Regarding color temperatures, I once did a design that had a very cool tone over all. One of the colors I used was a desaturated red that had a very cool feel to it. So yeah, even colors that considered always warm or cool can be the other under the right circumstances.
after experimenting with colors, something I learned that is super helpful is that when using opposing colors, i use one for shadow and one for light: yellow light-violet shadow, green light, red shadow, etc
@@greyATK idk if it ever had a term but in color theory you often learn that the shade in the shadows will be complementary to the color of the light (also that warmer light -> cooler shadows, cooler light -> warmer shadows). So orange light, blue shadows (something you can often see with streetlamps), red light, greenish shadows, etc. Also, there's a phenomenon called "simultaneous contrast" (you actually see it throughout the video, especially during the cube demo) which is a result of how our eyes perceive color. I don't have the best way to explain it unfortunately but if it interests you, you should look it up! I feel like it's in a similar vein of what you originally asked.
@@greyATK the tone of the shadow is defined by the things that are facing the shadow. If there is a red wall facing the shadow, the shadow will have a warmer tone. Also, it’s not that the light makes the shadow the opposite color, is that it *seems* like it because of the contrast. Sorry if I didn’t explain myself well.
@@greyATK I would say it is. As I said in the second part of my comment, the contrast makes it *seem* like it. Like @Haya Patel said, is a result of how our eyes perceive color.
@@ciccobullet6725 not really the rule as far as the "entertaining" part goes for a big chunk of the guests. But as for the quality of the lessons and structure, yes
@@WaynesWorldStudioVancouver Marco Bucci and I have done some IG talks talking about color for a few hours!! Loads of fun. If you look on his instagram, you'll see it in his IGTV. Those are our virtual coffee talks, but once we can actually meet up, that would be a great idea to do, and I will definitely let you all know!!
IF YOU WANT TO CHECK YOUR COLOURS IN GRAYSCALE WITHOUT THE FEATURE YOU CAN PUT A COLOUR LAYER AT THE TOP OF YOUR LAYERS AND FILL IT WITH WHITE you can turn it on or off to check the grayscale version, either a colour or an overlay layer, not sure which one is the right one to use.
Honestly the digital explaination was easier to understand. When she was doing on paper. I was more amazed at her accuracy than actually paying attention to the explaination
Como me hubiese gustado tener una profe la décima parte de lo preparada que es Tifannie, excelencia en su enseñanza. Proko se rodea solo de los mejores
Wow! This was amazing. Understanding color and value like a second nature is very important. Just a bit of hue shift in muted colors can bring out such strong emotions in a painting. Definetly worth learning how to use grays. Tiffanie is just awesome!
Thank you Stan for this video, Tiffanie is beautifully explaining all of the elements and their relationships. Going back and forth from traditional to digital made me finally understand the basic principles. She is the colour therapist.
5:25 The color codes I got from the squares are as follows: Left Arrow: 786864 Right Arrow: 766965 Are we certain they're the _same_ color, and not just a really close one?
If that's true that's so close the human eye probably can't differentiate. It's rgb so your first color is 2 two steps more red, 1 less green and one less blue compared to the second colour. And per colour there are 255 different steps on how much e.g. blue is in the colour. Maybe you knew that already 🤷♀️ But I'd count those two as the same colour, even though they're technically not
So insightful, you're instantly becoming my new idol! I also switch between gouache and digital and used to have the exact same problem of color. Now I can see value better, and your breakdown reeeeally helps!
Lotta great points! I like the clarification of the differences in value between various high chroma colors, as this is something I hadn't heard when learning art, and only really found out about it while doing graphic design with an emphasis on visual accessibility
This video was immensely helpful. Thank you so much. I can’t wait to play around with these new ideas (then inevitably watch this video again when I mess it up lol)
Great video, I draw for fun, and I’ve been working on improving my lineart and proportions in the past few months… Now I’m trying to learn about color and light because I find it really difficult and interesting. This content was very helpful, thanks Tiffanie!
At first I was really confused but then it all came together and made sense at the end! Thank you so much for this video! I really love messing with color but I struggle with using it properly! Time to experiment!
