Why .... such strength and ambition and no fourth position before turns. Totally turned inwards before each pirouette... why...... Also what's with the relaxed cou de pied in the air. I think its the left foot. Why... these technical mistakes could be corrected so easily... Anyway. Great dynamics but you gotta turn those feet outwards before turning.
Generally speaking I do agree with you, but he’s one of the best turners in the world, and that set works for him. It’s not as beautiful, but his style is still very clean, and it allows him to do 8 pirouettes with ease
@@SrtZipTop it works for him because its a (bad) habit. There are so many dancers that turn eight pirouettes or more without inwards fourth position. What he is doing is too extreme. And the worst part is that it could be corrected. I would never sacrifice the quality of the technique for the quantity. I don't think that's what the art of ballet is about.
Are you blind or am I? No doubt the talent is amazing but come on guys. Late on the entrance, every single jump starts with a flex foot. Flex feed before every jump, every pirouette starts from the competition studio fourth positions, all turned in, no classical preparation is in six position. This is a Classical competition, not jazz competition . Talent ? Yes. But I whoever cleaned and coached him shouldn’t be coaching classical dancers. Obviously, they have no knowledge of basic foundation to every preparation of every combination. He needs to find a good teacher to take him to the next level. He deserves to be in ABT, but he will never put foot on ABT’s stage if he doesn’t change his coach . Sloppy and dirty performance. By the talent of the kid is some of the best I’ve seen. Thank your parents and God for those genetics. Absolutely incredible.
Gracias a la genial escuela Cubana y el inmenso talento que tiene , la técnica se aprende para olvidar el aula al bailar como los grandes si no la dominas imposible hacerlo bien caes al suelo , no por accidente sino por hacer lo que quien no sabe dice , el es enorme no grande genial a construido un sueño con esas piernas y su técnica maravillosa es una brutal realidad de GLORIA EN LOS ESCENARIOS DEL MUNDOOO UNA TORMENTA DE EXITO Y APLAUSOS ............................( GRACIAS ) ...........................
awful turnout for a competition. and not to mention the sickled feet. work on your technique before your tricks. it will make it much more pleasent for the trained eye to look at.
Estás bromeando? Este ballet fué creado como instrumento para mostrar bravura masculina en Rusia durante la era Soviética. En realidad no tiene un tema aparte del heroísmo y el orgullo de los luchadores de la Revolución Francesa, y la requerida expresión es una de estoicismo y calma.
@@mercyobourke8776 Puedes pensar lo que quieras, y ese es tu derecho; pero he visto muchas cosas de Barani donde siempre muestra los mismos gestos ajenos al personaje. Es lo mismo que le pasa a muchos bailarines como a Natalia Osipova, que en la escena la veo siempre a ella con vestuarios siempre diferentes, con mucho virtuosiamo físico, pero raramente al peresonaje. Ballet es arte y no gimnasia.
@@Manuel2009Quevedo En Giselle el carácter individual de los personajes es esencial, así como en Lago de los Cisnes, Quijote, Corsario, Romeo y Julieta y Espartaco, por listar algunos de los baléts más dramáticos del repertorio, y en esos la actuación es esencial, además de las tremendas exigencias técnicas de la coreografía, sin embargo, Las Sílfides, El Espectro De la Rosa y otros similares al contrario requieren una expresión impasible. Los baléts de Stravinsky, Tschaikovsky y otros que narran tramas más o menos dramáticas son otra cosa; incluso El Atardecer del Fauno requiere dotes tremendas de actuación, pero La Valse y Bolero no. Pero como dices, es cuestión muy personal también. Gracias por los comentarios.
