Wunderschöne und detaillierte Aufführung dieses melodischen Meisterwerks mit gut vereinigten und perfekt entsprechenden Tönen aller Streichinstrumente. Die Virtuosität des Konzertmeisters ist wahrlich eindrucksvoll. Der intelligente und geniale Dirigent leitet das ausgezeichnete Streichorchester im relativ langsamen Tempo und mit perfekt kontrollierter Dynamik. Wundervoll!
Wunderschöne und detaillierte Aufführung dieses einzigartigen doch perfekt komponierten Balletts mit gut vereinigten und perfekt entsprechenden Tönen aller Streichinstrumente. Die Virtuositat des Konzertmeisters ist echt bemerkenswert. Der intelligente und unvergleichliche Dirigent leitet das perfekt trainierte Orchester im veränderlichen Tempo und mit perfekt kontrollierter Dynamik. Einfach wundervoll!
Strawinsky: Apollon Musagete - hr - Sinfonieorchester - Andrew Manze This is a beautifully flowing piece of music I haven’t heard before but not the last. It’s such a relaxing piece it helps to unwind you and enjoy listening perhaps, with a drink ☕️🍹🍸after work, maybe. I’m stress free for a little while.
NAISSANCE D'APPOLLON 00:03 Second Tableau VARIATION D'APPOLLON 5:11 PAS D'ACTION 8:02 VARIATION DE CALLIOPE 13:02 VARIATION DE POLYMNIE 14:31 VARIATION DE TERPSICHORE 15:52 VARIATION D'APOLLON 17:48 PAS DE DEUX 20:24 CODA 24:50 APOTHÉOSE 28:35
This majestic and solemn performance is beyond description , and full of admiration and emotion , and comfortable to the ear and the mind From Tokyo of the Land of the Rising Sun 🇯🇵
It's just deplorable the way major conductors have completely ignored the great neo-classical works by Stravinsky. Kudos to Andrew Manze and the FRS for this revival. It was probably a new encounter for many, even most of the orchestra, and it shows a little bit at times, but this is generally a very good performance.
Almost by definition neoclassicism denies the podium's Masters of the Universe opportunities to show off. Stravinsky always insisted that what he called 'superfluous' beauty detracted from an honest interpretation. 'Apollo' was the god of order and restraint- polar opposite of Dionysius- so if any work ought to do without theatrics, it is this one. All the fire and passion we need, alongside quieter excellences, is in the writing. Manze does a good, modest job of releasing it.
@@esmeephillips5888 Excellent observations in your comment, one of very few over the years actually to raise the level of the discourse by expanding on the previous comment.
I think you were right about the strings coming to the piece 'cold'. There is a Seen & Heard interview with Manze when he remarks on the pressure on orchestras (especially publicly funded ones?) to broaden their repertoires, which leaves less time to get unfamiliar compositions into shape; and seemingly the later Stravinsky is not a regular item in NWDR programmes. But as a onetime violinist who made his name in early music, Manze has some advantages when tackling 'Apollo'.
*Igor Stravinsky (1872-1971)* *Apollon musagète (1928)* _Ballet en Deux Tableaux_ *First Tableau* 00:06 *Prologue: The Birth of Apollo* *Second Tableau* 05:12 *Variation of Apollo* 08:05 *Pas d'action (Apollo and the Three* *Muses)* 13:03 *Variation of Calliope (the Alexandrine)* 14:32 *Variation of Polyhymnia* 15:54 *Variation of Terpsichore* 17:50 *Second Variation of Apollo* 20:31 *Pas de deux (Apollo and Terpsichore)* 24:53 *Coda (Apollo and the Muses)* 28:38 *Apotheosis* 32:28 _Applause & Credits_ *Frankfurt Radio Symphony* *Andrew Manze, conductor* _hr-Sendesaal_ _Frankfurt, Germany 🇩🇪 June 3, 2021_
I have jad a few older recordings of this work and they never sound this good. I realize this performance benefits from the conductor taking reasonable tempi but with some fluidity. It being a sort of neo baroque piece there still remains the challenge of how to interpret it. It is a modern piece but yet a homage to the Baroque. So it has to be informed by Baroque practices without treating the work as Baroque. I think this work of Stravinsky's has benefited from the research advances in Baroque practice (the clear-eyed ones that did not get carried away getting consumed by some of their revelations and giving us distortions of Baroque music). How? Well the work does benefit from a less gratuitious Romantic vibrato and precise intonation. Yet it is entirely warm as the sustained notes are allowed a beautiful vibrato. The playing allows for a more Romantic/modern legato but the running passages employ more of the non-legato that benefits a good deal of fast passage work in Baroque music. And then there are passages in this work of Stravinsky that are quite Romantic - the intermingled sustained long notes providing a rich counterpoint. So bravo to Manze for making this piece fresh and showcasing all its beauty.
What a gorgeous piece of music, and an excellent performance by this conductor and orchestra!
Manse has such exquisite skill, and you can see his love of the piece in his blissful expressions.
Большое спасибо за чудесный концерт!
Bravissimi direttore e orchestrali che hanno reso al meglio questa magnifica composizione . Grazie a tutti , per primo al fantastico Stravinsky.
Beautiful performance by all. I guit enjoyed this symphony. Bravo...
Wunderschöne und detaillierte Aufführung dieses melodischen Meisterwerks mit gut vereinigten und perfekt entsprechenden Tönen aller Streichinstrumente. Die Virtuosität des Konzertmeisters ist wahrlich eindrucksvoll. Der intelligente und geniale Dirigent leitet das ausgezeichnete Streichorchester im relativ langsamen Tempo und mit perfekt kontrollierter Dynamik. Wundervoll!