So inspiring! She is a very talented speaker and teacher and absolutely gorgeous. Thanks for featuring her. Loving your channel thusfar Proko! Yudit 1999 sent me over, studying 3-d modeling.
omg this is really really helpful thank you so much ❤❤ I’ve been following you for a long time now all my knowledge of art really came from your channel since i am a self taught artist you have helped me a lot i so appreciate it 🙏
I like to think of the light to dark value first, this gives me a greater understanding of what the actual colour is. The big question every artist should concern themselves with, I believe. Colour variation and saturation. It’s easy to mix a colour, but difficult to to know what other colours should go with it.
5:33 ..I'll bicker with the way Tiffanie (& others) talk about the colors here. The red and blue colors we see, that are said to be "the same color," just aren't the same--and here's the crucial phrase--when viewed in context. In the red context you see the color as blue, and in the blue context you see it as red. In isolation, or natural light, there is one color, but in the different situations there are two. Part of what helps explain the difference between the two colors in those contexts is that our brain generates all colors, and so while the underlying wavelengths of light are the same in both rectangles, the color we experience is different. The lesson is, colors are not perceived by the eyes, but rather are generated by the mind.
You are correct, but that is a longwinded way to explain it. And saying that could confuse more than elucidate the topic to the viewers. It also is theoric, while just waying "it's the same color" is practical.
Its important to keep in mind however that when dealing with mixing paint traditionally or digitally that you deal with absolute values. In other words, one colour is one colour but the context you put it in makes it appear different. This is also known as Simultaneous Contrast.
thank you for explaining the color sliders with that around the page diagram example. i wouldnt have found that out on my own. i just wish i knew more on how to apply that to how different colors have different values on that same hue picker even with the same percentage of sat and hue.
On light spectrum red light has the least energy at 380nm wavelenght. The object that is seen is red is reflecting red light and absorbing the rest, thus turning all the energy into heat thus it is warmer. Vice versa for the purple which sits on the other edge of observable light spectrum. IR and UV infrared and ultraviolet.
at 15:28 she says adding white always cools a color. So that would mean adding white cools red but also cools blue? There’s some conflicting information going on
Unlike musicians, we all have perfect vision and almost none of us have relative vision. What I mean is, by analogy, most musicians have relative hearing-that is, they understand relations (distance) between tones but don't hear tones in isolation absolutely (as we do with colours). Therefore, it is the easiest for an artist to paint as they see, but few artists can transpose what they see to a different tonality, respecting the relations between colours, as musicians do with melodies and harmonies. I think, considering that we all have perfect vision by default, it is the hardest for us to develop relative vision-that is to build a feel for the relations and harmonies of colours regardless of their true tone. That would be easy to do mathematically in silica, though, but I'm not aware of such examples. If you do, please link in replies.
Tiffanie Mang will be back soon to do a livestream demo and q&a. Make sure to follow her on Proko - www.proko.com/profile/tiffaniemangart/
Love you from nepal 🇳🇵💓❤
I learn many think from video
ua-cam.com/video/odMlxkkqF00/v-deo.html 💜💛
Would love a transcript of this for teaching purposes. Please!
whose ghostface killer maybe blackheart 2k21 -mwah
I saw someone once say "Value does all the work, colour gets all the credit" and it's something that has really stuck with me and helped me.
i love that saying :)
Probably Paint Coach? He's a great teacher too.
Sounds like marco bucci
Wow. That's the best way to remember the topic. Love that quote.
@@irislilly7515 yeah definitely paint coach, he says that a lot
Proko thank you for gathering all these amazing artists to share some of their knowledge to us. You are all amazing
ua-cam.com/video/odMlxkkqF00/v-deo.html 💜💛
Regarding color temperatures, I once did a design that had a very cool tone over all. One of the colors I used was a desaturated red that had a very cool feel to it. So yeah, even colors that considered always warm or cool can be the other under the right circumstances.
definitely! it is all relative
That’s hue. There are hues of all colors hat can be made to change the color from warm to cool and the reverse.
after experimenting with colors, something I learned that is super helpful is that when using opposing colors, i use one for shadow and one for light: yellow light-violet shadow, green light, red shadow, etc
@@greyATK idk if it ever had a term but in color theory you often learn that the shade in the shadows will be complementary to the color of the light (also that warmer light -> cooler shadows, cooler light -> warmer shadows). So orange light, blue shadows (something you can often see with streetlamps), red light, greenish shadows, etc.
Also, there's a phenomenon called "simultaneous contrast" (you actually see it throughout the video, especially during the cube demo) which is a result of how our eyes perceive color. I don't have the best way to explain it unfortunately but if it interests you, you should look it up! I feel like it's in a similar vein of what you originally asked.
