It’s so interesting that the curator Hashim Sarkis was not just there to explain his ideas and goals in relation to the Biennale. He had to defend himself because of the unjustified allegations relating to Biennale's diversity approach. I think it’s unbelievable that the so-called presenter of this show was there to crucify him. But for what? Because of Hashim Sarkis’ optimism for the future, for a more diverse and equal approach for the cultures and genders in the world? One last question to the presenter Elif Bereketli: How about the social injustice, political uncertainty, climate change approach of your own company @TRT from Turkey? Who is silencing the people now?
That's a good place to start. It's a universe unto itself, especially for someone who has the educational background or the instinctual ability to experience its many wonders aesthetically.
Either architects have influence in this world or they do not. That question should concern anyone who is associated with the Biennale. What is the role of the architect in a world in flux because of the comprehensive uncertainties around us? Is architecture an important voice in the polemics that shape national and international policies? Or do architects retreat into the innocuous position of cultural decorators?
It’s so interesting that the curator Hashim Sarkis was not just there to explain his ideas and goals in relation to the Biennale. He had to defend himself because of the unjustified allegations relating to Biennale's diversity approach. I think it’s unbelievable that the so-called presenter of this show was there to crucify him. But for what? Because of Hashim Sarkis’ optimism for the future, for a more diverse and equal approach for the cultures and genders in the world? One last question to the presenter Elif Bereketli: How about the social injustice, political uncertainty, climate change approach of your own company @TRT from Turkey? Who is silencing the people now?
I love Venice because of it's canals.
That's a good place to start. It's a universe unto itself, especially for someone who has the educational background or the instinctual ability to experience its many wonders aesthetically.
Either architects have influence in this world or they do not. That question should concern anyone who is associated with the Biennale. What is the role of the architect in a world in flux because of the comprehensive uncertainties around us? Is architecture an important voice in the polemics that shape national and international policies? Or do architects retreat into the innocuous position of cultural decorators?