Sadiche senza pietà fiamme di Parigi don Chijote kitrie variato o quattro s ed col tamburello sì e chi la fa no no no no c no no non solo ma non è possibile no non Esmeralda col la professoressa Celentano si Esmeralda e tamburello piede tamburello sì facilissimo
N attiva gli voglio far fare fiamme di Parigi ma non si può a 60 anni no nn ho fattoun vecchio col pannolone fiamme di Parigi ma ma quello no perché possibile ma non non i lmkk no non c'è fiamme di Parigi no guardi non by the end nk
His stage presence is amazing I died watching this video the many times I watched it
Merveilleuse, explosive! This variation is always spectacular. Bravo, Jorge!
he must had have a cuban teacher, this is the style of male dancers in my beloved CUBA
Asi parece. Vistes que belleza!
He trained at the national ballet school of Cuba I’m pretty sure
Cuba has developed dance schools in many countries; in Portugal one can see the Cuban style flourish!
holy shit 6 in attitude wow.
Сколько смотрю!!! Вертлявый парень. Прямо стержень равновесия!!! БРАВО! !!!
Why .... such strength and ambition and no fourth position before turns. Totally turned inwards before each pirouette... why...... Also what's with the relaxed cou de pied in the air. I think its the left foot. Why... these technical mistakes could be corrected so easily... Anyway. Great dynamics but you gotta turn those feet outwards before turning.
Generally speaking I do agree with you, but he’s one of the best turners in the world, and that set works for him. It’s not as beautiful, but his style is still very clean, and it allows him to do 8 pirouettes with ease
@@SrtZipTop it works for him because its a (bad) habit. There are so many dancers that turn eight pirouettes or more without inwards fourth position. What he is doing is too extreme. And the worst part is that it could be corrected. I would never sacrifice the quality of the technique for the quantity. I don't think that's what the art of ballet is about.
@@ankontini I completely agree. This video is 6 years ago though and if you go to his Instagram it seems as he fixed his fourth before turning
Outstanding! Outrageous! Awesome! How... is... this... possible?
Grandes ángeles sin dudas los de la GRAN SABIA ESCUELA BELLA de CUBA . Grs.
so beautiful!
JORGE HAS WHAT IT TAKES TO BE A FAMOUS MALE DANCER.....GO ON..YOU WILL MAKE SENSATION RVIQUEZ
Que perfeição!🙏🏻❤️💐👏🏻👏🏻👏🏻🇧🇷🖖🏻
めっちゃ綺麗だし目を奪われるけどたまにつま先あまかったりインになるの超惜しい………
この方を指摘するなんて出来ませんよ、
とまとチャンネル どうしてですか？？
MARIA 06 この方とても素晴らしい賞を取ったんですよ🥳自分より上の方を少しでも指摘するなんてかなり勇気いると思うからです😳
Sublime Merci
Perfeição soberba !!!
Qué perfección!
Bravo!
Excellent!
Bro just GLIDES! 👏
@0:13 His elevation is astonishing
Are you blind or am I? No doubt the talent is amazing but come on guys. Late on the entrance, every single jump starts with a flex foot. Flex feed before every jump, every pirouette starts from the competition studio fourth positions, all turned in, no classical preparation is in six position. This is a Classical competition, not jazz competition . Talent ? Yes. But I whoever cleaned and coached him shouldn’t be coaching classical dancers. Obviously, they have no knowledge of basic foundation to every preparation of every combination. He needs to find a good teacher to take him to the next level. He deserves to be in ABT, but he will never put foot on ABT’s stage if he doesn’t change his coach . Sloppy and dirty performance.
By the talent of the kid is some of the best I’ve seen. Thank your parents and God for those genetics. Absolutely incredible.
Gracias a la genial escuela Cubana y el inmenso talento que tiene , la técnica se aprende para olvidar el aula al bailar como los grandes si no la dominas imposible hacerlo bien caes al suelo , no por accidente sino por hacer lo que quien no sabe dice , el es enorme no grande genial a construido un sueño con esas piernas y su técnica maravillosa es una brutal realidad de GLORIA EN LOS ESCENARIOS DEL MUNDOOO UNA TORMENTA DE EXITO Y APLAUSOS ............................( GRACIAS ) ...........................