@@greyATK the tone of the shadow is defined by the things that are facing the shadow. If there is a red wall facing the shadow, the shadow will have a warmer tone. Also, it’s not that the light makes the shadow the opposite color, is that it *seems* like it because of the contrast. Sorry if I didn’t explain myself well.
@@greyATK I would say it is. As I said in the second part of my comment, the contrast makes it *seem* like it. Like @Haya Patel said, is a result of how our eyes perceive color.
I think its due to how theres almost never no ither light source for example the sun gives off warm light and the sky is blue and gives off cool light
Tiffanie is an amazing artist. She is dedicated to her craft and puts in a lot of work everyday and it shows in art.
Thank you so much!! It's probably because she has an amazing man to support her as well i reckon ;)
@@TiffanieMangArt must be a lucky guy
@@justinhooper8306 and she's the luckiest girl
This is too cute for UA-cam comments, what world is this.
thank you so much
Great lesson and great speaker. It was not only well structured and presented, but also entertaining
Welcome to Proko
@@ciccobullet6725 not really the rule as far as the "entertaining" part goes for a big chunk of the guests. But as for the quality of the lessons and structure, yes
I'm so glad you enjoyed it!
I love Tiffanie's style so much! I actually did her mentorship and it was the bestttt
i love you girl!!
@@TiffanieMangArt 😍
I love that there have been so many amazing educational videos on color lately, and this is definitely one of the best I’ve seen!
Wow, thank you so much!! that means alot!
This is truly a masterclass-level intro to color for any artist. Great stuff.
wow thanks!!
wow Tiffanie is a joy to listen to and learn from, lovely way of speaking.
thank you so much!!
It feels great to have someone experienced something important and shares it with everyone, I'm grateful for that.
Can you imagine Tiffanie Mang and Marco Bucci sitting down for coffee? Dear Lord xD
*Amazing video of course!!
We are planning that one day!! =D
@@TiffanieMangArt and make sure to tell the whole world before you sit down so I can grab my water (no coffee) for me! Lol
@@WaynesWorldStudioVancouver Marco Bucci and I have done some IG talks talking about color for a few hours!! Loads of fun. If you look on his instagram, you'll see it in his IGTV. Those are our virtual coffee talks, but once we can actually meet up, that would be a great idea to do, and I will definitely let you all know!!
@@WaynesWorldStudioVancouver I second that request
@@TiffanieMangArt I watched that was the first time I saw your work! Now you two are my listed instructors!
Also Moral of the story. The best way to check your colours is : GRAYSCALE MODE
True! I want a real life version
I'll just leave this here for further reading:
ua-cam.com/video/gJ2HOj22gDo/v-deo.html
IF YOU WANT TO CHECK YOUR COLOURS IN GRAYSCALE WITHOUT THE FEATURE YOU CAN PUT A COLOUR LAYER AT THE TOP OF YOUR LAYERS AND FILL IT WITH WHITE
you can turn it on or off to check the grayscale version, either a colour or an overlay layer, not sure which one is the right one to use.
@@axserwz5022 WOW thanks so much dude!!
@@Nepathian take a picture with your phone and add a bnw filter
Man ... a lesson by Tiffanie Mang and our man Marco Bucci must be the best color lesson I would die for.. Hoping for that
Honestly the digital explaination was easier to understand. When she was doing on paper. I was more amazed at her accuracy than actually paying attention to the explaination
Kudos Tiffanie Mang! The best exposition of colour relationship I have seen in 65 years, period.
Omygosh ive been looking EVERYWHERE for information like this. It helped a lot in understanding my colors
5:05 “colours are relative” ❤❤❤❤
Como me hubiese gustado tener una profe la décima parte de lo preparada que es Tifannie, excelencia en su enseñanza. Proko se rodea solo de los mejores
I love how even pros just refer to james gurneys stuff haha
probably one of the best videos on this topic ever
Wow! This was amazing. Understanding color and value like a second nature is very important. Just a bit of hue shift in muted colors can bring out such strong emotions in a painting. Definetly worth learning how to use grays. Tiffanie is just awesome!
