Sofia Gubaidulina - Musical Toys (audio + sheet music)
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- Опубліковано 23 сер 2024
- Musical Toys was composed in 1969 between two contrasting cantatas, Night in Memphis (1968/1988/1992) and Rybaiyat (1969). According to Kurtz, “Whereas Night in Memphis is controlled by strict dodecaphonic rationality, in Rubaiyat Gubaidulina relies completely on artistic spontaneity.” In my view, Gubaidulina fully used her “artistic spontaneity” in Musical Toys, although the twelve-tone technique is introduced in one piece of this cycle. The premiere is not known, but Gubaidulina herself performed the piece in the “meet-the-composer concert” on March 1, 1973. Alexander Bakhchiev commented on her performance, “She was completely natural and so was the music, and her playing revealed her exquisite sense of tone.” Gubaidulina commented in an interview that she used to focus on searching for “new timbres, new textures, and articulations,” especially in the 1970s.
Although Musical Toys was composed in 1969, it seems clear that she had already entered that phase. The original timbre is prominent within her clever mix-and-match of various techniques-both old and new compositional and piano techniques.
According to biographer Michael Kurtz, Gubaidulina “present[ed] pictorial miniatures that she would have liked to play as a child.” Each of the fourteen titles includes an interesting object, which suggests her intention of a certain type of sound, an atmosphere, an impression, or a visual image.
Although Gubaidulina intended Musical Toys for children, it is debatable whether this piece is actually accessible for children, because highly refined physical and musical techniques are required. Some pieces require a large hand span, dexterity, advanced rhythmic sense, delicate control of tones, and sensitive emotional expressions. Scott McBride Smith, a piano pedagogue, put Gubaidulina’s works into the list for advanced students. Critic Ronald Weitzman also observed, “It would be a precocious child who has the technique to bring off many of these miniatures.”
In my view, this composition would be great for advanced students as well as intermediate students reaching to the advanced level-only a very talented child like young Gubaidulina would be able to perform this piece successfully. However, it is also a great contemporary piece for beginners to listen to in order to experience the fantastic timbres with lively characteristics. Even for professional pianists, this composition offers interesting ideas about the unique sounds that the piano can create.
Please take note that the audio AND the sheet music ARE NOT mine. Change the quality to a minimum of 480p if the video is blurry.
(ir.uiowa.edu)
Original audio: • Sofia Gubaidulina: Mus...
(Performance by: Diana Baker)
Original sheet music: en.scorser.com/...
0:25 - I. Mechanical Accordion
0:58 - II. The Magic Roundabout
1:37 - III. The Trumpeter in the Forest
3:11 - IV. The Magic Smith
4:03 - V. April Day
4:46 - VI. Song of the Fisherman
6:33 - VII. The Little Tit
7:42 - VIII. A Bear playing the Double Bass and the Black Woman
8:42 - IX. The Woodpecker
10:43 - X. The Elk Clearing
11:41 - XI. Sleigh with Little Bells
12:32 - XII. The Echo
15:05 - XIII. The Drummer
16:23 - XIV. Forest Musicians
Love these dissonant, picturesque miniatures. I guess Gubaidulina works out a specific 20th-century harmonic technique in each.
Wow. Many of these are stunningly beautiful.
wonderful both, music and playing
I love this type of music, light, sometimes creepy, and childlike. Others would be Ein Kinderspiel, many of Schnittke's works, Shostakovich's Daces of the Dolls, Boggio's Oskar's Circus and Oskar's Dance. Does anyone else have any recommendations? Thanks :)
Try Kurtág's Játékok, I think you will like them (there is a lot of pieces though!)
i LOVE VI, song of the fisherman
calm and haunting and oddly beautiful and peaceful
"for children" from the Village of the Damned
Thanks for the Music!!!!
No, my friend, thank *you.* :)
Left-hand notes played in the wrong clef @1:57 :O
Dave Conway :O
a similar error happens often in Ginastera's Folk Rondo. Very strange!
There's a bass clef indicated for the left hand right before those notes. They're playing it correctly. EDIT: Oh wait! You mean the last 2 16th notes right before hand. You're so right lol.
Just realized I had barber excursions playing at the same time and I didn't even realize until I looked at the score lol
Lovely Music !
great video and thanks (as usual) for the video :)
Yeah, sure. :)
大好き
I’d heard of hollywood composers stealing motifs from russian composers because it’d be hard for them to sue
Could the beginning of the trumpeteer in the forest have been used in halloween?
Micropiezas bien escritas
¿Yo se, verdad? :)
como puedo conseguir las partituras ...?
Puede ver el enlace de la partitura en el cuadro de descripción. Gracias. :)
gracias ...
Gracias!
It Reminds me B.Martinů...
third piece is creepy as fuck. Im not really a fan of "12 tone" or "serialism" music or music with unnessecary dissonance. Pretty much every piece would give any child nightmares for life. Im not saying I am an expert of impressionism but lots of the titles don't match what I am hearing either.
Don't worry, you're not the only one feeling that way. :)
thenameisgsarci more like kids in silent hill the videogame
nezkeys79 I am also not a fan of the 12 tone thing, what it does is simply making a creepy atmosphere,without major or minor, you can hardly express happiness or sadness which makes those pieces destined to be less human. N on n off, some pieces would give me the feeling of trying to hard to be special.
Expressing human emotions should not be restricted only to happiness and sadness. We experience a wide spectrum of emotions and feelings beyond those two. It is hard, as is dull, to express for example anxiety or fear with pure major/minor chords.
Also, you can build major and minor chords by using 12-tone rows. Rautavaara, for example, have done that a lot.
This isn't at all a serialist or a Zwölftontechnik piece
Зачем в середине пьес мне надо слушать вашу дебильную рекламу?????