HP5 at 3200 & DARKROOM PRINTING | Black and White Film at Night
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- Опубліковано 28 вер 2024
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I was so happy when I saw a new video from you pop up!
I also love seeing cameras out and about and being used properly! Great work.
You’ve probably realised this, but the filter takes away about a stop of light. That is why your second contacts were so much lighter. A grade 2 filter is actually neutral contrast, and so the contrast will not differ from using no filter (but the exposure will). This is one of the things I like about B&W developing and printing, its great fun just trying out things without the need to be too precise, but you can be if you’d like to. Have fun!
with ilford multigrade filters you also have to up the time of light exposition from number 4 to 5 (it's double the time)
you can also play with the aperture of the lense of the enlarger... yeah b&w printing is so much tweaking and playing around with all the parameters, it's so much fun !
Well done mate. Keep at it.
Noah, fun to see you in the darkroom - it reminded me of the fun I used to have in a wet darkroom 35 years ago. Want to give you major props/kudos for the great photos and braving a wet and cold Toronto night - those images are fantastic!
They did turn out well. In the summer, you may have to give more exposure as the white snow reflects a lot of light around, and it does help exposure.
Pulling focus with a grain enlarger is by far one of my favorite things in the darkroom. Whether it's the coarse grain of Delta 3200, or the nearly invisible grain of Svema FN64 (it's a lotta fun! shoot it!), seeing the grain pull into sharp focus will never not be fun.
Surprised you haven't done much darkroom printing. Tbh it's my favorite part!
Great video and I’m so glad to see you back!
This was really cool, and with the video and all, I would actually say that you were lucky with the weather - wow - thunder in the winter is very special!
Wonderful video. Great shots and really nice print.
Hahaha when you got the snow thunder claps on cam I knew exactly which storm was going on hahaha
I had the same idea a few weeks before that when a huge freak dump of snow in Detroit and 0 wind left over an inch of accumulation on every little branch. Got some amazing shots on bulk ilford hp5+ pushed as well, it really is such a good film to take out in such low-light and low-contrast scenes like winter
GREAT to see you back with another video dude! And a hella inspirational one at that. Cheers
Took me back to early 1970's when I learned a lot of stuff like this! K xxx
Good to see you! :)
Hope to see more lovely videos from you soon!
The night of the thundersnow was fun. I was sitting in a sunroom with my girlfriend watching the storm.
Still lookin' at the remains of that storm at the end of the drive. It was quite the night. Good job making the best of it. HP5 is supernatural, it will take whatever you throw at it. I actually think it looks better pushed to 800 than at box. Love that film.
Bro, I am a film photographer from Montreal and I relate so much with the weather affecting film shooting. Those first few minutes of snowy streets couldve been montreal as well: cold wet windy dark etc... Sure is hard to shoot a lot of banger photos during winter (at least for me). For sure I slow down during winter. Liked your idea for a winter shoot! Always fun to see new ideas for a shoot in a canadian mindset (not in a perpetual summer like in california). Keep up the good work! Your videos are the best out there!
Oh yeah it is hard to get great shots in wintery Montréal, and I'm afraid with taking the cameras out when it's that... moist, out there.
d@@xwingfighter999 Got my pentax 67 drenched by snow a few times, it survived! Just gotta dry it fast and thouroughly right after shooting.
God do I hate winter in this country , it goes on and on and on
Thank you for this video. I am an amatuer and i skrewed up i thought my camera was in auto but it was set to 1/500 or 4 stops underexposed.
Curious how HP5+ pushed to 3200 compares to Delta 3200? I’ve pushed to HP5+ to 1600, but never shot Delta 3200 as a comparison.
Delta 3200 isn’t actually 3200 ASA, it’s more like 1000 (I’m not sure anyone bar Ilford actually knows), I believe the “3200” just refers to its possible latitude. I could be wrong but this I’m pretty sure this is what I’ve read.
@@tompoynton Correct, it’s marketed at 3200 bc the way the film handles contrast lends it well to be shot at 3200
@@tompoynton it is 1000iso. Its no secret. If you look at data sheets and CI levels at each of Ilfords films box speeds, you'll notice that D3200 at 3200iso has a higher target contrast than HP5, FP4, or any of the other Ilford films at their respective box speeds. So developing for the box rated time is technically a push process.