Гордимся вами Сергей, большой талант , гений и человек с большой буквы....
А кто Сергей то? 😁
Идеально 👏👏👏😍😍😍😍
Esta hermoso
Simone Sergi in fiamme di Parigi una variazione classica sì
What's with the flexed foot ??
And the parallel wonky 4th pirouette preparation?
The screamers in the audience are so provencial.
First, learn to spell. It’s ‘PROVINCIAL’. Then, find out a little about ballet; you may like it.
Why does he lose his turnout n his pirouette preparation?
Look, here we are at cheerleading contest again. Oh, wait, it’s just YGAP.
Hey, grow up!
@@mercyobourke8776 Exactly. YGAP’s audience needs to grow up.
awful turnout for a competition. and not to mention the sickled feet. work on your technique before your tricks. it will make it much more pleasent for the trained eye to look at.
Supper ,PERFECT DONCER !!! WHERE HE COME FROM ????
Cuba.
Absolute perfection!
0:26
0:35
0:59
Muy virtuoso, eso sí; pero el rostro siempre expresando el mismo gesto, sin importar el personaje. Se concentra demasiado en lo físico.
Estás bromeando? Este ballet fué creado como instrumento para mostrar bravura masculina en Rusia durante la era Soviética. En realidad no tiene un tema aparte del heroísmo y el orgullo de los luchadores de la Revolución Francesa, y la requerida expresión es una de estoicismo y calma.
@@mercyobourke8776 Puedes pensar lo que quieras, y ese es tu derecho; pero he visto muchas cosas de Barani donde siempre muestra los mismos gestos ajenos al personaje. Es lo mismo que le pasa a muchos bailarines como a Natalia Osipova, que en la escena la veo siempre a ella con vestuarios siempre diferentes, con mucho virtuosiamo físico, pero raramente al peresonaje. Ballet es arte y no gimnasia.
@@Manuel2009Quevedo En Giselle el carácter individual de los personajes es esencial, así como en Lago de los Cisnes, Quijote, Corsario, Romeo y Julieta y Espartaco, por listar algunos de los baléts más dramáticos del repertorio, y en esos la actuación es esencial, además de las tremendas exigencias técnicas de la coreografía, sin embargo, Las Sílfides, El Espectro De la Rosa y otros similares al contrario requieren una expresión impasible. Los baléts de Stravinsky, Tschaikovsky y otros que narran tramas más o menos dramáticas son otra cosa; incluso El Atardecer del Fauno requiere dotes tremendas de actuación, pero La Valse y Bolero no. Pero como dices, es cuestión muy personal también. Gracias por los comentarios.
Sadiche senza pietà fiamme di Parigi don Chijote kitrie variato o quattro s ed col tamburello sì e chi la fa no no no no c no no non solo ma non è possibile no non Esmeralda col la professoressa Celentano si Esmeralda e tamburello piede tamburello sì facilissimo
Fortunately, there are a handful of dancers who reach the athleticism and courage to attempt these challenging rôles.
の
I find his lack of underwear quite distracting.
Sandra Eveline Cortes He has a dance belt on
lol - ain't no way he'd be dancing like that without any undergarments!
Dance belt... the male dancer’s version of a jock strap.
It's a dancers belt. A cup that holds everything in place.
I dont what type of belt he wears but it is always distracting.
Очень слабо исполняет. Мне трудно понять восторженные отзывы.
No di puòn nonn fare fiamme di Parigi a 60 anni non è possibile fare fiamme di Parigi a 60 anni mm di no non se possibile no
N attiva gli voglio far fare fiamme di Parigi ma non si può a 60 anni no nn ho fattoun vecchio col pannolone fiamme di Parigi ma ma quello no perché possibile ma non non i lmkk no non c'è fiamme di Parigi no guardi non by the end nk
but the guy in pantyhose, sorry x always looks poor
Bravo!!!