Schoenberg: Trio for Strings, Op. 45
Вставка
- Опубліковано 30 лис 2020
- Arnold Schoenberg: Trio for Strings, Op. 45 (1946)
Recorded live in the Daniel and Joanna S. Rose Studio on March 12, 2020.
Video produced by Tristan Cook.
Artists:
Kristin Lee, violin; Richard O'Neill, viola; Mihai Marica, cello
About UA-cam Donations: support.google.com/youtube/?p...
Watch more chamber music videos at chambermusicsociety.org/watch-...
A late masterpiece by my favorite composer.
Bela interpretação de uma obra que influenciou gerações de músicos contemporâneos. Parabéns ao Trio.
Incredible performance of a truly challenging work. Especially love the clarity of Richard's playing!
❤❤❤
Thank you!!!!
It is unfamiliar and incomprehensible, but it makes me excited and just likes it by itself. This is also music. Thank you so much for the great performance.
This is the worst possible take: "I can't comprehend it but I still like it." Either have the balls to say its garbage or actually listen for the musical structure.
A cultivated taste
fantastic!
쇤베르크 곡 처음 들어보네요. 난해한 곡인듯 하면서도 오묘한 매력이 있는 곡이네요. 잘 듣고 갑니다~^^
I love this work, but I'm used to the old LaSalle recording which is, perhaps, a bit revere
You play it like you mean it, which sometimes isn't the case with Schoenberg, and 1:39 you play it with fire and energy, giving it heaps of oomph.
Well done
a wildly expressive, evocative, inexhaustibly rich work of astonishing imagination. superbly played with intensity and accuracy. bravo and thank you for this gem.
Op.45 and Op.47 are Schoenberg's achievements.
sodelicious🙂
i am very glad such music exists, etc etc... but can you imagine attending a concert, not knowing what was on the bill, and having to sit thru this for an hour? my point: there’s a time and place for everything. this sort of music isn’t what i want to hear live when i’m expecting tonal chamber music.
Typically, the people that go to chamber music concerts should be a little bit more versed in what to expect before they show up. If you knew anything about music at all, you’d know what you’re going to hear if Schoenberg is on the program. If not, go to the pre-concert lecture.
Read the program. You don't order soup at McDonalds.
This piece is about the composer’s cardiac arrest - can’t imagine he was thinking about tonal music while he was literally dying 😂
Many years ago, I went to a lunchtime concert, ostensibly to listen to one of Beethoven's Razumovsky quartets. It was prefaced by Anton Webern's Six Bagatelles Op.9 of which I knew nothing. I had never heard 'non-tonal' music before. It was my road to Damascus moment. I have loved listening to 12-tone/atonal ever since.
Schoenberg always said that his writing for chamber string ensemble was in the tradition of Mozart. It's just different notes.
Another Schoenberg attack on music...
*_There is a heaven. And there's a hell. You decide which one you will go to. If heaven is your choice, ask Jesus with all your heart to change you. And to give you his holy spirit. Turn from sin. The day approaches when the Lord will return. Will you continue to be lost? Or do you want life? There is no middle ground. You are either serving the world or Jesus Christ. The choice is yours. May God bless you._*
What does this evangelizing have to do with the performance or the music?
@@bebaxter1 About as much as your opinion.
@@timtyler-violist2200 ironic, same goes to you, where does your comment relate to the video, which speaking of the video, I think this music is Schoenberg’s greatest expression and most extreme of his serial method. But I would love to hear something even more out there.
@@timtyler-violist2200 Also, i see you’re a violist? What sort of concerts do you play, if any? and what sort of music are you most versed in? I would love to hear. it
@@nobody90190 Well I never offered an opinion, but I think serialism is often not given enough of a chance. There are many moments in this piece that, when taken out of context, could just have easily come from a piece by Mozart. All of the elements of serialism are there and somehow Schoenberg still manages to convey exactly what he intended to despite the atonality. That is true genius.