The great James Mtume on congas !....post exit from The Strata East Mothership .along with Gary Bartz and Ndugu on drums . A visionaire of sound in his own right !❤❤
You know this takes a little time to absorb and for the band to fully take flight. Once they do, damn. The music becomes sublime, funky rhythmic equations. One thing is clear to me: Keith Jarrett is a damn genius and my favorite pianist.
Just to hear Miles’ tone @ his peak is like seeing Ali, before they banned him: so life-affirming inspiring to witness someone truly connect with their genius -thx for upload 🥳
Me and 2 of my friends were the roadies for the band through Italy and France in November, 1971. We snuck in earlier in the day posing as roadies and were caught by the sound engineer Whitey Davis . We ended being hired because the previous roadies had quit in Yugoslavia. Setting up those huge speakers was tricky. Great to watch them improvise each night. Lots of stories to tell.
i love this era of miles davis. there can be some busy that I reject ... this drummer stands out by his style I had never listened to him .. it remains incredible.
Miles's music with the briefly-electrified Jarrett has always been a personal fave. The 6 x CD 'Cellar Door Sessions' are also highly recommended for those who have the stamina - so much better than the 'On the Corner' funkathons from a year or so later, imho. The Jarrett/DeJohnette duo on a 1971 ECM record, 'Ruta + Daitya' is a seldom-remembered curiosity from this period, and which I would recommend to the curious, and/or obsessive from this most interesting period of early jazz/rock/funk. There ain't nothing else quite like it (and in a good way).
@@trevorbarre5616 one of my better days was when i heard that there was way more Live Evil material about to be released. you are so right about the Cellar Door Sessions. thanks for the heads up about 'Ruta + Daitya'. gonna check that out pronto.
wow Keith jarrrett is really feeling it ain't i find it amazing being that it's been said that he had some pretty dismisive things about that era wchich i hope is'nt true because they all seem pretty inspired .
I understand why many people here don’t like it, it’s too complex music, a mixture of many styles, jazz funk hard bob jazz rock, etc., and of course the ostentation of Keith Jarrett
No real official recordings from this band. Shame. I've always rated Jarrett's electronic keyboard work, which he seems to despise. Check out ECM's Ruta + Daitya, for example.
This is when things and people separate. The snobbish scholars dissecting Miles, and then the ones understanding the depth of music, being the theory as tools, at the service of the how you really are.
Miles Davis trumpet, Keith Jarrett el. piano, Gary Bartz sax, Michael Henderson bass guitar, Leon "Ndugu" Chancler drums, Charles Don Alias percc., James "Mtume" Forman percc.
zee Germans did a much better sound recording(as usual) in the Berlin concert, if you want to really hear this group. bass is too deep and fluffy. top end for the trumpet is thin and tinny. Can barely hear Jarrett on the Rhodes. a pity.
are you referring to another full concert video on youtube? i couldn't find it easily if so. i do dig the sound on the 26 minutes of stuff i could find tho.
@@MarkTarmannPianoCheck_it_out Yeah I've got the video of that one and the sound is better. But I prefer the visuals in this. Too much close up footage in the Berlin one.
So much arbitrary narrow-mindedness in this comments section, get over your gatekeeping nonsense y'all. This is the first electric era Miles stuff that latched onto my ear, the groove is excellent. It makes me want to go deeper. Thanks for the upload.
Those journey's Keith takes on this are just amazing......thank god someone caught this all for us to enjoy....such an interesting time it was in that band in 1971 doing Live Evil stuff
Thanks for putting this up, Zvonimir. Great quality sound. A few things I noticed: Sanctuary actually starts at about the 34:36 mark, Funky Tonk starts at the 01:08:00 mark, and goes to the end of performance. There is no reprise of Sanctuary. Other than that, just perfect. If you post we will listen with enthusiasm.
