This is the best performance of Telemann's sonata! What a beautiful and expressive recorder! I was impressed. 👏🎶 I heard from Hidehiro Nakamura that the Netherlands is locked down. Please be careful. From Japanese composer Tetsuya Nishibe.🇯🇵
Hi, Erik, I just watched your interview with Sarah Jeffery here on YT, and I really loved the way you approach music and performing and improv. A wonderful performance, thank you for representing recorder in the world, it is a wonderful instrument!
Thank you Erik for these excellent recordings. I am just starting to learn some of the Telemann Sonatas, and I find videos very helpful as a learning tool as well as a source of pleasure.
Bravo! Ça chante très bien,c'est bon pour le cœur, votre musicalité me touche ! Bonne technique, bon équilibre avec le clavecin ,qii est très expressif aussi! Merci beaucoup!!!
However fantastic their playing (it is fantastic!), however nice and plentiful your microphones, in a room like that it will always sound like a train station. Even the carpet cannot change that. Why not record in a proper chamber music room or studio? What is the psychology behind the large, empty hall fixation? Certainly it is not historic as such music was played in small, mostly wood panelled, often non-rectangular parlours with wall hangings, carpets, upholstery, bewigged people at the time.
![🎼 W. A. MOZART - Sonata IV in Fa Major KV. 13 [FLUTE & PIANO] - (Sheet Music Scrolling)](http://i.ytimg.com/vi/gma7PZT61cU/mqdefault.jpg)
This is the best performance of Telemann's sonata! What a beautiful and expressive recorder! I was impressed. 👏🎶 I heard from Hidehiro Nakamura that the Netherlands is locked down. Please be careful. From Japanese composer Tetsuya Nishibe.🇯🇵
Thank you!
I have to agree, outstanding performance, Telemann would have been proud to hear his sonata played like this I'm sure!
Wonderful music and outstanding performance! Thank you, gentlemen!
Hi, Erik, I just watched your interview with Sarah Jeffery here on YT, and I really loved the way you approach music and performing and improv. A wonderful performance, thank you for representing recorder in the world, it is a wonderful instrument!
Great!
Love this! Did it for Grade VIII in 1977.
Right! Thank you!
Thank you - you are a true inspiration to me! :-)
Oh nice!
Thank you Erik for these excellent recordings. I am just starting to learn some of the Telemann Sonatas, and I find videos very helpful as a learning tool as well as a source of pleasure.
Fabulous!
Bravo! Ça chante très bien,c'est bon pour le cœur, votre musicalité me touche !
Bonne technique, bon équilibre avec le clavecin ,qii est très expressif aussi!
Merci beaucoup!!!
Very nice and soft ! Bravo ! Wish you good for 2024 ! Take care 🙂
Wat een prachtige uitvoering, bedankt allebei.
Graag gedaan!
Woah!! Just wonderful!
I just imagine such a little joyous birdie singing with glee to the heavens! Bravo!
Thank you!
Un énorme bravo ! 👏👏
Mooi Erik!
Dank Stefan!
Perfect!
That C in altississimo is terrifying!
Wonderful.
Thank you!
Terrific articulation
❤❤❤❤
0:30
Puts me to shame! One day I'll be able to play this at this tempo...
Were you improvising in the second movement? Sounds wonderful!
However fantastic their playing (it is fantastic!), however nice and plentiful your microphones, in a room like that it will always sound like a train station. Even the carpet cannot change that. Why not record in a proper chamber music room or studio? What is the psychology behind the large, empty hall fixation? Certainly it is not historic as such music was played in small, mostly wood panelled, often non-rectangular parlours with wall hangings, carpets, upholstery, bewigged people at the time.