you are a genius ! Love the way you explain and teach ! You are the man ! most important ....... the way you teach you keep people entertained and the same way you pass that passion for music and sax.......... etc... etc.... I have much more to say.... Desire you a lot of success....
I'm glad I found you on my recommendations. I can't stop watching. Every video is so good and inspiring. Makes me want to practice more. Thank you sir!
I learn so much from you! I never heard of a "lip out" embouchure, but the idea sounds brilliant. I wonder if I can overcome 40 years of practice to try it.
Sure... with enough time and practice.! Sorry, Everybody wishes they got a buck for all the times they've heard this advice :) Seriously, if it was easy, we woulda been schooled that way from the start.....IMHO
I've been going through all your videos. Just found you in my recommended vids pile, and I love your vibe. Thanks for sharing your knowledge. Looking forward to more pro sax tips. Keep it up, bud!
@@Sirvalorsax can you give me a good feed back would you buy a mark6 tenor vintage or would you shop out there for new selmers I'm a bit confused cause I love vintage and have the money to go vintage mark6 but I'm still thinking with all these new saxophone out there new plus the improvements, I mean I own a Gerald Albright saxophone professional model love the horn but still missing that selmer ,Had a Julius K. Sold it. I need your advice on this.
In the speedbag effect, I'm wondering how much tongue movement is vertical and how much horizontal, and what it "rebounds" off. Roland Kirk used this technique also, I think. I've been wondering how it's done for decades, but feel no closer. A view from the side cutaway representation of the player's mouth, mouthpiece, teeth, lips, and tongue might show the tongue positions at each phase of the oscillatory sequence, to facilitate imitation. If any of the positions are a stretch for the player, it's likely that he won't stumble onto it on an early try at random positions. The muscles of the tongue may need special conditioning to easily move in the way or ways needed. Not knowing precisely what those ways are compounds the problem. Special tips on conditioning exercises for this unknown movement might help some. Thanks for a great lesson; your material has helped me a lot.
Sirvalorsax, you give great instructions on all of your videos that I have seen. I get the speed bag effect, but I don't understand exactly how to do it. Do you let your tongue rattle freely or are you letting it touch tip and a little from the tip one step at a time? In other words moving your tongue that fast....tip and behind? I notice if I can make my tongue raddle if I just blow and let it go free.
I've been playing a tenor sax for almost a year, and I was always told the lip in method. Can you elaborate on the lip out method more for me? I've been feeling a lot of pressure on my lower lip here recently, and I'm interested in learning more about the lip out method.
Hello from germany . STM 7 with #2 Vandoren reads? wow, Very soft setup, but great sound. I use STM 9 and rico royale #2,5, the three harder ones in the box 😉
Adrien, somewhere along the way, I lost my ability to flutter tongue; it’s like it feels tighter/shorter than when I was young. I try it here and there, both with mouthpiece in and also without, but so far not much progress.
I was really looking forward to getting more classical saxophone mouthpieces before "all of this" happened. I'll see what I can do for a future video though. Thanks for the suggestion
When using the lip out embouchure, are we still need to put some lower lip on the top of the bottom teeth? Or do we just support the reed fully with our lower lip? Thanks man
You are the best. Thank you for posting these videos.
you are a genius ! Love the way you explain and teach ! You are the man ! most important ....... the way you teach you keep people entertained and the same way you pass that passion for music and sax.......... etc... etc.... I have much more to say....
Desire you a lot of success....
By far the best Sax tutorial I have seen so far.
Many videos on HOW TO TOUNGE. Please have a video on WHEN to tongue, note in which position to tongue etc. Thank you so much.
I've liked using that "speed bag" effect too, back in the 80's, but I never heard it called that. I like that name.
Your content is unbelievably useful for intermediate players. Many thanks!
Thanks.
this video was out for less than 1 minute but I already know its good
Cool, thanks
That section at the end..👏🏼👏🏼
Lol
So cool😍🤩
Thanks master 🥰☺️🥹😻👍🏼
Cool
Best techer ever, everything explained clear & concise, very cool, greets from Germany 🇩🇪
Thanks
I do that, too, bro👍🏻👍🏻
Thank you very much
😁
I'm glad I found you on my recommendations. I can't stop watching. Every video is so good and inspiring. Makes me want to practice more. Thank you sir!
Awesome! Thank you!
Thank you for the masterclass
Cool
Well, really, of course, cool video, you're 👍🏻☀️☀️
I learn so much from you! I never heard of a "lip out" embouchure, but the idea sounds brilliant. I wonder if I can overcome 40 years of practice to try it.
Scott Paddock also uses it, and goes over it here: ua-cam.com/video/5vh_5DakK_c/v-deo.html
Sure... with enough time and practice.! Sorry, Everybody wishes they got a buck for all the times they've heard this advice :) Seriously, if it was easy, we woulda been schooled that way from the start.....IMHO
@@gangofgreenhorns2672 Scott Paddock is very skilled, but his saxophone sounds like a kazoo. I just can't get past his tone.
@@gangofgreenhorns2672 anyone who knows what they are doing usually uses it, at least in the jazz world.
