Leopold Koželuch: Symphony in G minor, 1787. , Mozrt No 40.1788. Similar to Mozart's Symphony No. 41 Scholars are certain Mozart studied Michael Haydn's Symphony No. 28 in C major, which also has a fugato in its finale and whose coda he very closely paraphrases for his own coda. Charles Sherman speculates that Mozart also studied Michael Haydn's Symphony No. 23 in D major because he "often requested his father Leopold to send him the latest fugue that Haydn had written." The Michael Haydn No. 39, written only a few weeks before Mozart's (Symphony No. 41), also has a fugato in the finale, the theme of which begins with two whole notes. Sherman has pointed out other similarities between the two almost perfectly contemporaneous works. The four-note motif is also the main theme of the contrapuntal finale of Michael's elder brother Joseph's Symphony No. 13 in D major (1764)
Sinfonia straordinaria come poche, emozioni a non finire, elegantissima e profonda, davvero incredibile che ancora oggi sia poco conosciuto questo grande compositore!
Tima Liberec It is a typical Vanhal ‘sturm und drang’ type symphony; Mozart wrote only one work in this very particular style - Symphony 25 in g minor (K183) so it could not really be said to be ‘Mozart-like’. Listen carefully and you will find many sturm und drang characteristics which, apart from the symphony mentioned, they almost never appear in Mozart. If you are looking to link this work with another composer, could I suggest it is rather more Haydnesque than Mozartian. That said, you are correct in identifying the softer, more feminine and cantabile melodic lines which are a Vanhal trait, as perhaps being closer to Mozart than Haydn; beyond that, Mozart is not really a relevant reference point for this work.
My dear friend, thank you very much for the wish that made me very happy! For my part, I wish you a joy-filled Christmas season and a New Year full of peace and health! Let's hear each other again with the same joy next year!
@@Pietro93 Koželuh is a common Czech surname even today and we would not write Koželuch. You were obviously looking at en.wikipedia instead of cs.wikipedia.
Molto bella davvero, il primo movimento soprattutto ha uno slancio importante, e trovo che un attento studioso dello stile di Kozeluh fu indubbiamente Martin Kraus, nelle cui sinfonie si trovano simili atteggiamenti.
A wonderful symphony! Thanks for posting this gem.
Glad you like it!
One of the storm and drag symphony.
Leopold Koželuch: Symphony in G minor, 1787. , Mozrt No 40.1788. Similar to Mozart's Symphony No. 41 Scholars are certain Mozart studied Michael Haydn's Symphony No. 28 in C major, which also has a fugato in its finale and whose coda he very closely paraphrases for his own coda. Charles Sherman speculates that Mozart also studied Michael Haydn's Symphony No. 23 in D major because he "often requested his father Leopold to send him the latest fugue that Haydn had written." The Michael Haydn No. 39, written only a few weeks before Mozart's (Symphony No. 41), also has a fugato in the finale, the theme of which begins with two whole notes. Sherman has pointed out other similarities between the two almost perfectly contemporaneous works. The four-note motif is also the main theme of the contrapuntal finale of Michael's elder brother Joseph's Symphony No. 13 in D major (1764)
Sinfonia straordinaria come poche, emozioni a non finire, elegantissima e profonda, davvero incredibile che ancora oggi sia poco conosciuto questo grande compositore!
Thank you very much for appreciating Kozeluch' music.
Mozart would have been pleased to have compose this, what a fine work!
I like your subtle comment about Mozart ... :) Thanks!
Kozeluch dislike the Mozart's works
nope; but it's good
One of the most beautiful symphonies heard in my life!
I'm glad you liked it!
Great
I have subscribed and thank you for bringing Kozeluch the attention he sorely deserves.
Thank you too!
С днём рождения, Маэстро Кожелух!
Thank you ⚘
Welcome!
A great, quick symph. ... for Amadeus fans, too!!
And Haydn fans, especially the 3rd movement
In this symphony I hear the best of both Mozart's and Joseph Haydn's styles as well as Michael Haydn. All assembled in a composer's personal form
Grazie Sibarit. Buon Natale e un felice Anno nuovo.
Thank you, Corrado! May this wonderful time of Christmas and New Year fills your life with happiness and wealth! Merry Christmas & Happy New Year!
quite entertaining
👏👌
It sounds as good as Mozart.
A mozartlike symphony...
Alas born 10 years before Mozart.
Tima Liberec It is a typical Vanhal ‘sturm und drang’ type symphony; Mozart wrote only one work in this very particular style - Symphony 25 in g minor (K183) so it could not really be said to be ‘Mozart-like’.
Listen carefully and you will find many sturm und drang characteristics which, apart from the symphony mentioned, they almost never appear in Mozart. If you are looking to link this work with another composer, could I suggest it is rather more Haydnesque than Mozartian.
That said, you are correct in identifying the softer, more feminine and cantabile melodic lines which are a Vanhal trait, as perhaps being closer to Mozart than Haydn; beyond that, Mozart is not really a relevant reference point for this work.
More like Haydn than Mozart, I'd say.
Soothing in traffic.......🚗 🚙🚙🚓🚓🚗🚗🚗🚗🏎🏎
Kozeluch symphony in G minor
0:09
Is this where Joseph Haydn get the idea ??!
Molto interessante, analogie con Mozart ma nulla di più. del resto erano contemporanei.
Thank you!
Yulia iubitor Crăciunul , la multi ani 2024
My dear friend, thank you very much for the wish that made me very happy!
For my part, I wish you a joy-filled Christmas season and a New Year full of peace and health!
Let's hear each other again with the same joy next year!
It's Koželuh not Koželuch.
Guten tag
Blöd
Read the description.
Look at Wikipedia!
@@Pietro93 Koželuh is a common Czech surname even today and we would not write Koželuch. You were obviously looking at en.wikipedia instead of cs.wikipedia.
Que l'dramage
Molto bella davvero, il primo movimento soprattutto ha uno slancio importante, e trovo che un attento studioso dello stile di Kozeluh fu indubbiamente Martin Kraus, nelle cui sinfonie si trovano simili atteggiamenti.
Many thanks!