This Band is where Miles was moving away from being surrounded by 'Jazz' players -- and He came to realise He needed "a different type of Musician," to play the Funk-grounded Sound He was feeling. Depending on which Concerts you may hear from this '71 Tour -- THIS Aggregation of Miles' Band DID have a Sound. But in between the Funk of '72-5, and THE ABSOLUTELY EXPLOSIVE "LostQuintet," from '69-70: it gets buried. Ndugu Chancellor wasn't quite comfortable with the Grooves Miles wanted, but He was committed to working WITH him..and he got Tighter, as the Tour progressed.
One of many things you could say about Miles. He never stopped expanding his vision. Big Fun, On the Corner etc. were mysteries to people used to the cool jazz and the bebop Miles came out of. He was fusing Sly, Jimi and James Brown into a singular style of unnameable genre. Beyond the fusion of late Weather Report. I Sing The Body Electric was music created to paint pictures in your mind.
@@michaelbrickley2443 Yessir. So, basically those people that wanted to stand on 'not liking the new sound,' ...they were largely afraid to use Their Imagination!
@@callmemonkh9020 I loved his earlier bands for straight ahead jazz and the birth of the cool. The later Bitches Brew and beyond was the birth of something entirely different. Didn’t all work but from his experiments was birthed Mahavishnu Weather Report, RTF, drum & bass, jungle, house….so many sub genres. When I first heard a lot of it, Miles, I couldn’t even fathom what was going on. I ascribe to what a musician friend said, if you can’t do better and especially if you’re being critical instead of critiquing, just be quiet
@@michaelbrickley2443 when you point out ALL of the Avenues that sprang from what He was doing -- to me, THAT proves how fertile and crucial that work was. You are correct when you say all of His statements weren't the Clearest, or made the 'tightest connection; I myself had issues with Al Foster's playing ride cymbal, the amplification equipment in terms of quality, AND Miles not avidly seeking a keyboard player to communicate in the Sound. But it was Megalithic in it's presence. Primordial, too. "If it's Major, it's Miles."
@@callmemonkh9020 he will be appreciated more as time goes on, I would hope. Everybody loved Duke Ellington but his impact was greater appreciated after his passing, in my opinion. Shalom
Man, this is as pure visceral groove as it gets! Incubation to Weather Report and directionally similar collaborations… many with Miles Alumni! Thank you for posting!❤😊
Fantastic ....what to say more??? I like Ndugu" Chancler a superbe drummer i discover with Santana on Borboletta album...Like Michael Shrieve...Lenny White...Billy Cobham...and more these drummers of the 70's were incredibles musicians...All were the little brothers of Tony Williams for me...who was the first of this generation....!!!
Big fan of this era and lineup! I miss Keith Jarrett on electric keyboards. He had a special approach to the Rhodes in particular. He’s all over the Complete Jack Johnson Sessions and I just eat that stuff up like candy. So cool to SEE it as well as hear it after all these years!
great stuff. full disclosure i am a Miles fanatic. when i was first trying to get into jazz my brother said i should listen to Miles Davis. So i did. i started with my funny valentine and my jaw was on the floor about a minute in. stareted collecting all the 50's and early to mid 60's stuff. loved it all. then i got to hear Bitches Brew. it's not that it was a new thing to me. it was beyond anything that i could even imagine. it was like he reached back to Africa and the beginning of mankind and tapped into something supernatural. never had the vocabulary to express it. when i purchased the "isle of white" dvd, "call it anything" one of the commentators described his experiance as everything that he ever hoped music could be. and when heard it for the first time he was like climbing the walls. give or take. i think that sums it up for me. i was never the same after hearing that. thank you very much for posting this. Thank God for Miles Davis. he was touched by "god" and shared it with the world.