However what i will say about D3200 is that its designed to be a fast developing film. Its development times at 3200iso are nearly half that of TMax P3200 or other films pushed to 3200.
In Kodak Xtol at 72F stock dilution, D3200 is 450 seconds while TMax P3200 is 760 seconds. Hp5 at 3200 is roughly 840 seconds. Hell HP5 at 400 is 480 seconds! 30 seconds longer than D3200 at 3200! You get my point. Ilford has some secret sauce with that film.
I pushed delta 400 to 3200 a bunch years ago. It came out pretty grainy but I liked that, maybe I shook the tank too much
You a crazy man. I hibernated all January and February. Toronto hates film this year.
I think all Canadian film shooters develop with those big bottles of PC distilled water.
never tried pushing film great to see the results :)
Cool video man! I'm about to develop a roll and try to push it yo 6400, see how that turns out
P.S. Maybe get some gloves for doing stuff with chemicals? Never hurt anyone ;)
i love darkroom printing!
every correct film is 7.5 secs contact at 0 grade but what aperture is important f8
Wow
Great video, and love your shirt! How can we buy one? Cheers, Jay.
There’s a link in the description of the videos if you’re interested in merch!
Only a guy would walk around while it’s snowing with an unprotected camera!
wow, I never knew you could have thunderstorms while it's bulk snowing! But living in Australia, we don't get much of that combination...! We wear T shirts and get sunburnt in winter where I live....
Good to see you back filming! These are pretty darn inspiring, thanks!
I would support your channel more, but I’ve bought film.. so, I’m kind of broke at the moment 🙄🍀
Hey dude, I get it. My videos are MONTHS a part inherantly. Why judge the process? Maybe if you had forced yourself to make those videos you think about, you would have burnt out in some unforeseeably detrimental way? Glad to see your back.
digi too easy ilford at 1600 does it all microphen, hands up if you used east german b/w after fall of wall,those films were scary bad but an adventure
I feel your pain. Colorado has been like this all winter, so I applaud your bravery is shooting at night! Kudos.
i love your opening so much did you make it yourself?
great video! I love the darker version of the print ;P the water on the lens makes amazing effects and the snow mixes will with the grain ;P
Interesting video. I’m a film photographer too, and I am helping a bar immensely town with a project where I take photos of bands playing. I then do darkroom prints of each artist to be displayed. The lighting is pretty awful so I usually shoot HP5 at 1600-3200 and dev using microphen.
Printing the negatives is hard work. I keep a darkroom diary where I make a note of all of the timings and filters I use. I usually use anywhere between a grade 1 to 2.5 to strike the balance between the whites and blacks. To make matters even worse, I use an LED head which is meant for 4x5 negs! Keep it up.
Regarding the making of contact sheets, no filter should be around 2.5 of contrast. I'm surprised half a stop make such a difference. I also noticed you don't have those irritating barcodes on the film rebate of yours hp5, is that because is bulk loaded?
Thunder and snowstorm... that is rare, very rare. The lighting must have been spectacular with the snow
Very glad that you got a place to get in some darkroom practice. Really happy to another video from AS. If I remember correctly, a couple of technical hints from some book says to always start with the #2 filter. That would at least get you close to what the time would be for the next filter if needed. I enjoyed it.
Nice weather! Always exciting to have the first look on freshly developed film. Never gets old, at least not for me.
Great to see you back! And being a little bit grumpy getting out at night, in the snow -- to shoot two short rolls of film! But the results were cool -- and yeah, the grain was very under control. And then the darkroom adventures -- that was fun! 😃
Good on you for heading out into the teeth of a winter storm.
Question:
Why do you cover up your paper after you exposed the negatives of your contactsheet.
I always cover my paper up before exposing, because your unused paper can get lightdamage from the light of the enlarger.
Honestly in this case probably because I wasn’t paying attention
Lift seems neat and it's close by, but it looks like accessing the facilities is restricted to professionals with work experience.
Not the case whatsoever! We operate on a membership program and equipment/facilities are all rentable. All the membership details are on the website. There’s people of all experience levels doing work through resources there.
@@AnalogResurgence That's great to hear! the phrasing in the page "membership/benefits" made it sound difficult to access. I'll have to come down and check it out in the spring.
It’s about time dude! I thought I was going to have to send out a search party to find you! Excellent video, CHEERS!