Great details. Thank you. Can you please show how to link to original clips after you finish the offline editing? in both situations if the original clips were 4K or HD (and you are editing the offline in HD). In 4K scenario are you going to open a new timeline in 4K and import the offline timeline and relink all the clips?
Im considering my shift back to MC after a few years of sketchy experience with premiere pro with long format projects. So grateful to you for making these videos, its like revisiting the NLE application with newer features preview. Thank you!
Thanks for answering my questions. That was kind of you. I do have a new question. Can I work Prores RAW in Media composer? I have looked in the Avid website and haven't found an answer. Thanks.
Really great lesson. Lots of little details to understand about media types. After I did my transcode, the file went from 1GB to 21GB. Is that normal? It also kept the linked file. At this point, I could just remove the linked file right?
what if we have our own offline VFX done in avid and guess what the vendors says this is fine that they wanna be it a high res media to relink to a online clip (dailies from resolve) can you explain relinking that media in avid
One last question, from a workflow perspective, is the best way to bring in the file and transcode is to "import" it, not link it and transcode it? Or are there benefits to doing it this way (link it and transcode later).
If we know the world we live is, for example, 1080p 29.97, which matches my camera, does it make sense then to leave any other clips at their native framerate while transcoding? Or would making everything match the 1080p 29.97 spec be a better workflow? For example, a clip with 30fps in a 29.97 project will play fine, etc but cannot be adjusting with a motion effect....a new clip has to be made to match the project settings....
AMAZING video, very well explained and detailed.
Great details. Thank you.
Can you please show how to link to original clips after you finish the offline editing? in both situations if the original clips were 4K or HD (and you are editing the offline in HD).
In 4K scenario are you going to open a new timeline in 4K and import the offline timeline and relink all the clips?
Im considering my shift back to MC after a few years of sketchy experience with premiere pro with long format projects. So grateful to you for making these videos, its like revisiting the NLE application with newer features preview. Thank you!
Wow! You exposed it to me!
thanks
Thanks for answering my questions. That was kind of you. I do have a new question. Can I work Prores RAW in Media composer? I have looked in the Avid website and haven't found an answer. Thanks.
Really great lesson. Lots of little details to understand about media types. After I did my transcode, the file went from 1GB to 21GB. Is that normal? It also kept the linked file. At this point, I could just remove the linked file right?
what if we have our own offline VFX done in avid and guess what the vendors says this is fine that they wanna be it a high res media to relink to a online clip (dailies from resolve) can you explain relinking that media in avid
One last question, from a workflow perspective, is the best way to bring in the file and transcode is to "import" it, not link it and transcode it? Or are there benefits to doing it this way (link it and transcode later).
If we know the world we live is, for example, 1080p 29.97, which matches my camera, does it make sense then to leave any other clips at their native framerate while transcoding? Or would making everything match the 1080p 29.97 spec be a better workflow? For example, a clip with 30fps in a 29.97 project will play fine, etc but cannot be adjusting with a motion effect....a new clip has to be made to match the project settings....
Hi, do you have a workflow for Avid to Davinci resolve and back from Davinci resolve into Avid? Proxy workflow.