This track is a perfect example of how electronic music, when used with skill and sensitivity, can reach levels of expressiveness and emotion that have nothing to envy of traditional music.
@@mistergenerator5430 I would absolutely love it if you did for your next one! Both are excellent! Would like to see how close I can come to recreate and/or go off into another jam.
Great atmosphere. I feel that the ambiant capabilities of the Subharmonicon are too often underused. At a slow tempo, with slow attacks and the right kind of sound processing, the SubH can create wonderfully atmospheric sequences. I like this one very much. This makes me realise that I should definitely get back to that kind of explorations too, one of these days. It has been a while since I recorded my last ambiant jam with the SubH ( ua-cam.com/video/w9IRp4cijgs/v-deo.htmlsi=Vq5YJfPWgd1d_NAh ). [On a funny note: In that last piece, I tried to go against typecasting for my SubH and DFAM, so while the SubH was playing the slow, atmospheric part, I used the DFAM (of all things) to play the low-pitched dark thundering pad that comes in at a few key moments in the piece. That, also, is something I should do more often: using the DFAM without its sequencer, just as the beefy mono synth that it can be on its own.]
@@mistergenerator5430 I have to work against my natural workflow to take my DFAM away from the usual 8-steps beat-maker, but I usually do not regret it. The two-oscillator with FM configuration really takes it in places one would not expect a Moog machine to go.
This track is a perfect example of how electronic music, when used with skill and sensitivity, can reach levels of expressiveness and emotion that have nothing to envy of traditional music.
Thank you.
And we can aso say..., the subharmonicon is not often heard in ambient productions... excellent!
Thank you so much.
Gorgeous! Would absolutely LOVE the patch breakdown!!
Thank you. Sadly, I don't keep patch notes. Maybe I should.
@@mistergenerator5430 I would absolutely love it if you did for your next one! Both are excellent! Would like to see how close I can come to recreate and/or go off into another jam.
sounds like a grandiose overture 👌🎧✨🤍💫
Thanks, much appreciated.
That was a delightful interlude. Thank you. Makes me want a SubH even more though....
Thank you. That gear acquisition syndrome is hard to resist.
what a lovely mood you have created here, Mister Generator 🙂
Thanks,much appreciated.
Beautiful ❤, is it just the Subby and FX?
Thank you. Yes, it's just the SubH with modulation from Ochd.
@@mistergenerator5430 very nice
a heyday reflection?
Great atmosphere. I feel that the ambiant capabilities of the Subharmonicon are too often underused. At a slow tempo, with slow attacks and the right kind of sound processing, the SubH can create wonderfully atmospheric sequences. I like this one very much.
This makes me realise that I should definitely get back to that kind of explorations too, one of these days. It has been a while since I recorded my last ambiant jam with the SubH ( ua-cam.com/video/w9IRp4cijgs/v-deo.htmlsi=Vq5YJfPWgd1d_NAh ).
[On a funny note: In that last piece, I tried to go against typecasting for my SubH and DFAM, so while the SubH was playing the slow, atmospheric part, I used the DFAM (of all things) to play the low-pitched dark thundering pad that comes in at a few key moments in the piece. That, also, is something I should do more often: using the DFAM without its sequencer, just as the beefy mono synth that it can be on its own.]
Thank you. I must admit I don't use my DFAM very often, but it can be useful for deep drones. More exploration is needed, I think.
@@mistergenerator5430 I have to work against my natural workflow to take my DFAM away from the usual 8-steps beat-maker, but I usually do not regret it. The two-oscillator with FM configuration really takes it in places one would not expect a Moog machine to go.