1:03:00 to about 1:07:30 This is not so much "Funky Tonk" as a solo interlude Jarrett's , which can be found in all concerts of the 1971 European tour, and not only in this period, but already at the CELLAR DOOR SESSIONS in December 1970. In the complete edition of these legendary performances - available for listening on streaming services - they are labeled Improvisation#x. Perhaps these still relatively short free solo improvisations are the seeds of Keith Jarrett's later extended solo concerts. Consider that one day after this performance at CHATEAU NEUF in Oslo, on November 10, Jarrett's first ECM album was recorded at Arne Bendiksen Studio Oslo: FACING YOU. The sound engineer was Jan Erik Kongshaug. Track No. 1 has the visionary, almost future-forecasting title IN FRONT
Chancler had more of a traditional backbeat style than DeJohnette, but he was very flexible. I saw him play a concert a couple years later in Boston with Santana, and I thought he played great.
Ndugu played drums on the Santana/Shorter tour in 1988 with Patrice Rushen, Alphonso Johnson, Chester Thompson, Chepito Areas and Armando Peraza. Also, he played drums on the Weather Report album Tale Spinnin. Another one of his great performances is on George Duke's Lemme At It and Rush Hour.
@@gregwickstrom5479 He played on Santana's Borboletta record too! In this show it takes some time for him to really work but he's a great underrated drummer.
This IS Phenomenal.Pushing this Funk/ Rock Musicians who have so much respect for him that Played this Super Set. What a Concert...Hope remember It in the Eternity...✨🍀👾🛸
Wonderful! Excelent musicians, a lot of feeling & good vibes. Keyboards, trumpet, sax & etc, bass, drums, congas & other percussions being played by true geniuses, it's a true pleasure to see & listen such a musical treasure. Thank you!
L'évolution esthétique de Miles depuis ses débuts avec Charlie Parker jusqu'à sa retraite provisoire (1975-81) est extraordinaire et unique dans l'histoire du jazz, et peut-être de la musique elle-même.
I didn't know this particular ensemble even existed. Leave it to Miles to use two conga drummers. And Don Alias, Mtume AND Ndugu....in ONE band! Amazing! Great performance, very diverse, not as dense as later bands with Pete Cosey, etc. And Miles and Gary Bartz sound great. Excellent recording quality as well!
Mostly because Jarrett is playing mostly electric piano & the RMI for the organ and synth sounds. As for density, there, usually Reggie Lucas played rhythm guitar & sometimes Dominique Gaumont would share guitar leads with Pete...Also, Pete doubled on miscellaneous pecussion.
these guys vare such great players, you can really talk about it but just try to absorb it....its jazz...so cool and funky....and bluesy....rocks too....i love miles and his music. how can u not ?
En 1971 yo tenía 7 años sigo a Miles Davis desde los 17 años hoy a los 59 sigue siendo mi idolo. El cambió el Jazz para siempre y por consiguiente las vidas de muchos de nosotros. Miles por siempre .🇨🇱🇨🇱🇨🇱
Никогда не был поклонником джаз - рока,но с исторической точки зрения очень интересный материал.Майлс как всегда на высоте, чувствуется что в этом хаосе звуков рождаются новые формы джаза и не только джаза а всей современной музыки.
The Energy is awesome. Very cool as is often the case with miles, and exploring new areas of jazz in keeping with the ever changing culture of America.
Was Mtume competing with Don Alias, the other way around? Seems like Miles could care less. As long as both guys gave their best, don't think Miles cared. I mean, Mtume won out. Miles, stipulated that Mtume not rely on "silly parlor tricks". He told Mtume to play from his soul, and not by routine.
De 1968 à 1971, Miles Davis fut accompagné sur scène par Herbie Hancock, Chick Corea et Keith Jarrett. Après, plus aucun claviériste digne de ce nom dans son groupe. Ca se comprend. Il ne pouvait pas trouver mieux. 😎
A redefinition of the BLUES, a truly universal statement - a John Lee Hooker and Muddy Waters.short😊 story infused with the poetry of “Ascension and “Meditations”.
Kako uspiješ ove snimke nabavit meni je osobno Berlinski najbolji imao sam original kupljeni ali zvuk nije bio čist kao na ovome i drugome koji si stavio. Inače znam napamet sve ove fraze koliko sam bio u tome
MD was free.the 🪘🪘🪘🪘 players were playing some out of it Slap beats the 🥁 holding together the who band keyboard 🎹 on another planet giving MD freedom just to cut loose bass player was just doing some work
how have people clicked on this page just to be dissin it? maybe they have a list and James Brown is next up for comment posting, or 'insert black musicians name here".
