Inside the Ivana Chubbuck Acting Technique
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- Опубліковано 9 кві 2020
- Acting coach Natalie Anson-Wright teaches practical and informative session outlining the popular Ivana Chubbuck technique used by Charlize Theron, James Franco, Jake Gyllenhaal, and Jared Leto to name a few. Natalie outlines how it can best help your craft and career, with exercises you can do at home!
This session was originally taught on Zoom on March 27, 2020.
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Explanation of the technique starts at
9:30 You're welcome enjoy!
The techniques were explained so well
Your breakdown of the technique so far makes complete and utter sense. I am going to keep watching and will be reading the recommended book. Thank you!!!
you’re very good at teaching, Wonderfull !Thak you
Aim and Objectives are two different things and are often confused…
Aim is ‘long term’ and ‘overall’ so at 11.00 her objective is ‘to be successful’ is in fact the AIM.
To achieve that aim you need a series of objectives eg have my breakfast because it helps to make me be healthy!
“Many students find it difficult to understand the difference between aims and objectives. However, in the academic context there is a clear distinction between these terms. Aim = what you hope to achieve. Objective = the action(s) you will take in order to achieve the aim.”
This is so inspiring 🥹
Great knowledge! 🙏🏻
Is it possible to download or hear this episode on other platforms? 😊
Thank you so much! These principles are so much easier to understand and put into practice when watching your video. I certainly would enroll in (paid) video teaching!!
Thanks so much for sharing this! I have the book and watching this really helped me thank you 🙏🏽
I've read the book and own it. It's good BUT most of it does remind me of Uta Hagen. The 12 steps seems to be derived from AA's 12 steps. I feel there's a danger of using acting as therapy by using your own personal experiences and going through trauma.
I was literally thinking the same thing. That would've been my question. What is the difference between the two techniques? I also agree with using acting as therapy, I think it all depends on the actor. I think those who've healed from their trauma and can successfully speak to it as a lived experience and not a living experience, these techniques would be great for. The suggestion of therapy is necessary though so that we can disengage from the role mentally-safe because not all actors can.
@@rachelannjerome I totally agree. As someone who's been through trauama's you definately have a point. I used to bot be able to stop cryig when I would think of those trauama's, whether it is in a conversation or in acting or dancing. it would mess up the rest of my dancing routine for example. You have to be healed first bedore you can tap into those emotions so you can remember and feel those emotions but also be at peace with it after the conversation, dance choreo or actig scene. Otherwise its sheer terror, you're reliving it without guidence or tools to help yourself.
On the other hand I do think people who have lived become the best actors. You can see when someone is familiar with a certain emotion and its authentic to see.
@@zeynand4039 "You have to be healed first bedore you can tap into those emotions so you can remember and feel those emotions but also be at peace with it after the conversation," MHMM!! yess! I applaud you for being able to take that journey for yourself. Its a level of self-awareness that not everyone senses but its so vital to living a peaceful life
Agree. My biggest issue with the book is that it is downright confusing at times. I may be dinged for this, but not every scene has an objective where you are trying to affect the other character. Most of the times, you are just listening while your opposite character talks. I think the advice should be taken with a grain of salt.
I love the way you explain Ivana's technique...do you have online classes?
hy im Athreya_ recently i m reading this book "Power of Actor" ...🙌.....i have stuck in overall objective ..as in this it is said that Overall objective should be simple and active.....but mam how to find the real overall objective from the script ( which is of basic human needs )and how to apply that overall objective in the script ..pls can someone help me ?🙏🙏
Who's teachings is it based on? Is it Stanislavski, Strasberg, Adler,, Hagen, Meisner or a combination of all of them?
Thank you
You said “ have to survive from not not allowing this to happen “ - I’m confused .. to protect someone from the story/character or personal life ?
the position of the camera being lower and you looking slightly away from the camera is really making this feel weird... like you are talking to someone sitting next to me and ignoring me...
First one also😂😂
Early