Nice jam at the end of that video ! Good tone, good blending and articulation hehe 😉
Thanks! 😁
I've been going through all your videos. Just found you in my recommended vids pile, and I love your vibe. Thanks for sharing your knowledge. Looking forward to more pro sax tips. Keep it up, bud!
Thanks
Wow so knowledgeable and helpful. Thank you.
Love this guy is like on point with his experience and explaination
Thanks
@@Sirvalorsax can you give me a good feed back would you buy a mark6 tenor vintage or would you shop out there for new selmers I'm a bit confused cause I love vintage and have the money to go vintage mark6 but I'm still thinking with all these new saxophone out there new plus the improvements, I mean I own a Gerald Albright saxophone professional model love the horn but still missing that selmer ,Had a Julius K. Sold it. I need your advice on this.
Sirvalorsax is GREAT!
Thanks
Excelente lección!!!
Awesome
Man, I love that playing!
Felicitaciones por tus videos tienes buena técnica, sabes explicar bien para principiantes y para profesionales , de verdad buen músico. saludos.
Gracias
Nice video man
As always
Muito boa a a explicação! Muito obrigado!
Play more Jazz, man! Just love the way you articulate them!!
Great content!
Smiley Face emoji!
< DeeP...Down to the Bone. Thanks for bringing the Elephant into the room¡!¡ :->)
Parabéns pelo vídeo. Fico agradecido pela explicações.
In the speedbag effect, I'm wondering how much tongue movement is vertical and how much horizontal, and what it "rebounds" off. Roland Kirk used this technique also, I think. I've been wondering how it's done for decades, but feel no closer. A view from the side cutaway representation of the player's mouth, mouthpiece, teeth, lips, and tongue might show the tongue positions at each phase of the oscillatory sequence, to facilitate imitation. If any of the positions are a stretch for the player, it's likely that he won't stumble onto it on an early try at random positions. The muscles of the tongue may need special conditioning to easily move in the way or ways needed. Not knowing precisely what those ways are compounds the problem. Special tips on conditioning exercises for this unknown movement might help some. Thanks for a great lesson; your material has helped me a lot.
Excelente como siempre, maestro!
Excelentissimo!
😀
sirvalorsax- man you gotta try some syos man i love your gear reviews. have you ever tried them?
He has said he doesn't want to pay that much for plastic in some other videos.
Maybe I can get a used one in the future
@@Sirvalorsax You need a PO Box or something so we can send you mouthpieces to review.
Sirvalorsax, you give great instructions on all of your videos that I have seen. I get the speed bag effect, but I don't understand exactly how to do it. Do you let your tongue rattle freely or are you
letting it touch tip and a little from the tip one step at a time? In other words moving your tongue that fast....tip and behind? I notice if I can make my tongue raddle if I just blow and let it go free.
I've been playing a tenor sax for almost a year, and I was always told the lip in method. Can you elaborate on the lip out method more for me? I've been feeling a lot of pressure on my lower lip here recently, and I'm interested in learning more about the lip out method.
Hello from germany . STM 7 with #2 Vandoren reads? wow, Very soft setup, but great sound. I use STM 9 and rico royale #2,5, the three harder ones in the box 😉
Mostly 2.5 and sometimes #3 but I really prefer a softer setup overall
@@Sirvalorsax How long do your reeds last with that setup? Do you have a reed video ? Like how you prepare, how you make them last etc?
Plumber's tape is essential gear.
Adrien, somewhere along the way, I lost my ability to flutter tongue; it’s like it feels tighter/shorter than when I was young. I try it here and there, both with mouthpiece in and also without, but so far not much progress.
What was the app you were using mate? thanks for posting
I use Filmora X (10)
when i do this it differ the sound cause of splitting through the reed and mouthpiece. How to avoid that ?
Hello can you please make a review on the selmer concept tenor sax mouthpiece ?
I was really looking forward to getting more classical saxophone mouthpieces before "all of this" happened. I'll see what I can do for a future video though. Thanks for the suggestion
When using the lip out embouchure, are we still need to put some lower lip on the top of the bottom teeth? Or do we just support the reed fully with our lower lip? Thanks man
Yes. You are using less lip under the teeth while also relaxing the lower lip pressure.
Maestro clase en online
Hi Sirvalorsax, I didn't get the la la tonguing, where should my tongue need to place or position it? Thank you.
I'm going to work on these things. The la muted attempt was a disaster. I think you need to describe that one a little more. The rest was perfect.
I realized that I was a bit light on describing that one after I posted the video. Oops.
These could all be an hour and we would watch them.
@@gangofgreenhorns2672 I couldn't agree more
If am doing my tonguing i will be putting saliva in my Sax please how do I get rid of that ?
If you send me the whip I will put the cork master hahaha
i've been playing saxophone for a week and am struggling with tonging...
Take your time......🎷😁
the shank must be very soft for comfort whether or not master health
I knew it. I need a bigger anchor
Ok I see you watch Black Lightening too! 😂
LOL!!!
If you tongue the alphabet, they'll think you're from France....per Sam Kinnison (RIP)
LOL
i am tryng to understand the first part of the video.. i just dont , at all
Someday, someone is going to figure out a way to put a really tiny video camera inside someone's mouth so we can see what's going on when tonguing!
Fascinating!