Multiphonics: for when you want want to write a piece about dial up internet. I came here to see if flutter tonguing was possible on oboe. And I got my answer! Thanks!
I just found my meanwhile rather torn edition of your book (however must have lost the CD during one of my many movings), where the dynamics and fingerings are all given.
Hello Andy! Yes, to my understanding, multiphonics for oboe (similar to bassoon) is on the mf, f range. Softer dynamics are tougher. Consult your musician would be the best. I am getting Joost to comment on this.
Greetings and thanks for the awesome demonstrations. Concerning multiphonics, I just tend to give a base note, describe the fingering (dense, not dense, many naturals, less naturals, etc.) and leave the concrete sound and fingering to player/ensemble/conductor. For the bass clarinet for instance this works well, but here I see that there don't seem to be many choices for the base note? Could you elaborate on that? Thx in advance!
Andy, what you suggest works. In my opinion, getting the multiphonics effect is the goal. I would notate 1-2 prominent notes in the chord, rather than notate every single sound. I am getting Joost to comment on this.
I have a doubt, how can I write the sound of the reed?, it's just the reed (with the oboe), I think the make it inhaling through it, I found a german term "einsaugen", but I would like to know if there other way to call it.
Multiphonics: for when you want want to write a piece about dial up internet.
I came here to see if flutter tonguing was possible on oboe. And I got my answer! Thanks!
Comedy gold! I love it - Oboe flutter tongue is very harsh !
Thank you for making these!
Glad you like them!
This series of videos is awsome!!! Thank you very much my dear friend. They have been very helpful for me! I appreciate it!
Glad to help Vasilis! Special thanks to Joost for the demonstration.
I just found my meanwhile rather torn edition of your book (however must have lost the CD during one of my many movings), where the dynamics and fingerings are all given.
Andy Beschorner Glad you like it! Thanks for your support!
And another question, if you don't mind: What dynamic range is possible for multiphonics? Mostly on the louder side?
Hello Andy! Yes, to my understanding, multiphonics for oboe (similar to bassoon) is on the mf, f range. Softer dynamics are tougher. Consult your musician would be the best. I am getting Joost to comment on this.
Greetings and thanks for the awesome demonstrations. Concerning multiphonics, I just tend to give a base note, describe the fingering (dense, not dense, many naturals, less naturals, etc.) and leave the concrete sound and fingering to player/ensemble/conductor. For the bass clarinet for instance this works well, but here I see that there don't seem to be many choices for the base note? Could you elaborate on that? Thx in advance!
Andy, what you suggest works. In my opinion, getting the multiphonics effect is the goal. I would notate 1-2 prominent notes in the chord, rather than notate every single sound. I am getting Joost to comment on this.
Thanks!!!!
María Betania Hernandez glad to help!
I have a doubt, how can I write the sound of the reed?, it's just the reed (with the oboe), I think the make it inhaling through it, I found a german term "einsaugen", but I would like to know if there other way to call it.
do you mean inhaling sounds using only the reed? I don't understand your question. Sorry.
Is a "noise" with the reed but still on the oboe,
it looks like a movement of the lips
I think you can just create your own notation and describe in the performance directions