Horrible performance by an amateur, ridiculous interpretation for those who are convinced that playing Hungarian music would never need any discipline in terms of score realization, tempo, dynamics and so on. This is a piece composed by Kodaly, it's not an improvisation played by a folk music ensemble on a place in a village somewhere in the Puszta...... 🤮🤮🤮
It's an outstanding performance by a pianist who really understands the vocal, improvisatory style of Hungarian folk music which Bartok called "parlando rubato"', and I'm sure it's exactly what Kodaly expected in a performance despite the ignorant comment by someone with zero understanding of the style.
Your absolutely stupid snobish criticism, which shows to us that, you do not understand Hungarian folk music at all, is the best recognition of how well Tibor Szász plays this piece, because even your ears heard that Kodály wrote Hungarian folkish music here, and Tibor Szász played this music "in Hungarian," with a Hungarian taste. Actually this is, how it should be played. If you happen to be a pianist, it is better to avoid the works of Kodály and Bartók from afar, but I think you should also avoid Liszt's Hungarian rhapsodies and Brahms' Hungarian dances as well, because it seems they are definitely not your cup of tea, and they are should not be played like a Mozart sonata. Actually this performance is one of the best, along with Tamas Vasary's performance about Kodaly's Maroszszek Dances, that can be found on UA-cam.
![Zoltan Kodaly - Nine Pieces for Piano (1905-09) [Score-Video]](http://i.ytimg.com/vi/mOa_hLZK4IM/mqdefault.jpg)
![Zoltan Kodaly - Nine Pieces for Piano (1905-09) [Score-Video]](/img/tr.png)
Remekmű, isteni előadásban! Kodály egyik legjobb műve ez!
Fantastic playing
What a beautiful bell ringing effect and strong dancing rhtymn through out!
Szép
Can you please tell me what the title font is? :) It looks fantastic.
You should ask the publisher.
Nice
Horrible performance by an amateur, ridiculous interpretation for those who are convinced that playing Hungarian music would never need any discipline in terms of score realization, tempo, dynamics and so on. This is a piece composed by Kodaly, it's not an improvisation played by a folk music ensemble on a place in a village somewhere in the Puszta...... 🤮🤮🤮
This performance is with the preeminent Hungarian pianist of the 20th century, Tibor Szász. I'm afraid your ears are mistaken.
It's an outstanding performance by a pianist who really understands the vocal, improvisatory style of Hungarian folk music which Bartok called "parlando rubato"', and I'm sure it's exactly what Kodaly expected in a performance despite the ignorant comment by someone with zero understanding of the style.
Your absolutely stupid snobish criticism, which shows to us that, you do not understand Hungarian folk music at all, is the best recognition of how well Tibor Szász plays this piece, because even your ears heard that Kodály wrote Hungarian folkish music here, and Tibor Szász played this music "in Hungarian," with a Hungarian taste. Actually this is, how it should be played. If you happen to be a pianist, it is better to avoid the works of Kodály and Bartók from afar, but I think you should also avoid Liszt's Hungarian rhapsodies and Brahms' Hungarian dances as well, because it seems they are definitely not your cup of tea, and they are should not be played like a Mozart sonata. Actually this performance is one of the best, along with Tamas Vasary's performance about Kodaly's Maroszszek Dances, that can be found on UA-cam.