राग किरवानी स्वर विस्तार - 01:06 15:29 स्थाई - मुकुट वारो सांवरो 15:43 - सो लागो हमारो, मनवा रे 15:46 - साजनुवा ।। 16:07 अंतरा - भावे ना तोरा भवनवा 16:20 - जब से लागे उनसे नैनवा 16:24 - रामरंग चेरी भई वाके दामनवा ।।
नमस्कार हा उपक्रम खूप छान आहे आम्ही ग्रामीण भागात राहतो तर तुम्ही सुरू केलेल्या या उपक्रमाचा आम्हाला फायदा झाला अनेक राग आणि त्यांची माहिती मिळते या सर्व टिमला खूप खूप धन्यवाद .
Hats off to the channel for the excellent service being rendered for the cause of the great Indian music for bringing out the beauty of various aspects of ragas discussed.
Best hindustani singers are show cased in every episode. We get transported to divine world. Also words are not enough to thank the persons conducting the program. And the sweet and melodious voice of Mukund ! Fantastic.
i must appreciate you all, as very good project you have undertaken to introduce various indian raagas. Raggas and it's beauty, and songs based on them. All the best to your channel.
Pandit ji, Namashkaar, Very heart touching performance of raag kirwaani. Both as learner and the listener are blessed to hear this raag.Thank you so much for the efforts you made for this performance.
Chanchal prakruti , Shrungar ras ? Really ? Mujhe to rona aata hai every time I listen to this Raag. I then have to listen to Bilawal or Durga to cheer up and feel better again.
Sriman Raghunandan Panshikar and Dr. Nandita Datay....and all participants....Great work, greater presentation and totally mesmerized at the details of this awesome raag..Kirwani. Dhanyawad to all of you for your contribution. This raag - Kirwani - has contributed to so many evergreen songs...like "Mere naina sawan bhado" from movie Mehbuba, " Jeeta tha jiske liye " from movie Dilwale, "Deewani mastani" from movie Bajirao mastani...and so many hundreds of such gems. Kirwani-based song and gazals are generally everlasting....thanks again.
@@satendrapatel7103 Yes sir, that is correct . I was studying Shivranjani and Kirwani simultaneously in a very tightly scheduled timeframe and got myself mixed up on those two songs that you mentioned. Thanks for that distinctive clarification.
पंडित पणशीकर यांनी राग - किरवाणी अतिशय अप्रतिम गायलाय. राग ऐकून समाधी अवस्था प्राप्त झाली. अधून मधून मुकुंद जी फणसळकर यांचे गायन अगदी छान वाटते. मला वाटते फणसळकर गाढवाच्या लग्नातील "इंद्रदेव" आहेत. 😂 Ch 02 Sanskriti आपले आभार 🙏
Both Raags uses both ni.. but in kirwani komal ni is vivadi.. and in sindh bhairavi both ni are almost equal.. moreover chalan is different of both raags
In my opinion carnatic singers give more importance to the mathematics ignoring Bhaava....For eg: Take the case of Vrindavani sarang...Carnatic singers sing it without any emotions but presenting complex swaras...I don't feel any emotions while listening carnatic rendition....but whenever I listen vrindavani sarang sung in hindustani style it brings goosebumps and tears ....Whenever I listen to Pt. bhimsen joshi's rendition of vrindavani sarang I can't control tears ...
Yu tub se sikhna samjh nh ata apne kaha vadi p samvadi r h Gayan samy ratri pehla prehar h Wahi ek yu tub pr lagbhag 85 saal k ek guru ji unhone kaha iska vadi p samvadi s h Gayan samy ratri ka dusra preher koun sahi h
Absolutely wrong to say that there is no muhurtha for ragas in Carnatic music.. the practice of time based raga singing has been relegated because the carnatic concerts happen only in the evening in majority of the cases. Carnatic music rasikas are not used to listening to concerts all night or early mornings. This being the case, if you start singing only evening ragas, then rest of the great ragas and their wonderful compositions would never be heard. Hence the adjustment. Also with the introduction of lighting and technological changes in the world, night evening and day have lost their meaning , even in the environment and society we live it. This conception of time based raga makes less sense now.
राग किरवानी स्वर विस्तार - 01:06
15:29 स्थाई - मुकुट वारो सांवरो
15:43 - सो लागो हमारो, मनवा रे
15:46 - साजनुवा ।।
16:07 अंतरा - भावे ना तोरा भवनवा
16:20 - जब से लागे उनसे नैनवा
16:24 - रामरंग चेरी भई वाके दामनवा ।।
👌👌👌👌👏👏👏👏👏👏👏
Dhanyavad
Very beautiful voice and team players. Mashah Allah
मेरे सबसे ज्यादा पसंदीदा रागों में राग कीरवानी एक है।
पंडितजी उत्कृष्ट गायन.
प्रमोद मराठे सर, हारमोनियम ऐकून खुप आनंद झाला. तबला ही अगदी समर्पक....