Very telling how you interject race into the discussion, under the guise of calling out racist behavior. Typical. You'd do well to reconsider who the racist here actually is.
The great James Mtume on congas !....post exit from The Strata East Mothership .along with Gary Bartz and Ndugu on drums . A visionaire of sound in his own right !❤❤
You know this takes a little time to absorb and for the band to fully take flight. Once they do, damn. The music becomes sublime, funky rhythmic equations. One thing is clear to me: Keith Jarrett is a damn genius and my favorite pianist.
Sure
Michael Henderson is a groove master.
Just to hear Miles’ tone @ his peak is like seeing Ali, before they banned him: so life-affirming inspiring to witness someone truly connect with their genius -thx for upload 🥳
Me and 2 of my friends were the roadies for the band through Italy and France in November, 1971. We snuck in earlier in the day posing as roadies and were caught by the sound engineer Whitey Davis . We ended being hired because the previous roadies had quit in Yugoslavia. Setting up those huge speakers was tricky. Great to watch them improvise each night. Lots of stories to tell.
Hey man! Would love to hear more about this if you're around, over email, etc.
can I have a interview for that stories?
i love this era of miles davis. there can be some busy that I reject ... this drummer stands out by his style I had never listened to him .. it remains incredible.
this is good stuff
Without doubt Miles is an Avant gardist, he Is 100 steps away from the rest.
Thanks UA-cam for recommending this a year after...
Miles's music with the briefly-electrified Jarrett has always been a personal fave. The 6 x CD 'Cellar Door Sessions' are also highly recommended for those who have the stamina - so much better than the 'On the Corner' funkathons from a year or so later, imho.
The Jarrett/DeJohnette duo on a 1971 ECM record, 'Ruta + Daitya' is a seldom-remembered curiosity from this period, and which I would recommend to the curious, and/or obsessive from this most interesting period of early jazz/rock/funk. There ain't nothing else quite like it (and in a good way).
@@trevorbarre5616 one of my better days was when i heard that there was way more Live Evil material about to be released. you are so right about the Cellar Door Sessions. thanks for the heads up about 'Ruta + Daitya'. gonna check that out pronto.
Apreciable e INCREIBLE la fusión estilística, los quiebres músicoemblemáticoambientales a los cuales nos acostumbró Miles y por sobretodo.....
bravo!
PURE HEAT
THANKS!!!!!
Truly THE lost shit. Check it over & over holds up to the taste test
Touché!
фантастика! спасибо за то что выложили! шедевр!
키스 자렛이 20대 중반부터 다져 온 멋진 댄스 실력
23:03 오징어 댄스
27:04 오리 댄스
49:18 손가락 댄스
51:48 뭔가를 느낀 키스 자렛
1:03:48 스무스한 리듬 속의 헤드뱅잉 쇼
wow Keith jarrrett is really feeling it ain't i find it amazing being that it's been said that he had some pretty dismisive things about that era wchich i hope is'nt true because they all seem pretty inspired .
なんと、キースジャレットは、このファンキーかつアグレッシブなエレピを、マイルスのもとで伴奏した後、あの珠玉のソロピアノアルバム、フェイシングユーを、発表するのでした。正に、ジーニアスのスタートです。
super
I understand why many people here don’t like it, it’s too complex music, a mixture of many styles, jazz funk hard bob jazz rock, etc., and of course the ostentation of Keith Jarrett
he's the main thing
Be like water
amazing. nothing else to say.
Майли чудо музыкант без границ спасибо
✌️👍❤️
Santiago está bastante copado por moto concho y carros de el transporte urbano.
No real official recordings from this band. Shame. I've always rated Jarrett's electronic keyboard work, which he seems to despise. Check out ECM's Ruta + Daitya, for example.