Definitely! I'm glad you appreciate the grays! :)
Love this! You straightened out my confusion on value, and gave great explanations of the color picker and sliders. Very, very helpful. Thank you. :)
Thank you Stan for this video, Tiffanie is beautifully explaining all of the elements and their relationships. Going back and forth from traditional to digital made me finally understand the basic principles.
She is the colour therapist.
Loving Vincent was phenomenal! Great work, I wish there would be more movies in a traditional art style
They are coming out with another oil painted movie, and looking for artist to work on it!
@@TiffanieMangArt ooh exciting!
Best video I've seen tackling color. Learned a lot in a short amount of time. Great work!
Most demystifying take I've ever seen on color. What a great video, thank you for sharing your knowledge Tiffanie!! 👏
so glad you enjoyed it!!
5:25
The color codes I got from the squares are as follows:
Left Arrow: 786864
Right Arrow: 766965
Are we certain they're the _same_ color, and not just a really close one?
If that's true that's so close the human eye probably can't differentiate. It's rgb so your first color is 2 two steps more red, 1 less green and one less blue compared to the second colour. And per colour there are 255 different steps on how much e.g. blue is in the colour.
Maybe you knew that already 🤷♀️ But I'd count those two as the same colour, even though they're technically not
So insightful, you're instantly becoming my new idol! I also switch between gouache and digital and used to have the exact same problem of color. Now I can see value better, and your breakdown reeeeally helps!
I’m so happy!! Glad you enjoyed
Lotta great points! I like the clarification of the differences in value between various high chroma colors, as this is something I hadn't heard when learning art, and only really found out about it while doing graphic design with an emphasis on visual accessibility
Basic term 1:14
First debunk 3:09
Second debunk 4:38
Third debunk 10:40
Fourth debunk 12:35
Proko and Tiffany, thank you so much. It is such an AMAZING class.
Thank you so much!!
This video was immensely helpful. Thank you so much. I can’t wait to play around with these new ideas (then inevitably watch this video again when I mess it up lol)
I'm so glad you enjoyed it!!
Wonderful explanation and her work is just stunning.
Great video, I draw for fun, and I’ve been working on improving my lineart and proportions in the past few months… Now I’m trying to learn about color and light because I find it really difficult and interesting. This content was very helpful, thanks Tiffanie!
This couldn't have come at a better time for me! Just got myself a gouache set hoping it will help my digital art game
At first I was really confused but then it all came together and made sense at the end! Thank you so much for this video! I really love messing with color but I struggle with using it properly! Time to experiment!
the timing on this is 😩👌 thank you for the assist
This is the best video I've ever seen on the matter
Wow thank you so much!!
So inspiring! She is a very talented speaker and teacher and absolutely gorgeous. Thanks for featuring her. Loving your channel thusfar Proko! Yudit 1999 sent me over, studying 3-d modeling.
omg this is really really helpful thank you so much ❤❤ I’ve been following you for a long time now all my knowledge of art really came from your channel since i am a self taught artist you have helped me a lot i so appreciate it 🙏
The description of the physical and different digital interfaces for colour were very helpful.
I'm so glad!
I like to think of the light to dark value first, this gives me a greater understanding of what the actual colour is. The big question every artist should concern themselves with, I believe. Colour variation and saturation. It’s easy to mix a colour, but difficult to to know what other colours should go with it.
Amazing. Never thought of creating grays using this method!!1 Thanks!!
This video is probably the best explaination I have seen so far which helped me understand alot
This is so incredibly helpful! Thank you so much, and I hope to see more of Tiffanie's color lessons in the future!
I'm so glad you find it helpful!
Thank you so much. It helped me to understand grays better 🤗🤗🤗
Wow…One of the best video! Have to book mark this!
I like how your channel has evolved into a showcase of current day artistic discussion
Great to meet u..l will apply everything in my painting as u say.. value is very important like saturation ❤
Awesome video, the teacher explain something deep like color theory in such a simple and concise way!
She is dancing and enjoying man! Nice explaination
incredibly insightful. I thought I already knew a lot but it doesn't come close to this. Thanks for sharing.
Your'e welcome!! I'm so glad!
I saw you in one of Marco Bucci's live on instagram and i loved your way of thinking and understand color, great video!
Marco is the best. And thank you, glad you enjoyed!
So much information to study 🤯🤯🤯
Happy to see the Glenn Dean study on here :)
Woh ! Fantastic explanation, thank you Tiffanie !
You're welcome!!