नमस्कार हा उपक्रम खूप छान आहे आम्ही ग्रामीण भागात राहतो तर तुम्ही सुरू केलेल्या या उपक्रमाचा आम्हाला फायदा झाला अनेक राग आणि त्यांची माहिती मिळते या सर्व टिमला खूप खूप धन्यवाद .
Beautiful voice and singing
माझ्या खूप खूप आवडीचे शास्त्रीय संगीत.
भारत माता की जय.
राम कृष्ण हरी.
Hats off to the channel for the excellent service being rendered for the cause of the great Indian music for bringing out the beauty of various aspects of ragas discussed.
What a devine voice. 🙏
Very dedicated singer and what a cultured voice!!!!!
Best hindustani singers are show cased in every episode. We get transported to divine world. Also words are not enough to thank the persons conducting the program. And the sweet and melodious voice of Mukund ! Fantastic.
I like these presentations a lot. I enjoy them immensely.
Amazing beautiful! ❤
पडीतजींचे अप्रतिम गायन आणि साथसंगत ही तितकीच उत्कृष्ट,कार्यक्रम खूप आवडला
i must appreciate you all, as very good project you have undertaken to introduce various indian raagas. Raggas and it's beauty, and songs based on them. All the best to your channel.
Ohhho...Great 👏👏Koti koti pranam aapko😌
We are enriched by suchprograms.Thanks.
Ati Sundar, Divya Sangeet, Aap Ko Dhanyabaada.
Aanand aa gaya pandit ji 🙏
Thank you very much for uploading this brilliant video. Everything about this recital is just divine. Can't thank the channel enough. Respects.
I feel Phansalkar & Date are testing knowledge of this legendm
Excellent performance !,,
Iqbal usa
HIS VOCAL VOICE CULTURE IS APPLAUDABLE. SUCH AN INSPIRATION TO US SIR..
Obviously he is the desciple of the Great Kishori Amonkar....
अलाप रूपक 3:05
सुध लीजिये 3:27
Great voice and wonderful rendition! 🙏
waah.....what a rendition....pranam pandit ji....
15:30
Pandit ji,
Namashkaar, Very heart touching performance of raag kirwaani. Both as learner and the listener are blessed to hear this raag.Thank you so much for the efforts you made for this performance.
Sir mai bata nhi sakta ki apki awaaj kitni madhur or kitni bhav puran hai raghunandan ji sir naman hai apko 🙏🙏🙏♥️♥️♥️♥️
Harmonium equally v sweet, please mention the names of tabla and harmonium player
Very beautifully expressed and this is one of my favorite ragas, greatly sang and blissful
Chanchal prakruti , Shrungar ras ? Really ? Mujhe to rona aata hai every time I listen to this Raag. I then have to listen to Bilawal or Durga to cheer up and feel better again.
You are right....I too feel melancholic mood while listening to this Raaga.....
I agree. Kirwani has a very melancholic feeling to it. Certainly not chanchal.
What is this singer's name???
@@AbhimansanthushShri Raghunandan Panshikar ji
Sriman Raghunandan Panshikar and Dr. Nandita Datay....and all participants....Great work, greater presentation and totally mesmerized at the details of this awesome raag..Kirwani. Dhanyawad to all of you for your contribution. This raag - Kirwani - has contributed to so many evergreen songs...like "Mere naina sawan bhado" from movie Mehbuba, " Jeeta tha jiske liye " from movie Dilwale, "Deewani mastani" from movie Bajirao mastani...and so many hundreds of such gems. Kirwani-based song and gazals are generally everlasting....thanks again.
Mere Naina saawan bhadon and jeeta tha jisskey liye are based on raag shivaranjani not kirwani....
@@satendrapatel7103 Yes sir, that is correct . I was studying Shivranjani and Kirwani simultaneously in a very tightly scheduled timeframe and got myself mixed up on those two songs that you mentioned. Thanks for that distinctive clarification.
@@inteltavangar sometimes it happens.....
@@satendrapatel7103 dewani mastani is in kirwani??
@@samei_muzicmuzic3790 sur saare kirwani ke Hain par chalan kirwaani ki Nahi hai USS gaane me
Thank you you tube and this wonderful artist. My Covid days are easier to manage 🙏🏾❤️👍🏾🥰
Wah! Beautiful and soulful rendition of the deep movig composition by Ramashraya Jha......
Exceptional rendition. God bless!!
Love from Sri lanka......❤
Just superb
Ati sundar... waah waah waah... shabdheen
तबला बहोतख़ुब, मिलींद पोटे जी !
સુર ના સજે કયા ગાઉં મે ફિલ્મ બસંત બહાર.
Beautiful singing very sweet
Excellent video. Thanks a lot for sharing such treasures :)
Can you please include the lyrics of the Bandish in the description box?
🙏किरवानी कौन से थाट में माना जाता है??