😁🌱💚🌼
Does anyone know who the drummer is?
Leon "Ndugu" Chancler
@@ZvonimirBucevicBuc He attended Alain Leroy Locke High School in Los Angeles. They were known for their drumming and drum battles.
@@ZvonimirBucevicBuc With Don Alias and Mtume, lest we forget.
This is when things and people separate. The snobbish scholars dissecting Miles, and then the ones understanding the depth of music, being the theory as tools, at the service of the how you really are.
Is this what drove Keith Jarrett to Mozart?
He needs his own stage.
Brotha lilling rite cheer
Salve, potrei sapere i nomi dei componenti del gruppo? Grazie
Miles Davis trumpet, Keith Jarrett el. piano, Gary Bartz sax, Michael Henderson bass guitar, Leon "Ndugu" Chancler drums, Charles Don Alias percc., James "Mtume" Forman percc.
Jarret plays like a man possessed!
Yes, he often does - it's as if he's carried away by the wind of music...
zee Germans did a much better sound recording(as usual) in the Berlin concert, if you want to really hear this group. bass is too deep and fluffy. top end for the trumpet is thin and tinny. Can barely hear Jarrett on the Rhodes. a pity.
are you referring to another full concert video on youtube? i couldn't find it easily if so. i do dig the sound on the 26 minutes of stuff i could find tho.
@@daveheal0 Keith Jarrett and Miles Davis live in Berlin
@@MarkTarmannPianoCheck_it_out Yeah I've got the video of that one and the sound is better. But I prefer the visuals in this. Too much close up footage in the Berlin one.
True! I was there in the front row.
Great sound and a great concert.
I recorded the radio broadcast on my Revox and listened to it a hundred times...
Getto music 🎉❤🤟🎶
Thomas Laura Thomas Nancy Wilson Kenneth
Miles was deep into coke by this stage.
indeed.
This show is cookin' crack indeed.
so what
@@movimentodoscacos
LOL,
A kind of blue.
So? Or only your gossip needs?
Miles...having Mtume along with Don Alias...WAS NOT THE MOVE. I'm sorry, I LOVE Miles...but Mtume, at THAT time...wasn't DOING IT.
He added zero to Hendrix’s band at Woodstock along w/ that other skinny kid on congas; they only threw Mitch off his groove!! 😢
So much arbitrary narrow-mindedness in this comments section, get over your gatekeeping nonsense y'all. This is the first electric era Miles stuff that latched onto my ear, the groove is excellent. It makes me want to go deeper. Thanks for the upload.
😂
🌸🌱❤️😀
Bro why are people hating on this in the comments what the hell is going on, this shit is peak Miles.
It's a bit flat
Dont know either. Its one of the funkiest and yet catchy Miles sets from 70's.
Those journey's Keith takes on this are just amazing......thank god someone caught this all for us to enjoy....such an interesting time it was in that band in 1971 doing Live Evil stuff
Jarrett and Henderson oh my goodness the whole energy is mind blowing. Miles takes you were you haven't been before 🎺🎷🎹🎸🥁🪇✨️🎶🎼🎵🌠🔥🙌🏿👏🏾💯💫
Thanks for putting this up, Zvonimir. Great quality sound. A few things I noticed: Sanctuary actually starts at about the 34:36 mark, Funky Tonk starts at the 01:08:00 mark, and goes to the end of performance. There is no reprise of Sanctuary. Other than that, just perfect. If you post we will listen with enthusiasm.
Read the book. MILES AHEAD (2001). Details this era and a lot of new interviews.
And to think that Michael Henderson (born 1951) had been playing Motown numbers just a few months before. Such versatility in two sublime forms.
Like Michael Ray, Sun Ra's best trumpeter ever and star of Kool and thr Gang.
Awesome recording. Innovative Jazz at its finest! Thank you for sharing this. Hmm...I guess this makes me a "moron"?