Wunderschöne und detaillierte Aufführung dieses einzigartigen doch perfekt
komponierten Balletts mit gut vereinigten und perfekt entsprechenden Tönen aller Streichinstrumente. Die Virtuositat des Konzertmeisters ist echt bemerkenswert.
Der intelligente und unvergleichliche
Dirigent leitet das perfekt trainierte
Orchester im veränderlichen Tempo und mit perfekt kontrollierter Dynamik. Einfach wundervoll!
What a wonderful present to the sences to the ear a beautiful rendering very sensitive with clarity each voice is heard! Thanks for making it happen!
Wspaniały koncert. Dziękuję bardzo.
Beautifully done
Strawinsky: Apollon Musagete
- hr - Sinfonieorchester - Andrew Manze
This is a beautifully flowing piece of music I haven’t heard before but not the last.
It’s such a relaxing piece it helps to unwind you and enjoy listening perhaps, with a drink ☕️🍹🍸after work, maybe.
I’m stress free for a little while.
NAISSANCE D'APPOLLON 00:03
Second Tableau VARIATION D'APPOLLON 5:11
PAS D'ACTION 8:02
VARIATION DE CALLIOPE 13:02
VARIATION DE POLYMNIE 14:31
VARIATION DE TERPSICHORE 15:52
VARIATION D'APOLLON 17:48
PAS DE DEUX 20:24
CODA 24:50
APOTHÉOSE 28:35
So beautiful, so soothing.
Великие и великооепие. Прекрасное исполнение!
Согласна@ это невероятно!
Grandioso! Melodie al massimo livello, archi stupendi, come si devono suonare e come si deve ascoltare!
Спасибо!
This majestic and solemn performance is beyond description , and full of admiration and emotion , and comfortable to the ear and the mind
From
Tokyo of the Land of the Rising Sun 🇯🇵
heaven! thank you!
Some great stuff in there, beautifully played. Thank you.
Excelente 👏👏 Bravo.
It's just deplorable the way major conductors have completely ignored the great neo-classical works by Stravinsky. Kudos to Andrew Manze and the FRS for this revival. It was probably a new encounter for many, even most of the orchestra, and it shows a little bit at times, but this is generally a very good performance.
Almost by definition neoclassicism denies the podium's Masters of the Universe opportunities to show off. Stravinsky always insisted that what he called 'superfluous' beauty detracted from an honest interpretation. 'Apollo' was the god of order and restraint- polar opposite of Dionysius- so if any work ought to do without theatrics, it is this one.
All the fire and passion we need, alongside quieter excellences, is in the writing. Manze does a good, modest job of releasing it.
@@esmeephillips5888 Excellent observations in your comment, one of very few over the years actually to raise the level of the discourse by expanding on the previous comment.
I think you were right about the strings coming to the piece 'cold'. There is a Seen & Heard interview with Manze when he remarks on the pressure on orchestras (especially publicly funded ones?) to broaden their repertoires, which leaves less time to get unfamiliar compositions into shape; and seemingly the later Stravinsky is not a regular item in NWDR programmes. But as a onetime violinist who made his name in early music, Manze has some advantages when tackling 'Apollo'.
*Igor Stravinsky (1872-1971)*
*Apollon musagète (1928)*
_Ballet en Deux Tableaux_
*First Tableau*
00:06 *Prologue: The Birth of Apollo*
*Second Tableau*
05:12 *Variation of Apollo*
08:05 *Pas d'action (Apollo and the Three*
*Muses)*
13:03 *Variation of Calliope (the Alexandrine)*
14:32 *Variation of Polyhymnia*
15:54 *Variation of Terpsichore*
17:50 *Second Variation of Apollo*
20:31 *Pas de deux (Apollo and Terpsichore)*
24:53 *Coda (Apollo and the Muses)*
28:38 *Apotheosis*
32:28 _Applause & Credits_
*Frankfurt Radio Symphony*
*Andrew Manze, conductor*
_hr-Sendesaal_
_Frankfurt, Germany 🇩🇪 June 3, 2021_
☆ 🎵🎶 😊👌 🎶🎵 ☆
♡
I have jad a few older recordings of this work and they never sound this good. I realize this performance benefits from the conductor taking reasonable tempi but with some fluidity. It being a sort of neo baroque piece there still remains the challenge of how to interpret it. It is a modern piece but yet a homage to the Baroque. So it has to be informed by Baroque practices without treating the work as Baroque. I think this work of Stravinsky's has benefited from the research advances in Baroque practice (the clear-eyed ones that did not get carried away getting consumed by some of their revelations and giving us distortions of Baroque music). How? Well the work does benefit from a less gratuitious Romantic vibrato and precise intonation. Yet it is entirely warm as the sustained notes are allowed a beautiful vibrato. The playing allows for a more Romantic/modern legato but the running passages employ more of the non-legato that benefits a good deal of fast passage work in Baroque music. And then there are passages in this work of Stravinsky that are quite Romantic - the intermingled sustained long notes providing a rich counterpoint.
So bravo to Manze for making this piece fresh and showcasing all its beauty.
A piece for which the adjective 'sonorous' might have been invented.
14:31
4:25 !!!
Stravinsky?
Yes❤
ooooohhhh ctm
Si vous souhaitez visionner une analyse de cette oeuvre : ua-cam.com/video/IBM6WUqRiqY/v-deo.html