महान संगीत महान गायकी मेरा भारत महान
Pranam guru ji aap ko ....🙏🙏
Chanchal Pravirti...
shringar and Bhakti ras
पंडित पणशीकर यांनी राग - किरवाणी अतिशय अप्रतिम गायलाय.
राग ऐकून समाधी अवस्था प्राप्त झाली.
अधून मधून मुकुंद जी फणसळकर यांचे
गायन अगदी छान वाटते.
मला वाटते फणसळकर गाढवाच्या लग्नातील "इंद्रदेव" आहेत. 😂
Ch 02 Sanskriti आपले आभार 🙏
How it call this composition on the end?
अप्रतीम
जय हो रामरंग 🙏🙏
धन्यवाद खूप छान सुंदर अप्रतिम सर्वांना नमस्कार
Heavenly pleasure
Well presented. A nice raga.
Nice to listen composition of Ramashrya Jha Ramrang
Dil ki tapish aaj hai aaftaab!!!
Kamaal ki gayaki , Shabd hi nahi hai kuchh kehne ko
Khusi hua.. Pandit Ramashreya jha jee k bandish sunke..
Wah harmonium!!!
I think ,tu hi re from Bombay film based on this raga
राग किरवणी
Aaha kya bat hain 🙏🙏🙏🙏🙏🙏
bahut Anand aaya
Very useful and NICE programs for all
छान 👍
वाह क्या बात है.
Kripya krke ye btaya kre ki konse swar shudh lag rhe h or konse komal
Sa Ry sudh ga komal ma sudh pa shudh dhaa komal ni komal end saa ok bhai ji
NI is Shuddha. Only GA and DHA are Komal. Rest are Shuddha.
It’s great 👍
Bahot bahot dhanyawad aapka👌👌💐 🙏🙏
Is there a Spotify channel?
Rishav Ko rikhav Kyu bolte h ye bataye
Aapne komal NAHIN bataye Raag KE komal tiwer zarrur bataten jaise SAWANI SHENDAY ji batati HAI WO maharani HAI raagon KI.
Waah keyabat hai ❤️
who is the singer?
Soothing keervaani
8:43
Anandmy shandar
Awesome👍
7:09
Sundar!
Jai ho 🙏🏻🙏🏻🙏🏻🙏🏻❤❤😊😊😊
I find this raag to be anything but chanchal !
Highly appreciated
Is it near to sur sukh kari jo vimala?
That's near to the Bhairavi
very nice
To the gentleman who is takeing the interview, that comparison with carnatic classical was not right sir....
बहुत सुन्दर
What is the difference between Kirwani raga and Sindhi Bahiravi?
Sindhi Bhairavi has komal nishad and kirwani has shuddha nishad that's make both ragas different
Both Raags uses both ni.. but in kirwani komal ni is vivadi.. and in sindh bhairavi both ni are almost equal.. moreover chalan is different of both raags
Mesmerizing
It is wrong ti say canatok music is not having time based mooda, but creats specific moods irrespective of time of day.
In my opinion carnatic singers give more importance to the mathematics ignoring Bhaava....For eg: Take the case of Vrindavani sarang...Carnatic singers sing it without any emotions but presenting complex swaras...I don't feel any emotions while listening carnatic rendition....but whenever I listen vrindavani sarang sung in hindustani style it brings goosebumps and tears ....Whenever I listen to Pt. bhimsen joshi's rendition of vrindavani sarang I can't control tears ...
@@hemanthakumarkamath7779 With all respect, it is not good to generalise that carnatic simgers doesn't sing with bhava. It is a wrong statement.
@@SarathR-YT Sorry, I beg to differ... It is my personal opinion... I respect your right to differ too...
सुंदर गायन
'Awesome'
👍👌
Sabse pahle rag ka that batana chahiye phir usme komal aur teevr swaro ke bare me batana chahiye
Is raag ka abhibtak koi thaat nahi hai.isliye inhone ये skip kiya hoga
G aur d कोमल swar hai is raag me
Yu tub se sikhna samjh nh ata apne kaha vadi p samvadi r h
Gayan samy ratri pehla prehar h
Wahi ek yu tub pr lagbhag 85 saal k ek guru ji unhone kaha iska vadi p samvadi s h
Gayan samy ratri ka dusra preher koun sahi h
Taan ko swar me bhi bol ke bataye to learner ko help milegi
R. Kumar har cheez do baar se jyada h
Absolutely wrong to say that there is no muhurtha for ragas in Carnatic music.. the practice of time based raga singing has been relegated because the carnatic concerts happen only in the evening in majority of the cases. Carnatic music rasikas are not used to listening to concerts all night or early mornings. This being the case, if you start singing only evening ragas, then rest of the great ragas and their wonderful compositions would never be heard. Hence the adjustment. Also with the introduction of lighting and technological changes in the world, night evening and day have lost their meaning , even in the environment and society we live it. This conception of time based raga makes less sense now.
Spellbound!
🙏🏻
❤