This Band is where Miles was moving away from being surrounded by 'Jazz' players -- and He came to realise He needed "a different type of Musician," to play the Funk-grounded Sound He was feeling. Depending on which Concerts you may hear from this '71 Tour -- THIS Aggregation of Miles' Band DID have a Sound. But in between the Funk of '72-5, and THE ABSOLUTELY EXPLOSIVE "LostQuintet," from '69-70: it gets buried. Ndugu Chancellor wasn't quite comfortable with the Grooves Miles wanted, but He was committed to working WITH him..and he got Tighter, as the Tour progressed.
One of many things you could say about Miles. He never stopped expanding his vision. Big Fun, On the Corner etc. were mysteries to people used to the cool jazz and the bebop Miles came out of. He was fusing Sly, Jimi and James Brown into a singular style of unnameable genre. Beyond the fusion of late Weather Report. I Sing The Body Electric was music created to paint pictures in your mind.
@@michaelbrickley2443 Yessir. So, basically those people that wanted to stand on 'not liking the new sound,' ...they were largely afraid to use Their Imagination!
@@callmemonkh9020 I loved his earlier bands for straight ahead jazz and the birth of the cool. The later Bitches Brew and beyond was the birth of something entirely different. Didn’t all work but from his experiments was birthed Mahavishnu Weather Report, RTF, drum & bass, jungle, house….so many sub genres. When I first heard a lot of it, Miles, I couldn’t even fathom what was going on. I ascribe to what a musician friend said, if you can’t do better and especially if you’re being critical instead of critiquing, just be quiet
@@michaelbrickley2443 when you point out ALL of the Avenues that sprang from what He was doing -- to me, THAT proves how fertile and crucial that work was. You are correct when you say all of His statements weren't the Clearest, or made the 'tightest connection; I myself had issues with Al Foster's playing ride cymbal, the amplification equipment in terms of quality, AND Miles not avidly seeking a keyboard player to communicate in the Sound. But it was Megalithic in it's presence. Primordial, too. "If it's Major, it's Miles."
@@callmemonkh9020 he will be appreciated more as time goes on, I would hope. Everybody loved Duke Ellington but his impact was greater appreciated after his passing, in my opinion. Shalom
What an incredible JEWEL this post. Thank you !
Man, this is as pure visceral groove as it gets! Incubation to Weather Report and directionally similar collaborations… many with Miles Alumni! Thank you for posting!❤😊
Fantastic ....what to say more??? I like Ndugu" Chancler a superbe drummer i discover with Santana on Borboletta album...Like Michael Shrieve...Lenny White...Billy Cobham...and more these drummers of the 70's were incredibles musicians...All were the little brothers of Tony Williams for me...who was the first of this generation....!!!
I loved hearing Gary Bartz's righteous playing. Great work all around.
Ndugu sounds incredible with this group--wow!
Big fan of this era and lineup! I miss Keith Jarrett on electric keyboards. He had a special approach to the Rhodes in particular. He’s all over the Complete Jack Johnson Sessions and I just eat that stuff up like candy. So cool to SEE it as well as hear it after all these years!
Yes!!
I heard Keith had a stroke recently lost use of his left arm....grrr....hope he recovers
great stuff. full disclosure i am a Miles fanatic. when i was first trying to get into jazz my brother said i should listen to Miles Davis. So i did. i started with my funny valentine and my jaw was on the floor about a minute in. stareted collecting all the 50's and early to mid 60's stuff. loved it all. then i got to hear Bitches Brew. it's not that it was a new thing to me. it was beyond anything that i could even imagine. it was like he reached back to Africa and the beginning of mankind and tapped into something supernatural. never had the vocabulary to express it. when i purchased the "isle of white" dvd, "call it anything" one of the commentators described his experiance as everything that he ever hoped music could be. and when heard it for the first time he was like climbing the walls. give or take. i think that sums it up for me. i was never the same after hearing that. thank you very much for posting this. Thank God for Miles Davis. he was touched by "god" and shared it with the world.
Well said. My favorite all time musician.