I LOVED Loving Vincent, beautiful work you all did.
Excellent explanation of a very complex subject!!!🌹
I LOVED the Secret of Kells! :)
Wow, this was very enlightening. It did make me realize how much I still need to learn tho…
Beautiful Tiffanie Mang
Agh- I really needed this right now- thank you😭
I'm so happy!
5:33 ..I'll bicker with the way Tiffanie (& others) talk about the colors here. The red and blue colors we see, that are said to be "the same color," just aren't the same--and here's the crucial phrase--when viewed in context. In the red context you see the color as blue, and in the blue context you see it as red. In isolation, or natural light, there is one color, but in the different situations there are two. Part of what helps explain the difference between the two colors in those contexts is that our brain generates all colors, and so while the underlying wavelengths of light are the same in both rectangles, the color we experience is different. The lesson is, colors are not perceived by the eyes, but rather are generated by the mind.
You are correct, but that is a longwinded way to explain it. And saying that could confuse more than elucidate the topic to the viewers. It also is theoric, while just waying "it's the same color" is practical.
Its important to keep in mind however that when dealing with mixing paint traditionally or digitally that you deal with absolute values. In other words, one colour is one colour but the context you put it in makes it appear different. This is also known as Simultaneous Contrast.
This is a Gem that I needed for so long!
Thank you!!
no I THANK YOU for enlightening my baby brain :>
Same I was struggling with color in my studies, I was trying to paint a lava cake and just couldn't do it
I loved the lesson..it was really informative
I'm so happy!
AMAZING.. how it open up my eyes.
thank you for explaining the color sliders with that around the page diagram example. i wouldnt have found that out on my own. i just wish i knew more on how to apply that to how different colors have different values on that same hue picker even with the same percentage of sat and hue.
So useful and insightful.
Also, she is SO pretty.
Thank you :)
On light spectrum red light has the least energy at 380nm wavelenght. The object that is seen is red is reflecting red light and absorbing the rest, thus turning all the energy into heat thus it is warmer. Vice versa for the purple which sits on the other edge of observable light spectrum. IR and UV infrared and ultraviolet.
this is awesome!
grays are now my favorite colors
Amazing! Thanks for sharing, Tiffanie Mang
this was incredibly helpful
Wow - Wow - Wow. She is amazing.
Thank you!!
Very cool break down
Awesome! Thank you!
Amazing artist and teaching method. thank you
this was SO helpful and exactly what i was looking for
I'm so glad!
Love Tiffany as a presenter!
Thank you!!
Question mark titles are so rad
Glad I watched this
Glad you enjoyd it!
Me, after having taken Marco Bucci's Color course on Proko: ...wait, I already know this stuff. Cool!
thats a great feeling! Marco is the man.
@@TiffanieMangArt I still learned a thing or two from you, too. :P
Thank you for the tutorial this help me a lot understanding colors
Cool video, learn many things about color
Very interesting, thank you for uploading.
Tiffanie is such a good teacher 🤩
Proko your amazing!
at 15:28 she says adding white always cools a color. So that would mean adding white cools red but also cools blue? There’s some conflicting information going on
You're right. The adding white cools a color logic applies only to warmer colors, it would be reversed if applied to cooler colors.
Unlike musicians, we all have perfect vision and almost none of us have relative vision. What I mean is, by analogy, most musicians have relative hearing-that is, they understand relations (distance) between tones but don't hear tones in isolation absolutely (as we do with colours). Therefore, it is the easiest for an artist to paint as they see, but few artists can transpose what they see to a different tonality, respecting the relations between colours, as musicians do with melodies and harmonies. I think, considering that we all have perfect vision by default, it is the hardest for us to develop relative vision-that is to build a feel for the relations and harmonies of colours regardless of their true tone. That would be easy to do mathematically in silica, though, but I'm not aware of such examples. If you do, please link in replies.
She's so good 😭😭😭
Great Class! Thank you!
you're welcome!
Thx. very helpful
Some say art isn't like math. Those people have never messed with color.
or perspective.
@@Storse or composition
And we are talking about drawing, but what about music? That's pure maths 👀
IMPRESSIVE THANK YOU VERY MUCH
Loving Vincent was very impressive visually
Thank you Proko for this great lesson. I just wonder how to apply the knowledge about mixing colors in soft pastels.
Thank you so much for sharing
Damn, digital software really help you out with color harmony