prelude to a kiss - REHARM | jazz piano college | open voicings
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- Опубліковано 21 сер 2024
- Two reharmonization 'hacks' are explored in this video
Here's the lead sheet:bit.ly/3fFB3WW
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Tension formulas:
goo.gl/Qc578f
Min, Maj, Dom. 7th Tensions :
goo.gl/0o7G1O
Other tensions: goo.gl/8I5I50
pdf file explaining open voicings standard formulas:
goo.gl/qDWjDY
Many videos about jazz and classical piano can be found in my PLAYLISTS : bit.ly/3dkbaK2 - find the topics that interest you . JAZZ PIANO COLLEGE
This is gold. Best Piano channel on UA-cam. straight to the point, no stupid stories or egocentric talk. pure education.
You can't disagree with this, just straight facts!
Another great lesson Mr. Winston, thank you.
One more exceptionally insightful lesson. There is much here to be used in countless other tunes. It is hard to overstate how thoughtful you are Mr. Winston.
Wonderful lesson, kinda makes my head hurt. ; - } That piano sounds so, so good!
Thanks! Mr. Fudd. It is a maze of chords for sure
one of my favorite videos from you; an absolute whirlwind of the concepts you've been teaching us, amazing to see them all put to use. Thank you so much
Great teaching style! 👍
Great lesson. These Shearing style voicings are gorgeous.
Really great ! Thank you 🙏🏻
Thanx, Maestro. 🌹🌹🌹
Thank you Tony, great session. I must have missed it. Is there a link to the Berklee College Chord Chart?
Thanks, I just posted the links in the description. Here they are Tension formulas:
goo.gl/Qc578f
Min, Maj, Dom. 7th Tensions :
goo.gl/0o7G1O
Other tensions: goo.gl/8I5I50
pdf file explaining open voicings standard formulas:
goo.gl/qDWjDY
maybe the "Move" works here? Or too much? Fmaj7 Bbmaj7 Am7 C7#11 B7? i admit it seems overdone but still....I am not so familiair with this Roayl Tine I am with The Title in practce anyway
Thank you Tony. Any chance you could also walk us thru the rootless voicings?
Sure!, I'll do a follow up..
hi Tony I played yesterday for my 1st Teacher and showed him some of the 4th vocings on Autumn Leaves I used chrom ascending 4ths LH and m711scale tetratonic penta omitting the 5th going from cm711 RH to F# m711 he came upnwith some interesting solution I showed him what I learned from you to play CFBb LH TO C# F# B for Cm7 F7 he suggested to go down and then play after BEA Bb EbAb for the Am7b5 D7 I asked him if ADG CFBb Eb Ab Db F#BE to GCF FBbEb (F# B E ) GCF ending A 1 could you maybe play your version I am now crazily curious I will sponsor you as soon as possible I have to pay of my Kawai piano first....of course I am interested in both imporv as 2 handed voicings the hole package....
Thanks ER, I was looking for your comment about using the move in Prelude to a kiss, but now I can't find it. The move works but the example you gave is not quite the move, more like three-quarters of the move. F, B flat, a, then would expect a D7 not a C7 but of course the C7 leads you to the B7. Of all the possible chord changes in this measure I like yours the best.
how can I get that formula sheet for my own reference Tom?
Look in the description!