Getto jazz 1971 I was 15 living in farmsville Iowa........I dig the hell out of this recorging......great label..... Getto jazz
camera work is great, personnel are spectacular
My man even threw in a tribute to Jimi....wow! This is tops.
This is even better than "AGARTHA" & "PANGEA" ! WOW §
8:12 - Man, Keith is possessed!
And Henderson is only 20 years old.
Haha! Mental!
1:03:00 to about 1:07:30
This is not so much "Funky Tonk" as a solo interlude Jarrett's , which can be found in all concerts of the 1971 European tour, and not only in this period, but already at the CELLAR DOOR SESSIONS in December 1970. In the complete edition of these legendary performances - available for listening on streaming services - they are labeled Improvisation#x.
Perhaps these still relatively short free solo improvisations are the seeds of Keith Jarrett's later extended solo concerts. Consider that one day after this performance at CHATEAU NEUF in Oslo, on November 10, Jarrett's first ECM album was recorded at Arne Bendiksen Studio Oslo: FACING YOU. The sound engineer was Jan Erik Kongshaug. Track No. 1 has the visionary, almost future-forecasting title IN FRONT
nice research it adds needed context
One of the funkiest jazz bands of all time! Live-Evil is one of my fave Miles albums - and here we get Ndugu and Don Alias too! :)
And James Mtume...
also my favorite live album
With Michael Henderson on electric bass.
@@bmuhamad Yes, such an incredible line-up!
Chancler had more of a traditional backbeat style than DeJohnette, but he was very flexible.
I saw him play a concert a couple years later in Boston with Santana, and I thought he played great.
@@kenmeyer6786 Right!
He’s on a wonderful Santana record called Amigos.
Ndugu played drums on the Santana/Shorter tour in 1988 with Patrice Rushen, Alphonso Johnson, Chester Thompson, Chepito Areas and Armando Peraza. Also, he played drums on the Weather Report album Tale Spinnin. Another one of his great performances is on George Duke's Lemme At It and Rush Hour.
@@gregwickstrom5479 He played on Santana's Borboletta record too! In this show it takes some time for him to really work but he's a great underrated drummer.
@@kenmeyer6786 Ndugu was behind the Amigos project and was the one who brought Greg Walker to the Santana band.
This IS Phenomenal.Pushing this Funk/ Rock Musicians who have so much respect for him that Played this Super Set.
What a Concert...Hope remember It in the Eternity...✨🍀👾🛸
Keith is a true genius.
Wonderful! Excelent musicians, a lot of feeling & good vibes. Keyboards, trumpet, sax & etc, bass, drums, congas & other percussions being played by true geniuses, it's a true pleasure to see & listen such a musical treasure. Thank you!
L'évolution esthétique de Miles depuis ses débuts avec Charlie Parker jusqu'à sa retraite provisoire (1975-81) est extraordinaire et unique dans l'histoire du jazz, et peut-être de la musique elle-même.
Special shout out to the bass player 💪🏽✌🏽🇩🇴
someone had to hold It down😂
The late - great Michael Henderson on bass with Strata East kegend James Mtume on congas - percussions .
I didn't know this particular ensemble even existed. Leave it to Miles to use two conga drummers. And Don Alias, Mtume AND Ndugu....in ONE band! Amazing! Great performance, very diverse, not as dense as later bands with Pete Cosey, etc. And Miles and Gary Bartz sound great. Excellent recording quality as well!
Mostly because Jarrett is playing mostly electric piano & the RMI for the organ and synth sounds. As for density, there, usually Reggie Lucas played rhythm guitar & sometimes Dominique Gaumont would share guitar leads with Pete...Also, Pete doubled on miscellaneous pecussion.
Mike plays that lovely / sick bassline to "What I Say".
The congas remind me of their play at Lower Sproul Plaza UC Berkeley very fond memories in the early seventies
Awsome concert! Thanks a LOT for the post
Gary Bartz and Keith Jarrett are the surviving members of this septet.
This is outstanding. Thanks!
Keith Jarrett has some of the best jam faces.
