesure, quel accord ? Je ne vois pas
Deljavan is a bit too slow.
Par rapport à un Glen Gould c'est un peu nul l interprétation. Trop dans la légèreté.....,
à partir du moment où vous comparez qui que ce soit à Glenn GOULD vous êtes dans une impasse... GOULD se reconnaît généralement à la première écoute de quelques notes !