THANK YOU so much for posting this! 👏🏾🙌🏾👍🏿🙏🏿😁
can there be a more expressive performer than Jarrett! he lives every note!
these guys vare such great players, you can really talk about it but just try to absorb it....its jazz...so cool and funky....and bluesy....rocks too....i love miles and his music. how can u not ?
C'est du cantique mon frère
@ericroubert3997 I've got 2 brothers, wtf are you, you cu..?
👌✌ a beautiful noise - more percussive than his later live incarnations Only MD, Michael & Mtume last until 1975
Very rare video of Ndugu and Don Alias with Miles. Great band.
En 1971 yo tenía 7 años sigo a Miles Davis desde los 17 años hoy a los 59 sigue siendo mi idolo. El cambió el Jazz para siempre y por consiguiente las vidas de muchos de nosotros. Miles por siempre .🇨🇱🇨🇱🇨🇱
Никогда не был поклонником джаз - рока,но с исторической точки зрения очень интересный материал.Майлс как всегда на высоте, чувствуется что в этом хаосе звуков рождаются новые формы джаза и не только джаза а всей современной музыки.
The Energy is awesome. Very cool as is often the case with miles, and exploring new areas of jazz in keeping with the ever changing culture of America.
Miles Davis was like Mozart
Miles' Boogaloo / Funk phase. Yes.
Simpsons signal at 4:04
altough if I had lived on those days I would be older than I am already am and I could not wish that, I wish I had lived on those days
Miles Davis is THE ONE!!!!
@gianfrancospadaro6085 🔊🇵🇱Poland🇵🇱🔊 👍 👌 ✌️ 💪 👊 🔊🇵🇱 Poland🇵🇱🔊
Was Mtume competing with Don Alias, the other way around? Seems like Miles could care less. As long as both guys gave their best, don't think Miles cared. I mean, Mtume won out. Miles, stipulated that Mtume not rely on "silly parlor tricks". He told Mtume to play from his soul, and not by routine.
phantastic music, i love it very much thanks a Lot Zvonimir Bucevic
awesome!
still love this music
De 1968 à 1971, Miles Davis fut accompagné sur scène par Herbie Hancock, Chick Corea et Keith Jarrett. Après, plus aucun claviériste digne de ce nom dans son groupe. Ca se comprend. Il ne pouvait pas trouver mieux. 😎
Well Chick moved on like they all do. He went on to form his own Branch of fusion with RTF
But first he formed CIRCLE w/ Dave Holland, Anthony Braxton & Barry Altschul
@@billlarstead8019His climax.
Who is Joe Zawinul
@@eddiebrown9471 vous avez raison. J'Oubliais Joe Zawinul mais c'était plutôt en album que sur scène si je ne me trompe
СОВРШЕНСТВО...
5 минути аплауз
👏👏👏👏👏👏
Freedom! Expression!
Jazz psicadélico
A redefinition of the BLUES, a truly universal statement - a John Lee Hooker and Muddy Waters.short😊 story infused with the poetry of “Ascension and “Meditations”.
Kako uspiješ ove snimke nabavit meni je osobno Berlinski najbolji imao sam original kupljeni ali zvuk nije bio čist kao na ovome i drugome koji si stavio. Inače znam napamet sve ove fraze koliko sam bio u tome
MD was free.the 🪘🪘🪘🪘 players were playing some out of it Slap beats the 🥁 holding together the who band keyboard 🎹 on another planet giving MD freedom just to cut loose bass player was just doing some work
Miles forever
how have people clicked on this page just to be dissin it? maybe they have a list and James Brown is next up for comment posting, or 'insert black musicians name here".
Small people think the way to build themselves up is to tear others down. They are clueless. Best to just ignore them.
Very telling how you interject race into the discussion, under the guise of calling out racist behavior. Typical. You'd do well to reconsider who the racist here actually is.
Mijes, deivets, trompeta, he, is, pest control of, the, orkxistra, ❤😂🎉😢😮😅😅😊